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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
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A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
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books
books
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
e-flux index #3
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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books
books
Title:
AV Proyectos 124
AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano,(...)
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano,(...)
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AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano, of SUMA Arquitectura, which we have interviewed here on their pioneering experience using structural timber in Spain. The issue continues with the competition porposals for the remodelling of the Municipal Museum of Contemporary Art (SMAK) in Ghent, by David Kohn and noAarchitecten, and the work in process for the new Benin National Assembly in Porto Novo, by Francis Kéré, closing with Luis Fernández-Galiano’s review of Fischer von Erlach’s Project of a Historical Architecture, recently re-edited.
AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano, of SUMA Arquitectura, which we have interviewed here on their pioneering experience using structural timber in Spain. The issue continues with the competition porposals for the remodelling of the Municipal Museum of Contemporary Art (SMAK) in Ghent, by David Kohn and noAarchitecten, and the work in process for the new Benin National Assembly in Porto Novo, by Francis Kéré, closing with Luis Fernández-Galiano’s review of Fischer von Erlach’s Project of a Historical Architecture, recently re-edited.
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books
books
Publication:
September 2024
September 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
Log 62 : fall 2024
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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October 2024
October 2024
Title:
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
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journals and magazines
journals and magazines
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October 2024
October 2024
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journals and magazines
journals and magazines
Title:
Festina Lente n.02
Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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journals and magazines
journals and magazines
Publication:
December 2024
December 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$36.95
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Summary:
Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
Title:
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
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journals and magazines
journals and magazines
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November 2024
November 2024
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Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Detail 12 2024 : Masonry
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This(...)
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This(...)
Title:
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This issue also turns to masonry architecture, with explorations of natural stone traditions in France’s Bouches-du- Rhône region, the Brighton College campus in southern England, and Denmark’s brick building heritage.
Detail 12 2024 : Masonry
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In this issue, ''Detail'' showcase the winning projects for the Detail Award 2024, including the recipient of the Students’ Award and the winner of the Readers’ Award, which received 486 out of 2,133 votes in our online poll. Notably, this year’s awards celebrate projects by architecture firms and universities across Europe – from Denmark to Spain and Switzerland. This issue also turns to masonry architecture, with explorations of natural stone traditions in France’s Bouches-du- Rhône region, the Brighton College campus in southern England, and Denmark’s brick building heritage.
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journals and magazines
journals and magazines
Publication:
January 2025
January 2025
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Magazines
Magazines
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journals and magazines
journals and magazines
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
Title:
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
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journals and magazines
journals and magazines
Publication:
January 2025
January 2025
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and(...)
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and(...)
Title:
Detail 1/2 2025 : Digital and sustainable
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and constructing spaces – far more than mere devices for experiencing them. Lengthy construction workflows, optimised designs, and the complex coordination of planning, cost control, and project management are increasingly digitalised. We can now program buildings to meet parametric specifications, construct homes using 3D printing, and create detailed 3D models of existing buildings to analyse them before renovation even begins. While landscape has transformed dramatically, digitalisation in architecture is clearly still in its early stages. To begin the year, this issue shines a spotlight on the digital present and future of architecture, exploring how digital tools can enhance sustainability. Our project documentations showcase an array of approaches, from digital material passports to parametric models and BIM applications for existing structures. Experts offer insight on the complexities of planning and construction processes.
Detail 1/2 2025 : Digital and sustainable
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Walter Pichler foresaw the future nearly 60 years ago. His “TV-Helmet (Portable Living Room)” anticipated technologies akin to today’s cyber glasses. At the time, this vision was nothing short of revolutionary. Today, such concepts are not only a reality but have advanced significantly. Virtual and digital realities are now integral to designing, planning, and constructing spaces – far more than mere devices for experiencing them. Lengthy construction workflows, optimised designs, and the complex coordination of planning, cost control, and project management are increasingly digitalised. We can now program buildings to meet parametric specifications, construct homes using 3D printing, and create detailed 3D models of existing buildings to analyse them before renovation even begins. While landscape has transformed dramatically, digitalisation in architecture is clearly still in its early stages. To begin the year, this issue shines a spotlight on the digital present and future of architecture, exploring how digital tools can enhance sustainability. Our project documentations showcase an array of approaches, from digital material passports to parametric models and BIM applications for existing structures. Experts offer insight on the complexities of planning and construction processes.
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journals and magazines
journals and magazines
Publication:
January 2025
January 2025
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
GA Houses 195
GA Houses 195
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
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GA Houses 195
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
GA Houses 195
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"GA Houses" documents outstanding new residential architecture from all over the world. With projects by selgascano + Diego Cano, Olson Kundig, Norisada Maeda, Luciano Kruk, Takashi Fujino, Antony Liu + Studio TonTon, Makoto Tamada + Natsuko Wakimoto, Ignacio Rojas Hirigoyen, Tomohiro Hata, and Taichi Mitsuya + Yuwa Saito.
Form:
journals and magazines
journals and magazines
Publication:
July 2024
July 2024
Subject:
Magazines
Magazines
