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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel,(...)
Texte zur Kunst 96: the gallerists
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel, and a constant presence at fairs, this art world protagonist has in turn, adapted their role to accommodate these pressures. In light of this, what, today, can we make of the “good” gallerist carefully establishing a stable of artists, “placing” their work over time in particular institutional and private collections? And if a market taking place independently of gallerists is indeed increasing, how then does this affect the established mechanisms of validation and canonization?
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 5: door
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
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Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 6: pipe
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Summary:
For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold.(...)
Flaneur issue 05: Fokionos Negri, Athens
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Flaneur is a nomadic, independent magazine focussing on one street per issue. Following the oral history of the neighbourhood of Kypseli,the fifth issue of Flaneur Magazine finds itself entangled in a story-heavy microcosm. Fokionos Negri, once a river, now a broad and green, two-sided boulevard becomes a stage of overlapping narratives where stories are told and retold. As on every stage, the desire for the story is stronger than the need to subdue it to rigid logic. The magazine emerses itself in these fragments until they become our very own memory.
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