Pleasant Place 4: Artichoke
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''Pleasant Place''' is a growing collection of publications about the art of gardening, offering both practical and in-depth information on everyday garden tasks and garden design. The fourth issue is all about the Artichoke (Cynara cardunculus var. Scolymus), a monumental perennial thistle that deserves a place in both gardens and kitchens alike. This issue includes a(...)
Pleasant Place 4: Artichoke
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''Pleasant Place''' is a growing collection of publications about the art of gardening, offering both practical and in-depth information on everyday garden tasks and garden design. The fourth issue is all about the Artichoke (Cynara cardunculus var. Scolymus), a monumental perennial thistle that deserves a place in both gardens and kitchens alike. This issue includes a botanical introduction, an overview of artichokes in art history, six artists interpretation of artichoke finials, a visual essay on cultivating artichokes in Niscemi (IT) and international artichoke recipes. As always, a set of garden miniatures can be found in the centerfold.
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Ciel Variable no. 124
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Le dernier numéro est maintenant en vente à la librairie. // The latest issue is now available at the bookstore.
Ciel Variable no. 124
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Le dernier numéro est maintenant en vente à la librairie. // The latest issue is now available at the bookstore.
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Art criticism has been said to be in crisis for decades – and one of its mainstays, the review, would seem to be in no better shape. The number of exhibition reviews in the pages of national daily papers has been in continuous decline, and the material conditions that make the articulation of well-founded criticism possible are deteriorating. Moreover, at least in the(...)
Texte zur Kunst 131 : Reviews
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Art criticism has been said to be in crisis for decades – and one of its mainstays, the review, would seem to be in no better shape. The number of exhibition reviews in the pages of national daily papers has been in continuous decline, and the material conditions that make the articulation of well-founded criticism possible are deteriorating. Moreover, at least in the domain of visual art, critics seem to be losing the taste for judgment: more and more often, solidly reasoned objections have ceded ground to affirmative description. This issue of ''TEXTE ZUR KUNST'' responds to the situation by making the case for the review and shedding light on its shifting circumstances
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Harvard Design Magazine 51
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Multihyphenation refers to alternate modes of creative production: "collab" culture, "brand X brand" projects, and multiple or even opaque styles of attribution and ownership among individuals, studios, and practices. For them, the body of work they produce matters more than maintaining a singular creative identity as an individual designer, architect, artist, etc. But is(...)
Harvard Design Magazine 51
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Multihyphenation refers to alternate modes of creative production: "collab" culture, "brand X brand" projects, and multiple or even opaque styles of attribution and ownership among individuals, studios, and practices. For them, the body of work they produce matters more than maintaining a singular creative identity as an individual designer, architect, artist, etc. But is this practice actually new? Architects, curators, fashion designers, scholars, and artists were invited to question the theme from different vantage points. A highlight of the issue is a visual folio featuring more than 40 multihyphenated works that exemplify complex strategies for navigating creative practice today.
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The latest issue is now available at the bookstore.
Canadian Architect, v.68 n.07, October 2023
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The latest issue is now available at the bookstore.
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Continuité no. 178
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Le nouveau numéro est maintenant disponible à la librairie.
Continuité no. 178
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Le nouveau numéro est maintenant disponible à la librairie.
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Bernard Gagnon est professeur titulaire au Département des lettres et humanités de l’Université du Québec à Rimouski (UQAR). Il est membre du Centre de recherche interdisciplinaire sur la diversité et la démocratie (CRIDAQ) et de l’Équipe de recherche en éthique Ethos. Ses travaux et ses publications en théorie politique ont porté sur les tensions et les conciliations(...)
Histoire Québec vol. 29 no.1 : Loisirs culturels - des histoires de passion
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Bernard Gagnon est professeur titulaire au Département des lettres et humanités de l’Université du Québec à Rimouski (UQAR). Il est membre du Centre de recherche interdisciplinaire sur la diversité et la démocratie (CRIDAQ) et de l’Équipe de recherche en éthique Ethos. Ses travaux et ses publications en théorie politique ont porté sur les tensions et les conciliations possibles entre les idées de diversité, de solidarité et de démocratie.
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Inter art actuel 142
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Le dernier numéro est maintenant disponible à la librairie.
Inter art actuel 142
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Le dernier numéro est maintenant disponible à la librairie.
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From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki(...)
Log 58
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From building renovations to drawing trees and planting forests; AI and air flow; exhibitions of architecture and architecture for exhibitions, Log 58 brings together articles by 18 authors, both new and established. In this 160-page open issue, Emmett Zeifman codifies “Five Points” in the work of Lacaton & Vassal and Lisa Hsieh finds kawaii qualities in Hideyuki Nakayama’s designs. Harish Krishnamoorthy explores two politicized Hong Kong museums while Cynthia Davidson studies Studio Gang’s addition to the American Museum of Natural History in New York. Mario Carpo considers the generative capacity of precedents in AI; Ian Erickson, the form-finding potential of a digital breeze; and Phillip Denny, the details of a drawing by Michelle JaJa Chang. Shiila Infriccioli recounts the aftermath of a storm in Italy, Waiko Waida storyboards an early modern movement in Japan, and Norihisa Kawashima renovates an office building.
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