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« Lire jusqu'à ce que je m'endorme » réfléchit le travail du designer et éditeur Manuel Raeder. Une pratique qui se déploie entre lecteurs et livres, artistes et lieux, corps et infrastructures, matières et mémoires, en travaillant avec des objets explicitement chargés de leurs histoires qui résistent à la culture du jetable en affirmant la persistance de la vie des(...)
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« Lire jusqu'à ce que je m'endorme » réfléchit le travail du designer et éditeur Manuel Raeder. Une pratique qui se déploie entre lecteurs et livres, artistes et lieux, corps et infrastructures, matières et mémoires, en travaillant avec des objets explicitement chargés de leurs histoires qui résistent à la culture du jetable en affirmant la persistance de la vie des(...)
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Faire - Regarder le graphisme n.56 : Lire jusqu'à ce que je m'endorme
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« Lire jusqu'à ce que je m'endorme » réfléchit le travail du designer et éditeur Manuel Raeder. Une pratique qui se déploie entre lecteurs et livres, artistes et lieux, corps et infrastructures, matières et mémoires, en travaillant avec des objets explicitement chargés de leurs histoires qui résistent à la culture du jetable en affirmant la persistance de la vie des choses. L'essai propose de multiples perspectives qui envisagent les inégalités déterminant qui peut travailler, se reposer, produire et être vu. Dans ce paysage, la pratique de Raeder, lecture comme sommeil, devient un acte de résistance, un intervalle qui réinstaure la possibilité d'une relation, d'une autonomie et d'un soin. Ces vingt dernières années, il a développé un corpus singulier d'œuvres allant du livre au mobilier, au vêtement, aux expositions, et des collaborations de long terme avec la fondation du Studio Manuel Raeder, et la cofondation de la maison d'édition BOM DIA BOA TARDE BOA NOITE, qui demeure une équipe de collaborateurs installée dans son studio berlinois.
Faire - Regarder le graphisme n.56 : Lire jusqu'à ce que je m'endorme
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« Lire jusqu'à ce que je m'endorme » réfléchit le travail du designer et éditeur Manuel Raeder. Une pratique qui se déploie entre lecteurs et livres, artistes et lieux, corps et infrastructures, matières et mémoires, en travaillant avec des objets explicitement chargés de leurs histoires qui résistent à la culture du jetable en affirmant la persistance de la vie des choses. L'essai propose de multiples perspectives qui envisagent les inégalités déterminant qui peut travailler, se reposer, produire et être vu. Dans ce paysage, la pratique de Raeder, lecture comme sommeil, devient un acte de résistance, un intervalle qui réinstaure la possibilité d'une relation, d'une autonomie et d'un soin. Ces vingt dernières années, il a développé un corpus singulier d'œuvres allant du livre au mobilier, au vêtement, aux expositions, et des collaborations de long terme avec la fondation du Studio Manuel Raeder, et la cofondation de la maison d'édition BOM DIA BOA TARDE BOA NOITE, qui demeure une équipe de collaborateurs installée dans son studio berlinois.
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books
books
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March 2026
March 2026
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Magazines
Magazines
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books
books
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Les panneaux d'affichage publicitaires sont des dispositifs urbains qui offrent un potentiel important pour explorer les mécanismes qui façonnent notre perception des photographies dans la vie quotidienne. En tant que «?monuments visuels contemporains?» accessibles à tous, ils favorisent les discussions ouvertes sur le contenu visuel et l'imagerie quotidienne qui(...)
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Les panneaux d'affichage publicitaires sont des dispositifs urbains qui offrent un potentiel important pour explorer les mécanismes qui façonnent notre perception des photographies dans la vie quotidienne. En tant que «?monuments visuels contemporains?» accessibles à tous, ils favorisent les discussions ouvertes sur le contenu visuel et l'imagerie quotidienne qui(...)
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Faire - Regarder le graphisme n.55 : De l'image du panneau publicitaire
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Les panneaux d'affichage publicitaires sont des dispositifs urbains qui offrent un potentiel important pour explorer les mécanismes qui façonnent notre perception des photographies dans la vie quotidienne. En tant que «?monuments visuels contemporains?» accessibles à tous, ils favorisent les discussions ouvertes sur le contenu visuel et l'imagerie quotidienne qui emplissent notre champ de vision dans les lieux publics. Cette publication, fondée sur la conscience du rôle essentiel de la photographie dans la définition de l'identité personnelle et de l'appartenance sociale, examine des pratiques diverses?: l'avènement des panneaux d'affichage comme espaces publicitaires prisés, les œuvres d'artistes historiques et contemporains qui les utilisent comme des espaces de réflexion, et les projets culturels qui les transforment en format d'exposition démocratique. À une époque dominée par la consommation d'images en ligne, «?De l'image du panneau publicitaire?» souligne l'importance de se focaliser à nouveau sur notre expérience dans l'espace physique, et de cultiver une attention particulière envers les photographies que nous voyons passivement dans l'espace public. Car c'est là où les opinions, les systèmes de valeurs, les dynamiques de pouvoir et la conscience civique prennent forme. À mesure que ces espaces publics se fragmentent sous l'effet de la privatisation, de la gentrification et de l'individualisme, une étape est essentielle pour se réapproprier les espaces que nous habitons?: celle de comprendre le rôle des panneaux d'affichage dans la transformation du territoire urbain, et surtout de notre imaginaire collectif.
Faire - Regarder le graphisme n.55 : De l'image du panneau publicitaire
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Les panneaux d'affichage publicitaires sont des dispositifs urbains qui offrent un potentiel important pour explorer les mécanismes qui façonnent notre perception des photographies dans la vie quotidienne. En tant que «?monuments visuels contemporains?» accessibles à tous, ils favorisent les discussions ouvertes sur le contenu visuel et l'imagerie quotidienne qui emplissent notre champ de vision dans les lieux publics. Cette publication, fondée sur la conscience du rôle essentiel de la photographie dans la définition de l'identité personnelle et de l'appartenance sociale, examine des pratiques diverses?: l'avènement des panneaux d'affichage comme espaces publicitaires prisés, les œuvres d'artistes historiques et contemporains qui les utilisent comme des espaces de réflexion, et les projets culturels qui les transforment en format d'exposition démocratique. À une époque dominée par la consommation d'images en ligne, «?De l'image du panneau publicitaire?» souligne l'importance de se focaliser à nouveau sur notre expérience dans l'espace physique, et de cultiver une attention particulière envers les photographies que nous voyons passivement dans l'espace public. Car c'est là où les opinions, les systèmes de valeurs, les dynamiques de pouvoir et la conscience civique prennent forme. À mesure que ces espaces publics se fragmentent sous l'effet de la privatisation, de la gentrification et de l'individualisme, une étape est essentielle pour se réapproprier les espaces que nous habitons?: celle de comprendre le rôle des panneaux d'affichage dans la transformation du territoire urbain, et surtout de notre imaginaire collectif.
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books
books
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January 2026
January 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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Ever since the term Middle Ages came into use, this historical era has been inextricably bound up with notions of alterity. Beginning in the 14th century, the picture of a dark age was utilized as a foil to set off the ideals of Renaissance enlightenment and humanism; later on, the Romantics pioneered the vision of the Middle Ages as an era unspoiled by advancing(...)
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Ever since the term Middle Ages came into use, this historical era has been inextricably bound up with notions of alterity. Beginning in the 14th century, the picture of a dark age was utilized as a foil to set off the ideals of Renaissance enlightenment and humanism; later on, the Romantics pioneered the vision of the Middle Ages as an era unspoiled by advancing(...)
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Texte zur kunst #142: Mittelalter
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Ever since the term Middle Ages came into use, this historical era has been inextricably bound up with notions of alterity. Beginning in the 14th century, the picture of a dark age was utilized as a foil to set off the ideals of Renaissance enlightenment and humanism; later on, the Romantics pioneered the vision of the Middle Ages as an era unspoiled by advancing industrialization, onto which they projected their longing for a way of life in harmony with nature and spirituality. The temptation to escape the complex and unsettled present for an allegedly simpler past is also characteristic of references to the Middle Ages in contemporary pop culture and politics. This issue of TEXTE ZUR KUNST counters such simplistic perspectives with a more nuanced portrayal of the Middle Ages that acknowledges historical parallels and continuities as well as contradictions.
Texte zur kunst #142: Mittelalter
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Ever since the term Middle Ages came into use, this historical era has been inextricably bound up with notions of alterity. Beginning in the 14th century, the picture of a dark age was utilized as a foil to set off the ideals of Renaissance enlightenment and humanism; later on, the Romantics pioneered the vision of the Middle Ages as an era unspoiled by advancing industrialization, onto which they projected their longing for a way of life in harmony with nature and spirituality. The temptation to escape the complex and unsettled present for an allegedly simpler past is also characteristic of references to the Middle Ages in contemporary pop culture and politics. This issue of TEXTE ZUR KUNST counters such simplistic perspectives with a more nuanced portrayal of the Middle Ages that acknowledges historical parallels and continuities as well as contradictions.
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journals and magazines
journals and magazines
Publication:
June 2026
June 2026
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Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Log 66: spring 2026, Walls
Log 66: spring 2026, Walls
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When architects draw plans, they start by drawing walls. But what is a wall? What is behind it? What is inside it? The ubiquitous architectural element is at once a support, a canvas, a barricade, a boundary, and a political actor that enables both justice and injustice. Log 66: Walls addresses these questions and expands on these uses. For Kiyoshi Sey Takeyama, the wall(...)
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When architects draw plans, they start by drawing walls. But what is a wall? What is behind it? What is inside it? The ubiquitous architectural element is at once a support, a canvas, a barricade, a boundary, and a political actor that enables both justice and injustice. Log 66: Walls addresses these questions and expands on these uses. For Kiyoshi Sey Takeyama, the wall(...)
Title:
Log 66: spring 2026, Walls
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When architects draw plans, they start by drawing walls. But what is a wall? What is behind it? What is inside it? The ubiquitous architectural element is at once a support, a canvas, a barricade, a boundary, and a political actor that enables both justice and injustice. Log 66: Walls addresses these questions and expands on these uses. For Kiyoshi Sey Takeyama, the wall produces and protects individual freedom, whereas Anthony Titus sees the wall as an instrument of simultaneous constraint and dependence. Elle Gerdeman, Iman Fayyad, Oscar Zamora, and Elizabeth Bowie Christoforetti probe into different residential walls to critique the culture of contemporary construction, while Courtney Coffman investigates the curtain as a partition. And more...
Log 66: spring 2026, Walls
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When architects draw plans, they start by drawing walls. But what is a wall? What is behind it? What is inside it? The ubiquitous architectural element is at once a support, a canvas, a barricade, a boundary, and a political actor that enables both justice and injustice. Log 66: Walls addresses these questions and expands on these uses. For Kiyoshi Sey Takeyama, the wall produces and protects individual freedom, whereas Anthony Titus sees the wall as an instrument of simultaneous constraint and dependence. Elle Gerdeman, Iman Fayyad, Oscar Zamora, and Elizabeth Bowie Christoforetti probe into different residential walls to critique the culture of contemporary construction, while Courtney Coffman investigates the curtain as a partition. And more...
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journals and magazines
journals and magazines
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
a+u 664: Manthey Kula
a+u 664: Manthey Kula
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Vector Architects, founded by Gong Dong in 2008, has prioritised the relationship of built work to its site, from seasides or mountains to the heart of the city, while investigating both natural and artificial landmarks for clues on how best to address the requirements of each programme. And while the office is no stranger to bold gestures, a recent work such as the(...)
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Vector Architects, founded by Gong Dong in 2008, has prioritised the relationship of built work to its site, from seasides or mountains to the heart of the city, while investigating both natural and artificial landmarks for clues on how best to address the requirements of each programme. And while the office is no stranger to bold gestures, a recent work such as the(...)
Title:
a+u 664: Manthey Kula
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$42.00
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Vector Architects, founded by Gong Dong in 2008, has prioritised the relationship of built work to its site, from seasides or mountains to the heart of the city, while investigating both natural and artificial landmarks for clues on how best to address the requirements of each programme. And while the office is no stranger to bold gestures, a recent work such as the Jingyang Camphor Court seems to retreat from view, knitting itself into the urban fabric until structure and surroundings become inseparable. The issue also features Xiangshan Library, Changjiang Art Museum, Shanghai Maritime Pavilion, and more, plus essays by Gong Dong, David Leatherbarrow, and Michele Bonino.
a+u 664: Manthey Kula
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Vector Architects, founded by Gong Dong in 2008, has prioritised the relationship of built work to its site, from seasides or mountains to the heart of the city, while investigating both natural and artificial landmarks for clues on how best to address the requirements of each programme. And while the office is no stranger to bold gestures, a recent work such as the Jingyang Camphor Court seems to retreat from view, knitting itself into the urban fabric until structure and surroundings become inseparable. The issue also features Xiangshan Library, Changjiang Art Museum, Shanghai Maritime Pavilion, and more, plus essays by Gong Dong, David Leatherbarrow, and Michele Bonino.
Form:
journals and magazines
journals and magazines
Publication:
June 2026
June 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$18.00
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Ce dossier veut tisser des liens, recoudre ce continent appelé Amériques, malgré tout ce qui le déchire. À travers une série de rencontres : traductions, mutations, fuites et autres longs parcours, il se tourne, pour penser art et politique, vers des créateurices d'Amérique latine. Il y sera question entre autres d'identités troublées, de mémoires à retrouver, de survie(...)
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Ce dossier veut tisser des liens, recoudre ce continent appelé Amériques, malgré tout ce qui le déchire. À travers une série de rencontres : traductions, mutations, fuites et autres longs parcours, il se tourne, pour penser art et politique, vers des créateurices d'Amérique latine. Il y sera question entre autres d'identités troublées, de mémoires à retrouver, de survie(...)
Title:
Liberté no. 351 : Amériques bâtardes
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Ce dossier veut tisser des liens, recoudre ce continent appelé Amériques, malgré tout ce qui le déchire. À travers une série de rencontres : traductions, mutations, fuites et autres longs parcours, il se tourne, pour penser art et politique, vers des créateurices d'Amérique latine. Il y sera question entre autres d'identités troublées, de mémoires à retrouver, de survie et de vie bonne, de réciprocité nécessaire. Une invitation à écrire ensemble, marcher hors des grandes routes pour réduire les distances, contourner les dominations et chercher des ancrages sensibles dans un territoire blessé.
Liberté no. 351 : Amériques bâtardes
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Ce dossier veut tisser des liens, recoudre ce continent appelé Amériques, malgré tout ce qui le déchire. À travers une série de rencontres : traductions, mutations, fuites et autres longs parcours, il se tourne, pour penser art et politique, vers des créateurices d'Amérique latine. Il y sera question entre autres d'identités troublées, de mémoires à retrouver, de survie et de vie bonne, de réciprocité nécessaire. Une invitation à écrire ensemble, marcher hors des grandes routes pour réduire les distances, contourner les dominations et chercher des ancrages sensibles dans un territoire blessé.
Form:
journals and magazines
journals and magazines
Publication:
June 2026
June 2026
Subject:
Magazines
Magazines
Form:
books
books
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$52.00
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This anniversary issue is devoted to what we call the “art of the joint” – an homage to J.S. Bach’s cycle “The Art of Fugue” (1751), and a symbol of the quest for clarity and mathematical precision in the assembly of elements: the drive towards perfection, and ultimately, beauty as the outcome of appropriateness. To mark our anniversary, Detail has launched a new(...)
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This anniversary issue is devoted to what we call the “art of the joint” – an homage to J.S. Bach’s cycle “The Art of Fugue” (1751), and a symbol of the quest for clarity and mathematical precision in the assembly of elements: the drive towards perfection, and ultimately, beauty as the outcome of appropriateness. To mark our anniversary, Detail has launched a new(...)
Title:
Derail 6 2026: The Art of the Joint
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This anniversary issue is devoted to what we call the “art of the joint” – an homage to J.S. Bach’s cycle “The Art of Fugue” (1751), and a symbol of the quest for clarity and mathematical precision in the assembly of elements: the drive towards perfection, and ultimately, beauty as the outcome of appropriateness. To mark our anniversary, Detail has launched a new architecture award. The Detail Construction Award asks not for the best building, but for the most intelligent construction solution. From more than 300 submissions, the jury identified outstanding details in five categories: adaptive reuse, roof, facade, supporting structures, and interiors.
Derail 6 2026: The Art of the Joint
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This anniversary issue is devoted to what we call the “art of the joint” – an homage to J.S. Bach’s cycle “The Art of Fugue” (1751), and a symbol of the quest for clarity and mathematical precision in the assembly of elements: the drive towards perfection, and ultimately, beauty as the outcome of appropriateness. To mark our anniversary, Detail has launched a new architecture award. The Detail Construction Award asks not for the best building, but for the most intelligent construction solution. From more than 300 submissions, the jury identified outstanding details in five categories: adaptive reuse, roof, facade, supporting structures, and interiors.
Form:
books
books
Publication:
June 2026
June 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$40.50
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
$40.50
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
Prototypo 001 : machines, engines, artefacts
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Projects by Neil Denari, Carillho da Graça, Hani Rashid, Diller & Scofidio, and more.
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journals and magazines
journals and magazines
Publication:
January 1900, Lisbon
January 1900, Lisbon
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$39.95
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House,(...)
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House,(...)
Subject:
Magazines
Magazines
Publication:
September 1998, Barcelona
September 1998, Barcelona
Title:
2G 7 : R.M. Schindler 10 houses
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House, Silverlake; Rodríguez House, Glendale; Kallis House, Studio City; Armon House, Mt. Washington; Tischler House, Westwood.
2G 7 : R.M. Schindler 10 houses
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This issue of 2G includes "R. M. Schindler 1887-1953" by Judith Sheine, "No, I'd rather not" by Enric Miralles, and "How I discovered R.M. Schindler" by Michael Rotondi. Works and projects include: Schindler-Chace House, West Hollywood; How House, Silverlake; Oliver house, Silverlake; Buck House, Mid-Wilshire; DeKeyser House, Hollywood; Walker House, Silverlake; Rodríguez House, Glendale; Kallis House, Studio City; Armon House, Mt. Washington; Tischler House, Westwood.
Form:
journals and magazines
journals and magazines
Publication:
September 1998, Barcelona
September 1998, Barcelona
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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$31.95
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
$31.95
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Summary:
"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and(...)
Subject:
Magazines
Magazines
Publication:
May 2001, New Haven
May 2001, New Haven
Title:
Perspecta 32 : resurfacing modernism
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$31.95
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Perspecta 32 : resurfacing modernism
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"Perspecta 32" is an investigation into architectural modernism in a postmodern age and exploration of surface as a subject with depth. If it is understood that we are now in age that that does not look at modernity uncritically, how does its optimistic imagery continue to play a vital role in architecture? The issue, "Resurfacing modernism", is composed of essays and images that invoke the two simultaneous meanings of the verb tu resurface. In the first sense, some of the contributors interrogate ongoing returns of past "stylistics", specially the recent vogue for postwar, mostly American, production loosely united under the rubric "The fifties". In the second, other contributors reflect upon current emphasis being placed on architectural surfaces.
Form:
journals and magazines
journals and magazines
Publication:
May 2001, New Haven
May 2001, New Haven
Subject:
Magazines
Magazines
