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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael(...)
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May 2025
NYRA 46-47: New York Review of Architecture issue #46-47
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael Friedrich, AJ Artemel, Travis Diehl, Moze Halperin, Mark Krotov, Marianela D’Aprile, Michael Casper, Jessica Fletcher, Owen Hatherley, Christopher Hawthorne, Nolan Kelly, Phil Coldiron, Allison Hewitt Ward, Jake Romm, Huw Lemmey, Charlie Dulik, Nicolas Kemper, Clare Fentress, Lari Rutschmann, Ian Volner, Sue Park, & Willa Glickman
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering(...)
AV Monographs 275: Christ & Gantenbein
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering expansion of the Swiss National Museum to recent proposals for art museums in Barcelona and Antwerp. Accompanied by a text by Reto Geiser, it offers reflections on the intellectual intensity and geometric perseverance with which the architects approach their interventions, regardless of scale, function, or material.
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined,(...)
AV Monographs 276: Houses of the Year 2025
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined, expand the expressive and constructive possibilities of each one of them. From the vernacular to the experimental, from the Alpine cabin to the urban dwelling, these houses show how material becomes an expressive tool, capable of linking up with the context, the climate, and the landscape.
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Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
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Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the(...)
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the concern of Dan Spiegel and Megumi Aihara. Clark Thenhaus manipulates 3D printed concrete, Zak Garone Leazer and Fernando Garrido Carreras interrogate stone, Salmaan Craig addresses the properties of heat, and Andrea Machado Romero and Eric Kyle Cheung pose maintenance as a design question. The envelopes of heating and cooling plants are analyzed by Daniel Jacobs and Brittany Utting; Mohamed Sharif heralds SO – IL’s rejection of the double-loaded apartment building corridor; and Anna Neimark celebrates Gehry Associates return to a Brutalist architecture in homes for veterans in West Los Angeles.
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Vie des arts, no 278
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs(...)
Vie des arts, no 278
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs œuvres, en apparence déroutantes ou trompeuses, recèlent des vérités sensibles. À ces explorations visuelles s’ajoutent les contributions essentielles de chercheur·se·s et d’auteur·rice·s — Catherine Barnabé, Raphaël Ouellet, Lynn Bannon et Celina Van Dembroucke — dont les textes, rigoureux et incarnés, enrichissent les lectures possibles du simulacre en puisant dans des corpus variés, des études de cas, des contextes historiques ou contemporains.
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause(...)
The Funambulist no.61: Ten years of the Funambulist
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause to reflect on our trajectory. Rather than engaging in a self-congratulatory exercise, this September-October 2025 issue favors an introspective one, insisting on what we could have done better this past decade. This is how we asked ten loyal readers (some of whom are also contributors to the magazine) to play the role of editors in this issue, and commission a piece on a topic they feel has been remarkably missing from our first 60 issues’ editorial line.
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Throughout this edition of Azure, there are inspiring ways we might attune our cities — and our homes, and ourselves — to a rapidly changing, increasingly mystifying world.
Real Review 17
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An extinction burst occurs when bad behaviour intensifies before stopping. Undesirable qualities can become entrenched through positive reinforcement. But if the world changes and no longer provides us with the same feedback, we lose our minds: to the privileged, equality feels like persecution. Extinction bursts are forms of active denial; refusals to accept the past as(...)
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July 2025
Real Review 17
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An extinction burst occurs when bad behaviour intensifies before stopping. Undesirable qualities can become entrenched through positive reinforcement. But if the world changes and no longer provides us with the same feedback, we lose our minds: to the privileged, equality feels like persecution. Extinction bursts are forms of active denial; refusals to accept the past as gone, and desperate attempts to preserve the potential of an impossible reality. Today, modernity’s worst tendencies return intensified: patriarchy, racism, plutocracy, colonialism, exploitation, rentierism, genocide. Even attempts at redemption, restoration and stasis accelerate the decline.
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Macguffin 15: The stitch
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The stitch is a modest gesture with an expansive reach. It connects and repairs, unravels and reveals, speaks where words fall short. From textiles to technology, scars to seams, books to buildings, and leather to language: ''MacGuffin Magazine'' No 15 dives headfirst into the wild and wonderful world of stitching. Marking ten years of ''MacGuffin'', this anniversary(...)
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October 2025
Macguffin 15: The stitch
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The stitch is a modest gesture with an expansive reach. It connects and repairs, unravels and reveals, speaks where words fall short. From textiles to technology, scars to seams, books to buildings, and leather to language: ''MacGuffin Magazine'' No 15 dives headfirst into the wild and wonderful world of stitching. Marking ten years of ''MacGuffin'', this anniversary edition threads together unexpected stories and surprising perspectives, exploring how stitches shape, bind and define the things we make and the lives we lead. Featuring contributions from voices across disciplines and cultures, including Tanveer Ahmed, Line Arngaard, Kader Attia, Simona Bortis-Schultz, Rachel Dedman, Olivia Douglass, Jessica Hemmings, Chris Kabel, Ilona Keserü, Emily King, Masaki Komoto, Wietske Maas, Maria McLintock, Rosa Menkman, Johannes Reponen, Scheltens & Abbenes, Nina van de Ven, Hanka van der Voet – and many more.
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