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Peu importe notre définition du fascisme, nous vivons en ce moment avec la propagation de son esthétique et de ses valeurs, avec aussi les contrecoups de sa propagande, et de son usurpation du pouvoir. Nous voici donc d’emblée dans une émotion antifasciste. Ce dossier s’intéresse à toutes les réactions qui ne sont pas la peur et le découragement. Colère, rire, dégoût,(...)
Liberté n.349 : Brèches antifascistes I, sortir de la torpeur
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Peu importe notre définition du fascisme, nous vivons en ce moment avec la propagation de son esthétique et de ses valeurs, avec aussi les contrecoups de sa propagande, et de son usurpation du pouvoir. Nous voici donc d’emblée dans une émotion antifasciste. Ce dossier s’intéresse à toutes les réactions qui ne sont pas la peur et le découragement. Colère, rire, dégoût, honte: des réactions qui font bouger.
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Vie des arts 279
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Un édito à quatre têtes, à quatre cœurs et à huit mains?! Rien de moins pour célébrer d’une écriture commune notre thème Anniversaires (ou comment célébrer). Car, selon le contexte, dans ce cas-ci festif, célébrer et/ou commémorer est un acte collectif – comme la production de chacun de nos numéros que nous fêtons trois fois par année. Via ce numéro, nous soulignons une(...)
Vie des arts 279
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Un édito à quatre têtes, à quatre cœurs et à huit mains?! Rien de moins pour célébrer d’une écriture commune notre thème Anniversaires (ou comment célébrer). Car, selon le contexte, dans ce cas-ci festif, célébrer et/ou commémorer est un acte collectif – comme la production de chacun de nos numéros que nous fêtons trois fois par année. Via ce numéro, nous soulignons une balise marquante de Vie des arts en 2026?: son 70e anniversaire.
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Ce numéro explore la notion d’horizon et l’expérience de sa possible absence, nourrissant l’échange entre le Liban et sa diaspora. Cette publication rassemble une constellation de pensées qui interrogent tour à tour les imaginaires de l’habiter et de l’exil, le jeu des frontières invisibles et de la distance, les pratiques de résistance dans la production d’images et les(...)
December 2025
Le Merle vol. 8 n.1, automne 2025, Horizons : Beyrouth - Montréal
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Ce numéro explore la notion d’horizon et l’expérience de sa possible absence, nourrissant l’échange entre le Liban et sa diaspora. Cette publication rassemble une constellation de pensées qui interrogent tour à tour les imaginaires de l’habiter et de l’exil, le jeu des frontières invisibles et de la distance, les pratiques de résistance dans la production d’images et les représentations politiques du sectarisme, de l’écologie et de l’expérience propre à l’urbanité Libanaise. La majorité des textes réunis ont été écrits avant le 7 octobre 2023, avant le génocide en cours. Il a été édité par Mirna Abiad-Boyadjian et François Lemieux qui remercient chaleureusement les contributrices et contributeurs.
Safar 9: Protests
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To protest is a fundamental human act against injustice. It takes many forms: the defiant act of existing, the organized resistance of multitudes, armed struggles, and the disruption of systems through speech, action, and refusal in person, in prints and slogans online, or on the streets. Some forms of protest require symbols, flags, and specific attire, while others are(...)
Safar 9: Protests
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To protest is a fundamental human act against injustice. It takes many forms: the defiant act of existing, the organized resistance of multitudes, armed struggles, and the disruption of systems through speech, action, and refusal in person, in prints and slogans online, or on the streets. Some forms of protest require symbols, flags, and specific attire, while others are carried out through non-verbal communication, secret dissemination, and ideological discipline. Yet all of them need cultural carriers–our bodies, our stories, and our marks to hold what can be remembered and learned from. Whether explicit or invisible, in communities or in solitude, this issue explores why we protest, and how, in the hopes of sparking solace, solidarity, and action.
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have(...)
Texte zur kunst #140 : System change
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have gradually waned since the 1990s. Gallerists and curators have now also lost some of their former influence, leading to fundamental shifts in the power relations of the art economy. This issue analyzes the question of whether and how the current situation differs from previous crises in the art market from the perspectives of art history, the art trade, and the auction sphere, and in view of major political and technological changes.
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Jurors Alison Brooks, Sonia Gagné, and Kelly Buffey met in Toronto to consider 184 project submissions to the professional Awards of Excellence program. Over two days of deliberation, they selected nine Awards of Excellence winners and five Award of Merit winners. They also reviewed the top graduating work as nominated by schools of architecture from across Canada to(...)
Canadian Architect v.70 n.09 December 2025
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Jurors Alison Brooks, Sonia Gagné, and Kelly Buffey met in Toronto to consider 184 project submissions to the professional Awards of Excellence program. Over two days of deliberation, they selected nine Awards of Excellence winners and five Award of Merit winners. They also reviewed the top graduating work as nominated by schools of architecture from across Canada to select four Student Award winners.
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological(...)
C3 438 : The walls are new but the air is the same
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological rhythm, and material imagination through the theme “Continuity vs. Intermittence”, with three projects in ''South Korea: Seoul Theater Creation Center'', ''Photography Seoul Museum of Art'', and ''Elystay Boryeong''. The issue also presents new projects by Benedetta Tagliabue and EMBT Architects, Colectivo C733, and more.
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment(...)
Le Merle vol. 7 n.1 automne 2024
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment d’impuissance, là où s’élaborent des manières de faire collectif et des manières de raconter.
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
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For the fourth issue, SUKO focuses on the theme Deferred Dream, a term coined by Langston Hughes’ poem of the same name. The idea came from the shared feeling of working toward a future that will not necessarily be realized in our lifetime, and the resolution to work towards it anyway. Through interviews, biographies, and features, artists share how they connect to their(...)
SUKO magazine, vol. 04 : Deferred Dream
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For the fourth issue, SUKO focuses on the theme Deferred Dream, a term coined by Langston Hughes’ poem of the same name. The idea came from the shared feeling of working toward a future that will not necessarily be realized in our lifetime, and the resolution to work towards it anyway. Through interviews, biographies, and features, artists share how they connect to their own dreamworlds and in-between places. Artists in this issue confront and challenge their uncertainties, while others draw from sources of hope and protest inspired by past generations.
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