$55.95
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This is sourcebook for professional designers providing ideas and inspiration for lighting design concepts for residential and commercial spaces. The material is illustrated with interior images presenting lighting design concepts in use in interiors.
Materials and Lighting
September 2002, Gloucester, Mass.
Lighting design sourcebook : 600 solutions for residential and commercial spaces
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This is sourcebook for professional designers providing ideas and inspiration for lighting design concepts for residential and commercial spaces. The material is illustrated with interior images presenting lighting design concepts in use in interiors.
Materials and Lighting
$157.00
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This book presents 20 internationally renowned architects and engineers with the main focus being on "glass". Based on surveys and interviews the authors not only show their most important buildings but also air their opinions, wishes and perspectives. "Do you consider a typology of glass to be possible? Do ecology and technology play a role in your work? What future do(...)
Materials and Lighting
January 1900, Ludwigsburg, Germany
Glass architects : concepts, buildings, perspectives
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This book presents 20 internationally renowned architects and engineers with the main focus being on "glass". Based on surveys and interviews the authors not only show their most important buildings but also air their opinions, wishes and perspectives. "Do you consider a typology of glass to be possible? Do ecology and technology play a role in your work? What future do you think glass has as a building material?" An interesting and detailed insight is given by experts from all corners of the world: Europe, USA, South America and Asia. Including large format photos predominantly in colour.
Materials and Lighting
books
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In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as(...)
The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900-1933
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In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston’s Symphony Hall, New York’s office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant—-had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
books
April 2002, Cambridge, Mass.
Materials and Lighting
books
$58.00
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The well-known artist Jean Pfaff has undertaken a series of fascinating colour interventions in buildings – documented and analysed here for the first time. Jean Pfaff’s colour interventions in architecture are not just a matter of art in buildings, rather they are an exciting dialogue between colour and space. The chromatic modifications allow materials to assume a(...)
Colours are like the wind : Jean Pfaff's colour interventions in architecture
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The well-known artist Jean Pfaff has undertaken a series of fascinating colour interventions in buildings – documented and analysed here for the first time. Jean Pfaff’s colour interventions in architecture are not just a matter of art in buildings, rather they are an exciting dialogue between colour and space. The chromatic modifications allow materials to assume a different appearance, to seem insubstantial, and they are a vital factor in the visual interplay between inside and outside spaces. Areas of dynamic colours alternate with indirect colour effects and reflections which enrich the ambiance of the building. With expressive photographs and enlightening texts, Heinrich Helfenstein reveals the quality and range of Jean Pfaff’s interventions, using examples including Peter Zumthor’s Kapelle Sogn Benedetg, Meili and Peter’s Timber Industry College, Biel, and Schrodt Architects' office building at Iserlohn.
books
November 2001, Basel
Materials and Lighting
books
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Aluminium is an extremely versatile material, its light weight and its resistance to corrosion make it a particularly suitable material for some specific building requirements. Even in the post-war years, aluminium was already playing an innovative role as can be seen in the work of the French engineer, Jean Prouvé. For today's sophisticated architecture, aluminium is(...)
Aluminium architecture : construction and details
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Aluminium is an extremely versatile material, its light weight and its resistance to corrosion make it a particularly suitable material for some specific building requirements. Even in the post-war years, aluminium was already playing an innovative role as can be seen in the work of the French engineer, Jean Prouvé. For today's sophisticated architecture, aluminium is highly rated with its clear aesthetical qualities and great strength. This book provides a systematic overview of the applications of aluminium as a building material, giving information on the properties of the metal and highlighting the latest technical advances. A selection of 25 international projects document the application of aluminium in load-bearing structures, facades, roofs and windows. Amongst the projects included are Toyo Ito's Aluminium House in Tokyo, Renzo Piano's Mercedes Benz Design Centre in Stuttgart, SOM's Hong Kong Convention and Exhibition Center, and Norman Foster’s Greenwich Transport Interchange.
books
September 2001, Basel
Materials and Lighting
$42.00
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Lighting and city - a necessary, yet sometimes difficult, relationship. Four public, historical sites, in the heart of Milan, were "occupied" by well-known lighting designers and hosted a few small-scale projects, ephemeral lighting installations introduced and explored for everyday urban life. Squares, streets, and gardens that, lit in most unusual ways, lived under a(...)
Milano : lights in the blue / luci a cielo aperto
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Lighting and city - a necessary, yet sometimes difficult, relationship. Four public, historical sites, in the heart of Milan, were "occupied" by well-known lighting designers and hosted a few small-scale projects, ephemeral lighting installations introduced and explored for everyday urban life. Squares, streets, and gardens that, lit in most unusual ways, lived under a different light for four days, then photographed by masters of contemporary photography.
Materials and Lighting
Concrete design
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Over the last ten years concrete has become established as the favorite material for a number of internationally renowned architects, designers, sculptors, artists, and interior designers. In this look at the design possibilities of concrete within the domestic environment, desing expert Sarah Gaventa redresses the preconceptions surrounding the material, examining(...)
Concrete design
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Over the last ten years concrete has become established as the favorite material for a number of internationally renowned architects, designers, sculptors, artists, and interior designers. In this look at the design possibilities of concrete within the domestic environment, desing expert Sarah Gaventa redresses the preconceptions surrounding the material, examining experimentation on the medium by many of the world's leading designers such as Rem Koolhaas, Tadao Ando, Maya Lin, and Ron Arad. With a foreword by architect Piers Gough, and a wealth of inspirational images, Sarah Gaventa presents concrete as the material for the 21st century.
Materials and Lighting
$50.95
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More than any building material, light produces spatial effects, generates moods, and “stages” architectural designs. Moreover, especially in office buildings, the combination of a sensible natural lighting design with a corresponding approach to artificial lighting is a decisive factor in energy conservation. Assembled by experienced authors and experts from the(...)
Lighting design : principles - implementation - cases studies
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More than any building material, light produces spatial effects, generates moods, and “stages” architectural designs. Moreover, especially in office buildings, the combination of a sensible natural lighting design with a corresponding approach to artificial lighting is a decisive factor in energy conservation. Assembled by experienced authors and experts from the worlds of practice and teaching, this volume in the series "Detail praxis" provides an introduction to the most important aspects of natural and artificial lighting design. In addition to straightforward planning rules — such as ground plan design, building orientation, and the structuring of facades — it also introduces and explains current natural and artificial lighting systems with the help of example projects. With 200 illus., 124 in colour.
Materials and Lighting
$87.95
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The city at night is defined by light. A well-lit urban space can be inviting, giving visitors a sense of well-being and security. A successful nighttime lighting design can also give a city its own identity and accentuate certain architectural qualities. At the same time, an overabundance of light sources can result in light pollution and spatial confusion. In Light Zone(...)
Light zone city : light planning in the urban context
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The city at night is defined by light. A well-lit urban space can be inviting, giving visitors a sense of well-being and security. A successful nighttime lighting design can also give a city its own identity and accentuate certain architectural qualities. At the same time, an overabundance of light sources can result in light pollution and spatial confusion. In Light Zone City author Christa van Santen uses her many years of experience as a practitioner and teacher of lighting design to articulate basic planning rules for the outdoor lighting of buildings, traffic routes, and squares. In preparation for this guide to urban lighting design, she visited ten European cities—including Paris, Brussels, Berlin, London, Budapest, Vienna, and Amsterdam—with different urban conditions. Light Zone City presents different planning and design tasks systematically and uses each to illustrate specific solutions. Van Santen also explains new artificial lighting systems and outdoor lamps through numerous examples.
Materials and Lighting
$123.50
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Exposed concrete is one of the most fascinating and demanding building materials. To work with it calls for technical precision of the highest order, especially where the architecture’s character is determined by the material’s special qualities. Architects such as Tadao Ando, Frank Gehry, Daniel Libeskind, Gigon-Guyer, and Diener & Diener have defined the highest(...)
Materials and Lighting
December 2005, Basel
Exposed concrete : technology and design
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Exposed concrete is one of the most fascinating and demanding building materials. To work with it calls for technical precision of the highest order, especially where the architecture’s character is determined by the material’s special qualities. Architects such as Tadao Ando, Frank Gehry, Daniel Libeskind, Gigon-Guyer, and Diener & Diener have defined the highest standard for the use of exposed concrete with their buildings. In its first part, this book presents groundbreaking examples of exposed concrete architecture by ten international architects and analyzes their treatment of the material. In its second part, it describes the key aspects of exposed concrete (surface, color, sheeting, framework, seams, composition, etc.); discusses the concreting process in detail; and gives advice on avoiding defects and writing successful proposals.
Materials and Lighting