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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored(...)
Alloys: American sculpture and architecture at midcentury
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art.
Modernism
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the(...)
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the twentieth-century debate on the relationship between technology and culture.
Modernism
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs,(...)
Le prolétariat ne se promène pas nu
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs, en premier lieu Staline et Kaganovitch. Servie par une riche iconographie, cette analyse, au-delà du cas moscovite, met en lumière comment les architectes et les urbanistes se positionnent, créent et innovent, dans et malgré un contexte de contrôle absolu.
Modernism
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most(...)
Modern architecture in Japan
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Manfredo Tafuri (1935–1994), the celebrated Italian architectural historian, published "L’architettura moderna" in Giappone in 1964. At the time, Tafuri was twenty-nine years old and had not visited Japan. Here, translated into English for the first time, the book presents a rare outsider’s view of the Metabolist movement and figures such as Kenzo Tange by one of the most astute critics of the second part of the twentieth century. Tafuri’s ideas about Japanese architecture were primarily formed through texts, including magazine articles and contemporary photographs. How did Tafuri come to select the achievements of Japanese architects as the focus of his reflections on modern architecture? What happens when a historian of architecture relies purely on photographs for making judgments about a building? Edited and introduced by Mohsen Mostafavi, this volume reflects on these questions, and more, and includes a rich collection of images.
Modernism
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally(...)
Moscow monumental: Soviet skyscrapers and urban life in stalin's capital
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In the early years of the Cold War, the skyline of Moscow was forever transformed by a citywide skyscraper building project. As the steel girders of the monumental towers went up, the centuries-old metropolis was reinvented to embody the greatness of Stalinist society. This volume explores how the quintessential architectural works of the late Stalin era fundamentally reshaped daily life in the Soviet capital. It tells a story that is both local and broadly transnational, taking readers from the streets of interwar Moscow and New York to the marble-clad halls of the bombastic postwar structures that continue to define the Russian capital today.
Modernism
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the(...)
Twentieth-century architecture and modernity: our past, our present
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The theme of "modernity" was the launching pad of architecture in the 20th century, to the point of completely revolutionizing our way of life but producing, in its development, absolutizations and misunderstandings, so as to disperse the main values linked to the profound desire to improve everyone’s life. Against the theses that during the 20th century linked the destinies of "modernity" to the theories of the Modern Movement, hoping for them to be overcome, the book deals with the theme of a continuity with the present by recovering those "open visions" that characterized "modernity" at the end of the 19th century.
Modernism
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were(...)
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were seamlessly integrated with lush natural surroundings. Detroit landscape designer and contractor Peter Forguson has shaped and maintained the grounds of many of these structures. This book comprises a comprehensive list he has compiled of the best examples. With nearly 500 photographs on pages designed by Marla Meltzer, Forguson leads readers on a memorable tour of 70 masterpieces of mid-century residential architecture that brings to life the shared visions of architects and clients.
Modernism
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à(...)
Bauhaus : l'idée qui a changé le monde
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à travers la liberté des individus. Cela, parmi tous les enseignements de cette école, devrait nous amener aujourd’hui, un siècle après la fondation du Bauhaus, à tenir compte de cette vérité.
Modernism
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless(...)
Bauhaus: a conceptual model
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One of Walter Gropius' guiding principles in founding the Bauhaus was that "design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society." As a result of this ethos, Bauhaus artists and designers experimented freely with everything from painting to furniture, producing countless masterpieces in many genres. This comprehensive volume takes stock of the Bauhaus' output by highlighting 68 projects, with a particular focus on neglected aspects of the school's legacy. Also featured are essays by the Director of the Bauhaus-Museum in Weimar, Michael Siebenbrodt, and the artist and writer, Jeff Wall.
Modernism
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée,(...)
Modern architecture: representation & reality
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Esteemed architectural historian Neil Levine investigates the complex history of representation—the use and meaning of architectural signifiers—from the 18th through the 20th century. Using the lens of a continuous theoretical argument, Levine provides a detailed survey and critical analysis of major works by a host of modern architects, including Étienne-Louis Boullée, Nicholas Hawksmoor, Louis Kahn, Henri Labrouste, Augustus Welby Pugin, Karl Friedrich Schinkel, John Soane, Louis Sullivan, Mies van der Rohe, Eugène Viollet-le-Duc, and Frank Lloyd Wright.