Modernism in Africa: the architecture of Angola, Ghana, Mozambique, Nigeria, South Africa 1930-1970
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Many African countries are home to extraordinary architecture that is virtually unknown. There are interpretations of Art Deco, International Style, Brutalism as well as of African vernacular architecture. Climate-responsive buildings with a fluidity of interior and exterior spaces play a large role. While many of these 20th century architects were of European origin,(...)
Modernism in Africa: the architecture of Angola, Ghana, Mozambique, Nigeria, South Africa 1930-1970
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$120.00
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Many African countries are home to extraordinary architecture that is virtually unknown. There are interpretations of Art Deco, International Style, Brutalism as well as of African vernacular architecture. Climate-responsive buildings with a fluidity of interior and exterior spaces play a large role. While many of these 20th century architects were of European origin, they were deeply influenced by their surroundings and found original, site-specific expressions, often in collaboration with African architects. A focus of the construction activities were educational buildings which played an important role for these young nations that mostly gained their independence in the 1960s. While some of the documented buildings have been restored, others are still awaiting reconstruction.
Modernism
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In this book, the potential of modern architecture renovation in the Global South is explored as a catalyst for self-determination and community-building. It addresses contemporary heritage challenges, questions renovation trends, and reveals gaps in historicization and archiving, while reflecting on the need for new architectural operations due to a lack of(...)
Beyond ruins: Reimagining modernism
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In this book, the potential of modern architecture renovation in the Global South is explored as a catalyst for self-determination and community-building. It addresses contemporary heritage challenges, questions renovation trends, and reveals gaps in historicization and archiving, while reflecting on the need for new architectural operations due to a lack of infrastructure. It begins with the Oscar Niemeyer Guest House renovation project in Tripoli, Lebanon, by the Beirut-based East Architecture Studio, and includes further case studies, conversations, and visual essays by international experts in architecture, governance, regenerative design, contemporary art, philosophy, and gaming.
Modernism
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While the history of modernism in the United States is often seen as having roots in French art moderne, Jewel Stern and Christopher Long instead argue that Central European émigré designers had an outsized impact on the formation of a uniquely American modernism. The Vanguard examines the lives and careers of nearly fifty designers from Austria, Germany, and(...)
The vanguard: Central European emigres and American modern design, 1910-1940
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While the history of modernism in the United States is often seen as having roots in French art moderne, Jewel Stern and Christopher Long instead argue that Central European émigré designers had an outsized impact on the formation of a uniquely American modernism. The Vanguard examines the lives and careers of nearly fifty designers from Austria, Germany, and Hungary—including Paul T. Frankl, Ilonka Karasz, Winold Reiss, and Joseph Urban—who contributed to the early rise of modernism in America. From 1910 to 1940, these figures played a vital role in bringing to the fore the discussion of modernism and contributed to its ascendancy through their designs, writings, and exhibitions. Stern and Long reveal how this modernism reflected distinct American realities and tell a comprehensive new story of modernism’s émigré roots.
Modernism
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In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. "Women architects at work" tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the(...)
Women architects at work: Making American modernism
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In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. "Women architects at work" tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States. Mary Anne Hunting and Kevin D. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Hunting and Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment.
Modernism
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Modernism
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This(...)
Albers and Moholy-Nagy : from the Bauhaus to the new world
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This illustrated book highlights the contrasts and correspondences in the lives and work of two of Modernism’s innovators, Josef Albers (1888–1976) and László Moholy-Nagy (1895–1947). Beginning in the 1930s, Albers and Moholy-Nagy each developed a rigorously abstract language that condensed art to its visual fundamentals: line, color, texture, light, and form. This language experienced a creative explosion during their Bauhaus years, when both artists moved freely between media and disciplines. Essays by leading scholars follow the artists’ separate paths through to their emigration to the United States, where each continued to push tirelessly the conventions of artistic practice—Albers at Black Mountain College in North Carolina and then at Yale University, and Moholy-Nagy in Chicago at the New Bauhaus School and the Institute of Design. As highly influential teachers, Albers and Moholy-Nagy became important catalysts for the transmission of Modernist ideas from Europe to America. This book presents four decades of works in a variety of media, including painting, collage, glass, moving sculpture, photography, film, furniture, and graphic design. With contributions by Hal Forster, Hattula Moholy-Nagy, Terence A. Senter, Nicholas Fox Weber, and Michael White.
Modernism
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this(...)
Modernism
May 2006, München / Berlin / London / New York
Bauhaus 1910-1933
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Focusing on buildings designed by Bauhaus members from 1919 to 1933, this book features famous and lesser-known building projects in Germany, Vienna, Barcelona, Prague, and Budapest by architects including Walter Gropius, Marcel Breuer, and Ludwig Mies van der Rohe. Arranged chronologically, Bauhaus offers informative commentary and photographs, taken especially for this book. Engels' photographs show many buildings in their newly restored conditions and reflect the full range of Bauhaus architecture, one of the most influential schools of architecture in the twentieth century.
Modernism
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L'auteur aborde à la fois les dimensions pratiques, esthétiques et sociales de l'architecture, tout en en privilégiant les aspects formels et symboliques. Pour cette troisième édition - la première à paraître en français -, le texte a été entièrement révisé et enrichi, en tenant compte des nouvelles connaissances et en reconsidérant l'architecture moderne dans sa variété(...)
L'architecture moderne depuis 1900
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L'auteur aborde à la fois les dimensions pratiques, esthétiques et sociales de l'architecture, tout en en privilégiant les aspects formels et symboliques. Pour cette troisième édition - la première à paraître en français -, le texte a été entièrement révisé et enrichi, en tenant compte des nouvelles connaissances et en reconsidérant l'architecture moderne dans sa variété et sa complexité. Sept chapitres ont été ajoutés, dont trois, à la fin de l'ouvrage, concernent l'évolution mondiale récente. La bibliographie et les notes ont également été augmentées et actualisées.
Modernism
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior(...)
The modernist home
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The Modernist house was a test of modern architects’ ability to meet human needs while fuelling the intellect. "The Modernist home" reveals the striking results of the challenge to fit utopian modernist principles to day-to-day living. The Modernist house dissolved the closed spaces of the traditional home, modernising the bathrooms and kitchens, opening the interior to natural light and providing balconies and terraces for sun-worship and sleeping in the open air. Tim Benton uncovers its elements: from the technology that provided central heating and electric lighting; to new construction materials, such as concrete and steel; to close-ups on features like winter gardens and folding furniture. He opens the door on Modernist houses around the world, from Le Corbusier’s Villa Savoye, to Mies van der Rohe’s Barcelona Pavilion, all fully illustrated with colour photographs and plans.
Modernism
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This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work. Structured chronologically, the book defines the characteristics of the different periods and highlights the consistent forms, techniques, and styles that mark the art and architecture as distinctively(...)
American art and architecture
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This new survey provides a complete history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work. Structured chronologically, the book defines the characteristics of the different periods and highlights the consistent forms, techniques, and styles that mark the art and architecture as distinctively American. Michael J. Lewis charts the ways in which American artists and architects both adopted and diverged from earlier European models to create an original visual language of their own. He also shows how that language in turn came to influence and eventually dominate art and architecture around the world. The author integrates discussions of both buildings and works of visual art, revealing the shared social and aesthetic concerns that underlie the two. Vernacular, religious, secular, and corporate architecture appears alongside paintings, sculpture, photography, and new-media art. Major American artists and works from the seventeenth century to today are included, such as epic history paintings by Benjamin West and John Singleton Copley; sublime landscapes by Thomas Cole, Albert Bierstadt, and Frederick Church; society portraits by John Singer Sargent; groundbreaking abstract expressionist and pop art by Jackson Pollock, Barnett Newman, and Andy Warhol; and challenging sculptural, installation, and video works from more recent years by Robert Gober, Fred Wilson, and Matthew Barney. In architecture, dozens of different building types are illustrated and discussed, from the earliest colonial houses and churches to the most spectacular modernist and postmodernist houses, stations, museums, and iconic skyscrapers. 275 illustrations, 175 in color.
Modernism