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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer,(...)
Modernism
July 2007, London, New York
Modern : The modern movement in Britain
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Modern is the most comprehensive study of Modern Movement architecture in Britain ever published. Shortlisted for the RIBA Bookshops International Book Award of 2005, this critically acclaimed publication is now available in paperback for the first time. Encyclopedic in scope and structure, it covers the work of such renowned architects as Walter Gropius, Marcel Breuer, Maxwell Fry, Ernö Goldfinger, Berthold Lubetkin and others who changed the vocabulary of architecture in Britain between the wars. Specially commissioned photographs document all the major surviving buildings, from private houses and apartment blocks to schools and factories.
Modernism
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned(...)
Visionary Architecture: Blueprints of the modern imagination
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned but not built. For the past six decades, architects have created an astonishing range of constructs and urban utopias that have influenced generations of practitioners. Architects such as Libeskind, Koolhaas, Eisenman, Hadid, and many others, whose works were once considered too experimental or controversial to construct, are creating cultural icons the world over. This definitive history of experimental architecture since 1945 provides a thematic overview of the most important and far-reaching work produced in the last sixty years; a survey of contemporary experimental practices, shown through case studies; and an illustrated glossary of ideas, movements, people, and terms. 450+ illustrations, 250 in color.
Modernism
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Bauhau Dessau : architecture, design, concept
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Modernism
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today.(...)
That’s Brutal, What’s Modern?: The Smithsons, Banham, and the Mies-Image
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In "That’s Brutal, What’s Modern?: The Smithsons," Banham, and the Mies-Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post-photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today. Linder aims to recover a specific and integral, yet overlooked, aspect of the peculiar novelty of New Brutalism by reconsidering the entirety of Alison and Peter Smithson’s work as a fitful and evolving fifty-year fascination with the imaging potential they found in the architecture of Mies van der Rohe. In six chapters and some forty arrays of images, the book progresses from historical research to theoretical speculations on the historical legacy and contemporary potential of the Smithsons’ pursuit of the "Mies-Image."
Modernism
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural(...)
Raising the curtain: Operatic modernism in the Soviet Republics
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''Raising the Curtain'' centres on two modernist opera theatres built on the western periphery of the Soviet Union, now located in the capitals of Lithuania and Belarus: the Opera and Ballet Theatre in Vilnius, Lithuania, inaugurated in 1974, and the Comic Opera in Minsk, Belarus, which opened in 1981. Both were designed, by a lucky coincidence, by architectural collectives led by women, Nijole Buciute (1930-2010) and Oxana Tkachuk (b. 1933) respectively. Drawing upon the close relation of operatic environments to national imaginaries, the book expands the stories of the theatres’ creation into an interrogation of the national condition in the Soviet non-Russian republics. Lithuania and Belarus exemplify the broad range of Soviet national scenarios, presenting two polar extremes of the paths taken: Lithuania was the first republic to leave the Soviet Union in 1990, while Belarus retained its reputation as the “last Soviet republic” well into the 21st century. ''Raising the Curtain'' puts centre stage the involvement of architecture of Soviet modernism with the geopolitical transformations of the era, offering an intimate look at the tectonic shifts which still reverberate across the globe.
Modernism
Modernist travel guide
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The "Modernist Travel Guide" is a pocket-sized reference book written and photographed by design historian Adam Štech (@okolo_architecture), featuring nearly 400 of his favourite examples of modernist architecture across 30 major cities worldwide. Drawing from Štech’s extensive archive of 150,000 photographs - documenting more than 6,000 buildings and interiors in 40(...)
Modernist travel guide
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The "Modernist Travel Guide" is a pocket-sized reference book written and photographed by design historian Adam Štech (@okolo_architecture), featuring nearly 400 of his favourite examples of modernist architecture across 30 major cities worldwide. Drawing from Štech’s extensive archive of 150,000 photographs - documenting more than 6,000 buildings and interiors in 40 countries - the guide is an essential travel companion for design enthusiasts. It provides background stories, addresses, and accessibility details for both iconic landmarks and hidden gems.
Modernism
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Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and(...)
The Palm Springs School: Desert Modernism 1934-1975
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Much more than a resort destination, Palm Springs has served as a laboratory of the Modern; here so much architectural innovation and design took form. From the steel-and-glass boxes of Richard Neutra to the earthy organic homes of John Lautner, and everything in between, the solutions of architects and designers—including notably William F. Cody, E. Stewart Williams, and Albert Frey—were diverse and are ever more relevant in the face of contemporary challenges. Their answers addressed questions that still hold urgency: How to design sustainably in harsh climates? How to use technology efficiently and creatively to meet those challenges? How to build affordable and high-quality mass-produced housing? How to reflect a region’s culture, economy, and distinctive atmosphere? Architects here responded to nature’s climatological demands, and Palm Springs became a center for innovations that were rooted in practice more than theory. Benefitting from the architectural freedoms offered by the remoteness of the California desert, designers explored new approaches that we can now identify as central to the Palm Springs School, shown here in rich archival and contemporary photography.
Modernism
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Mass-produced from the 1970s to the 1990s, modular kiosks like the seminal K67, designed by the Slovenian architect Saša J. Mächtig, and similar systems – including the Polish Kami, the Macedonian KC190, and the Soviet ‘Bathyscaphe’ – could be found anywhere throughout the former Eastern Bloc and ex-Yugoslav countries, from bustling city squares to socialist-era housing(...)
Kiosk: The last modernist booths across Central and Eastern Europe
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Mass-produced from the 1970s to the 1990s, modular kiosks like the seminal K67, designed by the Slovenian architect Saša J. Mächtig, and similar systems – including the Polish Kami, the Macedonian KC190, and the Soviet ‘Bathyscaphe’ – could be found anywhere throughout the former Eastern Bloc and ex-Yugoslav countries, from bustling city squares to socialist-era housing estates. They served as hot dog and Polish zapiekanka joints, farm egg and rotisserie chicken vendors, funeral flower shops, newsstands, car park booths, currency exchange offices, and more. Featuring over 150 kiosks – from Ljubljana to Warsaw, and from Belgrade to Berlin – this photobook provides previously unseen documentation of the remaining modernist booths that witnessed the socio-political transformation of Central and Eastern Europe at the end of the 20th century. While some remain active or have undergone refurbishment, others have been abandoned or have slowly faded from the urban landscape. The photographs in this unique collection were taken over the last decade by Zupagrafika’s founders, David Navarro and Martyna Sobecka. The book includes a foreword by urban explorer Maciej Czarnecki and an introduction by architectural historian Anna Cymer, offering invaluable insights into the history of these mobile structures.
Modernism
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Mass housing in post-war socialist countries was a quick and effective way to provide homes for the expanding city populations after WWII, but after the collapse of the Soviet Bloc the fate of these constructions became uncertain. While modernist estates are being renovated or prematurely demolished, their tenants remain undaunted. They have lived through the buildings’(...)
The tenants: Concrete portraits of the former Eastern Bloc
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Mass housing in post-war socialist countries was a quick and effective way to provide homes for the expanding city populations after WWII, but after the collapse of the Soviet Bloc the fate of these constructions became uncertain. While modernist estates are being renovated or prematurely demolished, their tenants remain undaunted. They have lived through the buildings’ golden years and darker times. For the last decade, Zupagrafika has documented the housing estates erected in Central and Eastern Europe, still perceived by many as ‘eyesores,’ through photographs and illustrated paper models. The Tenants features over 40 housing projects in 37 different cities of the former Eastern Bloc and ex-Yugoslavia. From Berlin to Norilsk, and all the way through Kyiv to Tallinn, the album portrays the inhabitants of those complexes holding models of their homes, while sharing the stories of lives lived in the prefab panel blocks. Includes a foreword by the sociologist and urban researcher Maciej Frackowiak and an index of the featured housing estates, providing an insight into their history. The portraits were taken by David Navarro and Martyna Sobecka, with contributions by local photographers.
Modernism
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A photographic survey of Soviet-era playgrounds found in former members of the USSR, such as Ukraine, Lithuania, Latvia, Estonia, Russia, Belarus, Kazakhstan, Tajikistan, and Uzbekistan. Through five chapters containing more than 150 photographs, the book documents the mass-produced, yet diverse play equipment installed in the communal spaces of socialist-era housing(...)
Soviet playgrounds: Playful landscapes of the former USSR
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A photographic survey of Soviet-era playgrounds found in former members of the USSR, such as Ukraine, Lithuania, Latvia, Estonia, Russia, Belarus, Kazakhstan, Tajikistan, and Uzbekistan. Through five chapters containing more than 150 photographs, the book documents the mass-produced, yet diverse play equipment installed in the communal spaces of socialist-era housing estates, such as rocket slides and earth-shaped climbers, spaceships and animal-themed ladders, cosmic roundabouts and bizarre objects that would probably raise safety concerns nowadays. From Riga to Dushanbe and all the way from Kyiv to Vladivostok, children dreamt of becoming cosmonauts, and enjoyed the many space-themed playscapes which had proliferated since the onset of the Cold War era. While some are still in use, others are slowly disappearing to make way for modern equipment, or, more recently, being destroyed during the Russian invasion of Ukraine, becoming only a faint memory of a Soviet childhood. Includes a foreword by the Ukrainian urban planner Mykola Gorokhov and informative maps of the playgrounds featured in every chapter. Pictures were taken by Zupagrafika, with contributions by local photographers.
Modernism