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Golconde is an astonishing architectural accomplishment. With technical finesse and extraordinary craft, it offers a living testament to the original modernist credo – architecture as the manifest union of technology, aesthetics, and social reform. Here exists an undiluted view of a wholly triumphant tropical Modernism, built during the tumultuous years of the second world war.
Golconde: the introduction of modernism in India. 2nd edition
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Golconde is an astonishing architectural accomplishment. With technical finesse and extraordinary craft, it offers a living testament to the original modernist credo – architecture as the manifest union of technology, aesthetics, and social reform. Here exists an undiluted view of a wholly triumphant tropical Modernism, built during the tumultuous years of the second world war.
Modernism
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri(...)
The project of independence: Architectures of decolonization in South Asia, 1947-1985
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South Asia holds a unique place among the many regions of the world where modern architecture was understood as both a tool for social progress and a global lingua franca in the second half of the 20th century. Following the end of British rule in 1947-48, architects in the newly formed nations of India, Pakistan, Bangladesh (East Pakistan until 1971) and Ceylon (now Sri Lanka) proposed a novel understanding of modernity, disrupting the colonial hierarchy of center and periphery by challenging modernism's universalist claims. Architecture offered multiple ways to break with the colonial past. Through the establishment of institutions that embodied the societal aspirations of the period, and the creation of new cities and spaces for political representation, South Asian architects produced a distinct body of work in dialogue with global developments while advancing the theory and practice of low-cost, climatically and socially responsive design.
Modernism
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored(...)
Alloys: American sculpture and architecture at midcentury
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This volume looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art.
Modernism
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the(...)
Bauhaus: a graphic novel
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The main character of this extraordinary graphic novel is not a person but an idea—the school of Bauhaus, which arose in the wake of World War I, and emerged as the fundamental reference point for virtually every avant-garde artistic movement that followed. Visually arresting illustrations and engaging texts place the novel’s protagonist squarely in the middle of the twentieth-century debate on the relationship between technology and culture.
Modernism
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs,(...)
Le prolétariat ne se promène pas nu
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Le présent ouvrage, qui a pour objet central l’étude du Plan général de reconstruction de Moscou de 1935, propose de nuancer l’histoire urbaine soviétique écrite à travers l’unique prisme de la verticalité du pouvoir. Il met en évidence les nombreuses permanences, matérielles, idéelles et humaines, ainsi que les approches pragmatiques du projet de la part des décideurs, en premier lieu Staline et Kaganovitch. Servie par une riche iconographie, cette analyse, au-delà du cas moscovite, met en lumière comment les architectes et les urbanistes se positionnent, créent et innovent, dans et malgré un contexte de contrôle absolu.
Modernism
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent(...)
A home of one's own: Émigré architects and their houses 1920-1960
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Building for oneself has a special connotation under the conditions of migration and exile. Among the most prominent examples are the private homes of Rudolph Schindler in West Hollywood, Richard Neutra in Los Angeles, Walter Gropius in Lincoln, Massachusetts. What expression could voluntary migration or forced change of location find in these buildings? To what extent do the architects’ other buildings differ from such 'homes of one’s own' in a foreign country, to use an expression borrowed and modified from Virginia Woolf?
Modernism
The spirit of the Bauhaus
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel(...)
The spirit of the Bauhaus
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger, and Wassily Kandinsky. Having moved to Berlin in 1932 under architect Ludwig Mies van der Rohe, it was forced to close for good by the Gestapo in 1933. Uncovering the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts, The Spirit of the Bauhaus explores workshops and courses in detail, illustrating the extraordinary wealth of experimentation in every medium: ceramics, wood and metalwork, textiles, glass- painting, sculpture, mural, printing and binding, theater, architecture, and photography. This essential and accessible guide to the Bauhaus, published in time for the 100th anniversary of the school in 2019, celebrates a school that continues to be recognized as the most durable and influential source of modern ideas about art, design, and craft.
Modernism
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"Hudson Modern" surveys this emerging domestic architecture, featuring nearly twenty houses that integrate with site and region through composition, scale, and materials, and which strike a balance between innovation and rootedness. A reconstructed midcentury house accented in cedar, walnut, and bluestone by Joel Sanders and landscaped by the late Diana Balmori blurs the(...)
Hudson modern: residential landscapes
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"Hudson Modern" surveys this emerging domestic architecture, featuring nearly twenty houses that integrate with site and region through composition, scale, and materials, and which strike a balance between innovation and rootedness. A reconstructed midcentury house accented in cedar, walnut, and bluestone by Joel Sanders and landscaped by the late Diana Balmori blurs the edge of habitation and nature. KieranTimberlake revises the classic vision of a glass box by cladding a home on a rocky site in Pound Ridge in a tapestry of steel, aluminum, copper, and glass. In Rhinebeck, Steven Holl experiments with a radical form that has both ecological and social dimensions.
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Modernism
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The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that(...)
Modernism and the making of the Soviet new man
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The creation of Soviet culture in the 1920s and the 1930s was the most radical of modernist projects, both in aesthetic and in political terms. "Modernism and the Making of the Soviet New Man" explores the architecture of this period as the nexus between aesthetics and politics. The design of the material environment, according to the author, was the social effort that most clearly articulated the dynamic of the socialist project as a negotiation between utopia and reality, the will for progress and the will for tyranny. It was a comprehensive effort that brought together professional architects and statisticians, theatre directors, managers, housewives, pilots, construction workers. What they had in common was the enthusiasm for defining the "new man", the ideal citizen of the radiant future, and the settings in which he or she lives.
Modernism