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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a(...)
Thomas Locke Hobbs: L.A Vedute
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Standing on the property line between two apartment buildings with adjacent driveways, American photographer Thomas Locke Hobbs was reminded of a Renaissance painting, ''The Ideal City of Urbino'', where the illusion of space is achieved when receding lines that establish spatial relationships converge at a central vanishing point. It inspired his book ‘L.A. Vedute’, a documentary study of domestic architecture in Los Angeles. The work presents the way shared spaces recede to a common vanishing point, largely unpopulated and deserted, akin to movie sets where the actors have disappeared. Through metaphors of alienation, Hobbs exposes a city in conflict and coexistence.
Photography monographs
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"Work in progress" is a dramatic presentation of Peter Essick's four-year project oflow-level aerial photographs of construction sites in the Atlanta Metro area.Essick said about his work, "It wasn't until I started flying a drone that I realizedconstruction sites offered so many different visual perspectives. The textures andcolors of human-altered landscapes are(...)
Peter Essick: Work in progress
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"Work in progress" is a dramatic presentation of Peter Essick's four-year project oflow-level aerial photographs of construction sites in the Atlanta Metro area.Essick said about his work, "It wasn't until I started flying a drone that I realizedconstruction sites offered so many different visual perspectives. The textures andcolors of human-altered landscapes are endlessly fascinating. Seeing andphotographing this landscape from the air has opened up for me new ways ofcreative expression. Construction sites change by the day, and the light andexposure are never the same. Wood, steel, and concrete relate to each other ininfinite varieties of order and disorder." "Work in progress" is a unique vision of a human-altered landscape.
Photography monographs
Thomas Locke Hobbs: Rampitas
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Motorcycles are the mode of choice to get around in Medellín, Colombia. In the working-class districts that climb the steep slopes of the Valle de Aburrá, residents have self-built elaborate neighborhoods outside of formal urban planning. While humans can walk up steps, wheeled vehicles require ramps. From the basic need to wheel your bike inside at night, a vast(...)
Thomas Locke Hobbs: Rampitas
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Motorcycles are the mode of choice to get around in Medellín, Colombia. In the working-class districts that climb the steep slopes of the Valle de Aburrá, residents have self-built elaborate neighborhoods outside of formal urban planning. While humans can walk up steps, wheeled vehicles require ramps. From the basic need to wheel your bike inside at night, a vast assortment of small ramps has emerged. These ramps possess a sculptural and expressive quality, and constitute a kind of folk brutalism. ''Rampitas'' is a small study of and appreciation for these forms that tell so much about the conditions – social, economic, and topographical – that defined the struggles and lives of the people who built them.
Photography monographs
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« Kiss landing » est un ouvrage qui rassemble des photographies réalisées sur une période de 10 ans à Montréal et à Casablanca, deux villes entre lesquelles Fatine-Violette Sabiri fait l’aller-retour depuis son enfance. Le titre du livre, « Kiss landing », est un terme d’aviation qui désigne un type d’atterrissage où l’avion se pose délicatement sur le sol. S’il(...)
Fatine-Violette Sabiri : Kiss landing
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« Kiss landing » est un ouvrage qui rassemble des photographies réalisées sur une période de 10 ans à Montréal et à Casablanca, deux villes entre lesquelles Fatine-Violette Sabiri fait l’aller-retour depuis son enfance. Le titre du livre, « Kiss landing », est un terme d’aviation qui désigne un type d’atterrissage où l’avion se pose délicatement sur le sol. S’il bouscule moins les passagers, cet atterrissage tend en revanche à endommager les roues de l’appareil puisqu’il en brûle le caoutchouc. La métaphore, ici, exprime avec justesse le sentiment de se trouver entre les deux villes dont la photographe est originaire : si la venue dans un pays est une promesse de retrouvailles, elle entraîne nécessairement une rupture avec le lieu que l’on quitte. Les portraits, paysages et natures mortes se trouvant dans « Kiss landing » s’intéressent aux notions d’amitié, d’hospitalité et d’intimité, tout en cherchant constamment à analyser la signification d’un « chez-soi ».
Photography monographs
Gabriele Rossi : The Lizard
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Making photographs as a way of "feeling at home without being at home." That’s how Gabriele Rossi describes the process that led to "The Lizard", his new monograph with Deadbeat Club. "I looked for the edge of the city, went to the shore at Rockaway, the houses, anything that could remind me of where I’m from," Rossi says. This approach drove him to consider his(...)
Gabriele Rossi : The Lizard
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Making photographs as a way of "feeling at home without being at home." That’s how Gabriele Rossi describes the process that led to "The Lizard", his new monograph with Deadbeat Club. "I looked for the edge of the city, went to the shore at Rockaway, the houses, anything that could remind me of where I’m from," Rossi says. This approach drove him to consider his definition of "home" – the place where he could ultimately feel comfortable – and to return to the U.S. twice more to explore this compulsion across more than ten states in the Midwest and West. At the same time, he was interested in responding as an outsider to the structures of classic American photography, like that of Robert Adams. When the pandemic interrupted further travel, Rossi set about thinking through the pictures that he had amassed, trying to find common forms and themes – the connections that built the story about his being away from home. His effort was to understand why he was making the pictures, and not just to present a lot of pictures "about" America. As a result, "The Lizard" is a strange and uncanny atlas of the familiar transformed into the unfamiliar through the vision of a stranger who's only looking for some sort of home.
Photography monographs
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past(...)
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past presence - wreckage landed on the branches of a dead tree, details of a forgotten domestic life, blood stains on immaculate snow... And sometimes, among the crystal-clear images, a tenderness emerges here and there, rays of warmth found in a woman's gaze or in a benevolent flame. Through valleys and mountains, Ian Bates offers with "Lost Dog" a portrait of a mysterious American North West, whose strangeness and magnificent solitude he captures like no other.
Photography monographs
Maude Arsenault : Entangled
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary(...)
Maude Arsenault : Entangled
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''Entangled'' encapsulates a pivotal moment for Arsenault’s work, representing a shift in perspective and personal responsibility. "After years dedicated to creating glorified images of women," she says of her success in fashion photography, "I came to question my role and influence in the transmission of models of femininity." Albeit informed by a progressive, non-binary upbringing, this introspection is ultimately necessary now – in the context of motherhood as she raises three children including a young woman. Arsenault calls the work "a poem, an ode, a shout out," and one senses that the quiet power of the book lies in contradictions still unresolved even as the author gains in experience and independence. “I feel often trapped in the person I have been trying to be my entire life,” she says in a touching and revealing statement, one that perfectly echoes the finely calibrated tensions and the tentative triumphs evoked in these pages.
Photography monographs
Maude Arsenault: Resurfacing
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A follow up to her debut monograph ''Entangled'' (Deadbeat Club, 2020), ''Resurfacing'' furthers Maude Arsenault’s visual poetry with ongoing, honest exploration of the female experience. Time passes; family life fractures and splinters with it. Surfaces crack under a varnish of quiet and soft tones, as folds and crevasses are mirrors of an inner, newly reappropriated(...)
Maude Arsenault: Resurfacing
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A follow up to her debut monograph ''Entangled'' (Deadbeat Club, 2020), ''Resurfacing'' furthers Maude Arsenault’s visual poetry with ongoing, honest exploration of the female experience. Time passes; family life fractures and splinters with it. Surfaces crack under a varnish of quiet and soft tones, as folds and crevasses are mirrors of an inner, newly reappropriated body. ''Resurfacing'' is an essential extension of her work, translating the delicate and subdued power of her images into a tactile, textured design—giving amplitude and rhythm to Arsenault’s feminist visual language.
Photography monographs
Vanessa Winship : Snow
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In "Snow," Vanessa Winship’s latest monograph, we see that what’s not entirely comprehended is far more compelling than what is well understood. Perhaps that’s a truism, but it’s one that is rejuvenated and refreshed by each new and peculiar telling. This book is just such a revelation. The origins of "Snow" lie in a commission (this from an artist who very rarely works(...)
Vanessa Winship : Snow
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In "Snow," Vanessa Winship’s latest monograph, we see that what’s not entirely comprehended is far more compelling than what is well understood. Perhaps that’s a truism, but it’s one that is rejuvenated and refreshed by each new and peculiar telling. This book is just such a revelation. The origins of "Snow" lie in a commission (this from an artist who very rarely works on assignment, although Winship says she often approaches things "as if I have somehow been sent by someone"), but the photographer’s interest in what she found soon eclipsed anything that could properly be thought of as a "story." So she made repeated trips to a particular landscape – and, notably, a particular season – in order to fathom what it was that had disconcerted her in the initial making of these photographs.
Photography monographs
Ward Long : Standstill
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How do you move forward in life? "Standstill" collects radiant scenes from Oakland, California, meditating on the space in-between the big chapters in life. A follow up to Ward Long's first monograph Summer Sublet (2020), "Standstil"l offers familiar interiors and neighborhood sights vibrating with a golden state glow. Friends have children, warm light pools on a park(...)
Ward Long : Standstill
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How do you move forward in life? "Standstill" collects radiant scenes from Oakland, California, meditating on the space in-between the big chapters in life. A follow up to Ward Long's first monograph Summer Sublet (2020), "Standstil"l offers familiar interiors and neighborhood sights vibrating with a golden state glow. Friends have children, warm light pools on a park fence, and fireworks explode over an empty parking lot. Time cycles onward, yet these few small moments are caught in a spell of suspended grace. The carefully constructed sequence offers a kind of sunny purgatory, anticipating what may come. What’s on the other side?
Photography monographs