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Au cours des années 1930, parallèlement à ses activités d'architecte, de designer, d'urbaniste et de militante, la photographie occupe une place importante dans sa création. L'aventure photographique débute en 1927 et se clôt au Japon en 1940. Se déployant tout au long de la période pionnière, quand se développe la modernité, elle s'éteint sur l'espoir d'un monde(...)
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Au cours des années 1930, parallèlement à ses activités d'architecte, de designer, d'urbaniste et de militante, la photographie occupe une place importante dans sa création. L'aventure photographique débute en 1927 et se clôt au Japon en 1940. Se déployant tout au long de la période pionnière, quand se développe la modernité, elle s'éteint sur l'espoir d'un monde(...)
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Charlotte Perriand et la photographie
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Au cours des années 1930, parallèlement à ses activités d'architecte, de designer, d'urbaniste et de militante, la photographie occupe une place importante dans sa création. L'aventure photographique débute en 1927 et se clôt au Japon en 1940. Se déployant tout au long de la période pionnière, quand se développe la modernité, elle s'éteint sur l'espoir d'un monde meilleur anéanti par la seconde guerre mondiale. La photographie est pour Charlotte Perriand le " laboratoire secret " de ses recherches plastiques et philosophiques : c'est une " machine " à penser. Son oeuvre photographique, qui exprime les principaux thèmes et les interrogations des modernes des années 1930, s'inscrit dans le vaste mouvement des avant-gardes où peintres, architectes et photographes, parfois confondus, travaillent côte à côte dans une communauté d'esprit, où chaque expression s'enrichit du regard de l'autre.
Charlotte Perriand et la photographie
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Au cours des années 1930, parallèlement à ses activités d'architecte, de designer, d'urbaniste et de militante, la photographie occupe une place importante dans sa création. L'aventure photographique débute en 1927 et se clôt au Japon en 1940. Se déployant tout au long de la période pionnière, quand se développe la modernité, elle s'éteint sur l'espoir d'un monde meilleur anéanti par la seconde guerre mondiale. La photographie est pour Charlotte Perriand le " laboratoire secret " de ses recherches plastiques et philosophiques : c'est une " machine " à penser. Son oeuvre photographique, qui exprime les principaux thèmes et les interrogations des modernes des années 1930, s'inscrit dans le vaste mouvement des avant-gardes où peintres, architectes et photographes, parfois confondus, travaillent côte à côte dans une communauté d'esprit, où chaque expression s'enrichit du regard de l'autre.
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books
books
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March 2011
March 2011
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Photography monographs
Photography monographs
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books
books
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This book accompanies the exhibition ‘Botanical Pleasure’ at the Zeeuws Museum in Middelburg. Both the book and exhibition highlight the work of the contemporary artist Frank Bruggeman and his fascination with plants. For this exhibition Bruggeman has made a selection from the largely ‘forgotten‘natural history collection of the Royal Zeeland Society of Arts and Sciences.(...)
$47.00
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This book accompanies the exhibition ‘Botanical Pleasure’ at the Zeeuws Museum in Middelburg. Both the book and exhibition highlight the work of the contemporary artist Frank Bruggeman and his fascination with plants. For this exhibition Bruggeman has made a selection from the largely ‘forgotten‘natural history collection of the Royal Zeeland Society of Arts and Sciences.(...)
Title:
Frank Bruggeman: botanical potential
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This book accompanies the exhibition ‘Botanical Pleasure’ at the Zeeuws Museum in Middelburg. Both the book and exhibition highlight the work of the contemporary artist Frank Bruggeman and his fascination with plants. For this exhibition Bruggeman has made a selection from the largely ‘forgotten‘natural history collection of the Royal Zeeland Society of Arts and Sciences. In addition he made a film of the Hertogin Hedwigepolder in the easternmost corner of Zeeuws-Vlaanderen. A third important component of the exhibition and book is a recently discovered herbarium from the end of the seventeenth century. There are remarkable similarities between the way in which dried plants are presented and the manner in which Bruggeman designs his flowerpieces, plantscapes and installations.
Frank Bruggeman: botanical potential
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This book accompanies the exhibition ‘Botanical Pleasure’ at the Zeeuws Museum in Middelburg. Both the book and exhibition highlight the work of the contemporary artist Frank Bruggeman and his fascination with plants. For this exhibition Bruggeman has made a selection from the largely ‘forgotten‘natural history collection of the Royal Zeeland Society of Arts and Sciences. In addition he made a film of the Hertogin Hedwigepolder in the easternmost corner of Zeeuws-Vlaanderen. A third important component of the exhibition and book is a recently discovered herbarium from the end of the seventeenth century. There are remarkable similarities between the way in which dried plants are presented and the manner in which Bruggeman designs his flowerpieces, plantscapes and installations.
Form:
books
books
Publication:
May 2011
May 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$82.95
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal(...)
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal(...)
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Lee Friedlander: In the picture / self portraits 1958-2011
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine.
Lee Friedlander: In the picture / self portraits 1958-2011
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Lee Friedlander has been tackling the challenge of self-portraiture throughout his prolific career. What began as an unorthodox investigation of the genre has become a masterful engagement spanning five decades. In this extraordinary compilation, which includes hundreds of previously unpublished pictures, we follow the famous photographer through the years as his personal and creative lives unfold and intertwine.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$42.00
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
$42.00
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body(...)
Publication:
November 2011
November 2011
Title:
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
André Kertész : the polaroids
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After the death of his wife, Andre Kertesz consoled himself by taking up a new camera, the Polaroid SX70. As with earlier equipment, he mastered the camera and produced a provocative body of work that both honored his wife and lifted him out of depression. Here Kertesz dips into his reserves one last time, tapping new people, ideas, and tools to generate a whole new body of work through which he transforms from a broken man into a youthful artist. Taken in his apartment just north of New York City's Washington Square, many of these photographs were shot either from his window or in the windowsill. We see a fertile mind at work, combining personal objects into striking still lifes set against cityscape backgrounds, reflected and transformed in glass surfaces. Almost entirely unpublished work, these photographs are a testament to the genius of the photographer's eye as manifested in the simple Polaroid.
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books
books
Publication:
November 2011
November 2011
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books
books
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$40.00
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This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by(...)
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Summary:
This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by(...)
Title:
Stan Douglas: Abbott and Cordova, 7 August 1971
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This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series.
Stan Douglas: Abbott and Cordova, 7 August 1971
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This is an art book on the politics of urban conflict based around artist Stan Douglas' stunning photo installation of the same name, depicting a violent confrontation in 1971 between police and Vancouver's counterculture known as the Gastown Riot. The book, which features essays by Alexander Alberro, Serge Guilbaut, and others, addresses various issues raised by Douglas' work, including the suppression and assimilation of the counterculture. It also includes other works from Douglas' Crowds and Riots series.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his(...)
Title:
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
Wim Wenders : places, strange and quiet
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Wim Wenders (born 1945) started taking photographs at the age of 7. By the age of 12 he had equipped himself with his own darkroom, and by 17 he had acquired his first Leica. A few years later he was to emerge as a leading light in the New German Cinema movement of the late 1960s, making his feature-length directorial debut with Summer in the City (1970). Throughout his subsequent global acclaim as a director, Wenders has doggedly maintained his life as a photographer. In fact, the two careers have served each other well, as many of his photographs are created while location-scouting for films. His image repertoire of neglected industrial buildings, vacant lots, cemeteries, dilapidated urban niches and courtyards express a mixture of bemusement, melancholy and dislocation. “When you travel a lot, and when you love to just wander around and get lost, you can end up in the strangest spots,” Wenders says. “It must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.” These strange and quiet color photographs are accompanied by poetical captions, some of which elucidate what is depicted, others of which lightly supplement with an anecdote (one characteristically deadpan caption accompanies an image of a cowboy clown standing at a rodeo: “It is amazing how many different ideas of 'fun' co-exist in this world” ). This publication gathers photographs from 1983 to 2011 in a full panorama of Wenders' photography to date.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$44.00
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Summary:
Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary(...)
$44.00
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Summary:
Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary(...)
Title:
Stan Douglas: midcentury studio
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary engagement, in references to works by Proust, Beckett and other writers. This publication sees Douglas pursue a new direction. It chronicles the burgeoning discipline of press photography in North America during the postwar period, for which Douglas assumes the role of a fictional photographer, creating a series of images hypothetically produced between 1945-1951. Douglas constructed a “mid-century studio” using authentic equipment as well as actors to produce carefully staged, black-and-white photographs that painstakingly emulate the period's obsession with crime scenes, dance, gambling and technology. This volume juxtaposes actual photographs from the era with Douglas' photo-fictions.
Stan Douglas: midcentury studio
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Vancouver photographer and video artist Stan Douglas (born 1960) has been celebrated since the late 1980s for his politically freighted retrievals of obsolete technologies and failed utopias. The emphatically narrative character of his films and photographs has made for comparisons with his Vancouver contemporary Jeff Wall, but Douglas also laces his work with a literary engagement, in references to works by Proust, Beckett and other writers. This publication sees Douglas pursue a new direction. It chronicles the burgeoning discipline of press photography in North America during the postwar period, for which Douglas assumes the role of a fictional photographer, creating a series of images hypothetically produced between 1945-1951. Douglas constructed a “mid-century studio” using authentic equipment as well as actors to produce carefully staged, black-and-white photographs that painstakingly emulate the period's obsession with crime scenes, dance, gambling and technology. This volume juxtaposes actual photographs from the era with Douglas' photo-fictions.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$49.95
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Présentation des photographies de nouveaux modèles de voitures (1964) de Lee Friedlander.
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Présentation des photographies de nouveaux modèles de voitures (1964) de Lee Friedlander.
Title:
Lee Friedlander: The new cars 1964
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Présentation des photographies de nouveaux modèles de voitures (1964) de Lee Friedlander.
Lee Friedlander: The new cars 1964
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Présentation des photographies de nouveaux modèles de voitures (1964) de Lee Friedlander.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Nealy Blau: elsewhere
Nealy Blau: elsewhere
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Since early childhood, Seattle photographer Nealy Blau (born 1968) has wandered the halls of natural history museums, finding escape and reverie in the mysterious and sometimes eerie dioramas of constructed nature scenes. In 'Elsewhere', Blau photographs these dioramas as though they were actual vistas, conspiring with the interactions between their three-dimensional(...)
$66.00
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Summary:
Since early childhood, Seattle photographer Nealy Blau (born 1968) has wandered the halls of natural history museums, finding escape and reverie in the mysterious and sometimes eerie dioramas of constructed nature scenes. In 'Elsewhere', Blau photographs these dioramas as though they were actual vistas, conspiring with the interactions between their three-dimensional(...)
Title:
Nealy Blau: elsewhere
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Since early childhood, Seattle photographer Nealy Blau (born 1968) has wandered the halls of natural history museums, finding escape and reverie in the mysterious and sometimes eerie dioramas of constructed nature scenes. In 'Elsewhere', Blau photographs these dioramas as though they were actual vistas, conspiring with the interactions between their three-dimensional components and the painted backdrops to compel her images to the brink of reality.
Nealy Blau: elsewhere
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Since early childhood, Seattle photographer Nealy Blau (born 1968) has wandered the halls of natural history museums, finding escape and reverie in the mysterious and sometimes eerie dioramas of constructed nature scenes. In 'Elsewhere', Blau photographs these dioramas as though they were actual vistas, conspiring with the interactions between their three-dimensional components and the painted backdrops to compel her images to the brink of reality.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$88.00
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Summary:
Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison.
$88.00
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Summary:
Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison.
Title:
James Casebere: works 1975-2010
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Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison.
James Casebere: works 1975-2010
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$88.00
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Edited by Okwui Enwezor, this major mid-career survey includes several of Casebere's lesser-known early works, as well as previously unreproduced sculpture and photographs from 1975 to 2010. Enwezor contributes both an introduction and a conversation with the artist. The volume also contains essays by Hal Foster and Toni Morrison.
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Photography monographs
Photography monographs
