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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of(...)
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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of(...)
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Jason Fulford: The Mushroom Collector
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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms—unassuming pictures taken by an unknown but almost certainly amateur photographer, apparently as notes for some mycological studies. These mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. The Mushroom Collector combines some of the original flea-market mushroom pictures with his own images and text by the artist about the project.
Jason Fulford: The Mushroom Collector
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This publication reissues a beloved photobook classic that has been out of print since the hardcover edition was published in 2010. As photographer Jason Fulford recently learned firsthand, mushrooms have a way of growing and spreading wherever they touch ground. It all started when a friend of Fulford's gave him a box, found at a flea market, full of photos of mushrooms—unassuming pictures taken by an unknown but almost certainly amateur photographer, apparently as notes for some mycological studies. These mushroom images got stuck in Fulford's mind, like a bad song sometimes does, and they started to grow in his own work. The Mushroom Collector combines some of the original flea-market mushroom pictures with his own images and text by the artist about the project.
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books
books
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February 2015
February 2015
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Photography monographs
Photography monographs
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$115.00
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker(...)
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker(...)
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Olaf Otto Becker: reading the landscape
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker shows what happens across the globe when international corporations clear large tracts of land and giant areas of barren, treeless terrain result. Erosion also does its work, and no life can survive in these places. In the final section, Becker presents the artificial "forests" conceived by various international architects to insert greenery into urban space.
Olaf Otto Becker: reading the landscape
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In his Habitat series, Olaf Otto Becker (born 1959) presents idyllic dreamlike places—paradisical tableaus from the jungles of Malaysia and Indonesia. Even the temperate rainforest of Redwood National Parks in California seems reassuringly intact: the mammoth trees are surviving thanks to rigorous conservation measures. By contrast, in the second half of his series Becker shows what happens across the globe when international corporations clear large tracts of land and giant areas of barren, treeless terrain result. Erosion also does its work, and no life can survive in these places. In the final section, Becker presents the artificial "forests" conceived by various international architects to insert greenery into urban space.
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books
books
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February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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books
books
Title:
David Leventi: Opera
David Leventi: Opera
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In his series Opera, photographer David Leventi records the interiors of more than 40 opera houses spanning 4 centuries and 4 continents. Shot meticulously over five years Opera presents a typology, each empty hall is seen from the place at centre stage where the singers would stand. The large format camera reveals these temples of music in all their wealth of(...)
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In his series Opera, photographer David Leventi records the interiors of more than 40 opera houses spanning 4 centuries and 4 continents. Shot meticulously over five years Opera presents a typology, each empty hall is seen from the place at centre stage where the singers would stand. The large format camera reveals these temples of music in all their wealth of(...)
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David Leventi: Opera
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In his series Opera, photographer David Leventi records the interiors of more than 40 opera houses spanning 4 centuries and 4 continents. Shot meticulously over five years Opera presents a typology, each empty hall is seen from the place at centre stage where the singers would stand. The large format camera reveals these temples of music in all their wealth of scintillating architectural detail which also serves the acoustic function of enriching sound.
David Leventi: Opera
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In his series Opera, photographer David Leventi records the interiors of more than 40 opera houses spanning 4 centuries and 4 continents. Shot meticulously over five years Opera presents a typology, each empty hall is seen from the place at centre stage where the singers would stand. The large format camera reveals these temples of music in all their wealth of scintillating architectural detail which also serves the acoustic function of enriching sound.
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books
books
Publication:
February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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books
books
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$70.00
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
Publication:
February 2015
February 2015
Title:
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
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books
books
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February 2015
February 2015
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books
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the(...)
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the(...)
Title:
Angola cinemas: a fiction of freedom
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the 1960s brought atmosphere and elegance to the experience of going to the movies; but these urban cathedrals were also, importantly, a place where social barriers dissolved and where liberation from colonialism was possible. Walter Fernandes' (born 1979) photographs offer not only an examination of the architectural history of these buildings, but also an important document of urban organization in the twentieth century, as well as the changing mentalities of a society living with the prospect of its independence.
Angola cinemas: a fiction of freedom
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Angola cinemas honors the unique, fantastic and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, open-air cinemas with terrace bars became the order of the day, better suited as they were to a tropical climate. The arrival of these cinemas in the 1960s brought atmosphere and elegance to the experience of going to the movies; but these urban cathedrals were also, importantly, a place where social barriers dissolved and where liberation from colonialism was possible. Walter Fernandes' (born 1979) photographs offer not only an examination of the architectural history of these buildings, but also an important document of urban organization in the twentieth century, as well as the changing mentalities of a society living with the prospect of its independence.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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books
books
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various(...)
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various(...)
Title:
Sigurdur Gudmundsson: dancing horizon 1970–1982
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various props—for example, balancing a wooden slat on his head to make visual contact with the horizon in the background, or digging himself into the grass. Influenced by the informality and unpredictability of international Fluxus, which Gudmundsson encountered in the late 1960s as a member of the progressive Icelandic artists' collective Súm, the Situations are humorous, absurd and lyrical; they have been characterized as "visual poems." More than 80 artworks are reproduced here (many of them rarely exhibited or published), along with previously unpublished studies.
Sigurdur Gudmundsson: dancing horizon 1970–1982
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Dancing Horizon 1970–1982 is a comprehensive collection of the photographic work of Icelandic artist Sigurdur Gudmundsson (born 1942), the "Nordic father of Conceptual photography," focusing on a critical period in his development. In the 1970s Gudmundsson made a famous series of conceptual photographs he called Situations, in which the artist is posed with various props—for example, balancing a wooden slat on his head to make visual contact with the horizon in the background, or digging himself into the grass. Influenced by the informality and unpredictability of international Fluxus, which Gudmundsson encountered in the late 1960s as a member of the progressive Icelandic artists' collective Súm, the Situations are humorous, absurd and lyrical; they have been characterized as "visual poems." More than 80 artworks are reproduced here (many of them rarely exhibited or published), along with previously unpublished studies.
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books
books
Publication:
February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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books
books
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$56.95
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In Dressing Up, Lee Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work. The photographs, commissioned by the New York Times Magazine, were taken in 2006 during New York Fashion Week, when the artist spent(...)
$56.95
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In Dressing Up, Lee Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work. The photographs, commissioned by the New York Times Magazine, were taken in 2006 during New York Fashion Week, when the artist spent(...)
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Lee Friedlander: dressing up, fashion week NYC
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In Dressing Up, Lee Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work. The photographs, commissioned by the New York Times Magazine, were taken in 2006 during New York Fashion Week, when the artist spent time backstage at the Marc Jacobs, Donna Karan, Calvin Klein, Zac Posen, Oscar de la Renta, and Proenza Schouler shows.
Lee Friedlander: dressing up, fashion week NYC
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$56.95
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In Dressing Up, Lee Friedlander ventures into new territory, turning his eye to the rarefied world of fashion and revealing precisely what is commonplace about it: behind the glamorous spectacle of the runway are many people hard at work. The photographs, commissioned by the New York Times Magazine, were taken in 2006 during New York Fashion Week, when the artist spent time backstage at the Marc Jacobs, Donna Karan, Calvin Klein, Zac Posen, Oscar de la Renta, and Proenza Schouler shows.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Photography monographs
Photography monographs
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books
books
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$95.00
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991,(...)
Title:
Lewis Baltz: rule without exception / only Exceptions
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This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
Lewis Baltz: rule without exception / only Exceptions
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$95.00
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Summary:
This book object combines two volumes and covers the sweep and depth of Lewis Baltz’s influential oeuvre. Rule Without Exception is a re-issue of Baltz’s award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz’s work from The Prototype Works of 1967 through to Sites of Technology of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. Only Exceptions is a new book chronicling Baltz’s work – now usually site-generated commissioned works – from 1992 to the present and is published on the occasion of an exhibition organized by the Kunstmuseum, Bonn. Only Exceptions includes Baltz’s work in California, Leipzig’s “Black Triangle”, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.
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books
books
Publication:
April 2012
April 2012
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This publication shows how Canadian artist Jeff Wall (born 1946) generates provocative visual performances that require active participation on the part of the viewer. Wall's photographic works are compared with those of earlier artists such as Diego Velázquez, Jan Vermeer, Claude Monet and Marcel Duchamp.
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This publication shows how Canadian artist Jeff Wall (born 1946) generates provocative visual performances that require active participation on the part of the viewer. Wall's photographic works are compared with those of earlier artists such as Diego Velázquez, Jan Vermeer, Claude Monet and Marcel Duchamp.
Title:
Jeff Wall: with the eye of the mind
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This publication shows how Canadian artist Jeff Wall (born 1946) generates provocative visual performances that require active participation on the part of the viewer. Wall's photographic works are compared with those of earlier artists such as Diego Velázquez, Jan Vermeer, Claude Monet and Marcel Duchamp.
Jeff Wall: with the eye of the mind
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This publication shows how Canadian artist Jeff Wall (born 1946) generates provocative visual performances that require active participation on the part of the viewer. Wall's photographic works are compared with those of earlier artists such as Diego Velázquez, Jan Vermeer, Claude Monet and Marcel Duchamp.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Beautiful America : protest
Beautiful America : protest
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$55.00
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Jerry Berndt (born 1944) documented the period between 1968 and 1980 in America like no other photographer. Personally involved in the anti-Vietnam War activities of the 1960s, Berndt combines photojournalism with documentary, conceptual and street photography to create a unique view of America's social constitution during these decisive years. Berndt consistently placed(...)
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Jerry Berndt (born 1944) documented the period between 1968 and 1980 in America like no other photographer. Personally involved in the anti-Vietnam War activities of the 1960s, Berndt combines photojournalism with documentary, conceptual and street photography to create a unique view of America's social constitution during these decisive years. Berndt consistently placed(...)
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Beautiful America : protest
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$55.00
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Jerry Berndt (born 1944) documented the period between 1968 and 1980 in America like no other photographer. Personally involved in the anti-Vietnam War activities of the 1960s, Berndt combines photojournalism with documentary, conceptual and street photography to create a unique view of America's social constitution during these decisive years. Berndt consistently placed himself near political conflict, systematically portraying the spectrum of America's people and cityscapes, including the middle and working classes, as well as the inhabitants of America's often ignored ghettos. In the early 1970s, Berndt withdrew from political protest and worked for newspapers, imbuing his pictures with a timelessness beyond current events.
Beautiful America : protest
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Jerry Berndt (born 1944) documented the period between 1968 and 1980 in America like no other photographer. Personally involved in the anti-Vietnam War activities of the 1960s, Berndt combines photojournalism with documentary, conceptual and street photography to create a unique view of America's social constitution during these decisive years. Berndt consistently placed himself near political conflict, systematically portraying the spectrum of America's people and cityscapes, including the middle and working classes, as well as the inhabitants of America's often ignored ghettos. In the early 1970s, Berndt withdrew from political protest and worked for newspapers, imbuing his pictures with a timelessness beyond current events.
Form:
books
books
Publication:
December 2018
December 2018
Subject:
Photography monographs
Photography monographs
