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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the(...)
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Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
Ken Lum
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Shaped by a keen sense of humanity and a wide knowledge of history and literature, Canadian artist Ken Lum (born 1956) is a visionary who has consistently challenged societal norms, the ruling classes, religious suppression and racism, among other horrors that we continue to inflict on each other. His influential work, with its focus on cross-cultural dialogue and the complexities of the modern world, resonates globally—be it through painting, sculpture, photography or public art projects that engage with individual and collective identity in the context of historical trauma and the complications of memory. This publication presents a sweep of Lum’s photographic series, at once descriptive and disruptive, personal and political, including ''Portrait/Logos'' (1984–86), ''Portrait/Repeated Text Works'' (1993 to present) and ''Image Mirrors'' (2021); as well as his work with ''Monument Lab'', a public art project he cofounded with urban geographer Paul Farber.
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books
books
Publication:
July 2024
July 2024
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Photography monographs
Photography monographs
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books
books
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’(...)
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’(...)
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Aurélie Scouarnec: Revêtir - Dress
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’ focuses on those who still wear these garments today, following the activities of various groups during championships and festivities, with particular attention for the young dancers involved. The series also offers an intimate look at individual interactions and the suspended time of preparations and rehearsals.
Aurélie Scouarnec: Revêtir - Dress
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The traditional costumes of Brittany carry with them a multitude evolutions and diverse influences that reflect a mosaic of geographical contexts within the region. Since childhood, Aurélie Scouarnec has been captivated by the materials and intricate details of these costumes, worn by family members across different generations. Her photographic project ‘'Revêtir'’ focuses on those who still wear these garments today, following the activities of various groups during championships and festivities, with particular attention for the young dancers involved. The series also offers an intimate look at individual interactions and the suspended time of preparations and rehearsals.
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books
books
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October 2024
October 2024
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books
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$69.95
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours(...)
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours(...)
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Par deux : Visages et villages de jumeaux
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours Bernard de Tournadre a voyagé dix ans durant à la rencontre d'hommes, de femmes et d'enfants à la fois pareils et différents. Cette aventure profondément humaine, qui l'a conduit aux quatre coins du monde, est relatée ici au travers d'un enchaînement de portraits noir et blanc en duo, et de clichés pris lors de rassemblements de jumeaux et jumelles.
Par deux : Visages et villages de jumeaux
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Troublante et énigmatique, la gémellité n'a pas fini d'intriguer, de questionner, de fasciner. À jamais étrangère aux âmes « solitaires », elle fait croire à l'existence d'une absolue complétude, d'un attachement indicible, de liens extrasensibles... d'un véritable mystère. Pour approcher cette singularité du double, de la vie « par deux », le photographe au long cours Bernard de Tournadre a voyagé dix ans durant à la rencontre d'hommes, de femmes et d'enfants à la fois pareils et différents. Cette aventure profondément humaine, qui l'a conduit aux quatre coins du monde, est relatée ici au travers d'un enchaînement de portraits noir et blanc en duo, et de clichés pris lors de rassemblements de jumeaux et jumelles.
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books
books
Publication:
October 2024
October 2024
Subject:
Photography monographs
Photography monographs
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books
books
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$55.50
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban(...)
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban(...)
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Waiting rooms of architecture
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban districts that are now in ruins will sooner or later be rebuilt." The book is built around a text by Vlad Ionescu (Faculty of Architecture and Art, PXL/UHasselt) in which he reflects on Olchowska’s work, from 2009 to today. This is supplemented and illustrated by means of a visual essay in which Olchowska shows her work of the last five years.
Waiting rooms of architecture
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"What precedes architecture?" Architect-artist Malgorzata Maria Olchowska (°Bartoszyce, 1982) investigates how personal and collective memories influence our view of the built environment. According to Olchowska, there is no limit to the resilience of cities: "Cities go up and down, we see that now with the war in Ukraine or with the earthquake in Turkey and Syria. Urban districts that are now in ruins will sooner or later be rebuilt." The book is built around a text by Vlad Ionescu (Faculty of Architecture and Art, PXL/UHasselt) in which he reflects on Olchowska’s work, from 2009 to today. This is supplemented and illustrated by means of a visual essay in which Olchowska shows her work of the last five years.
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books
books
Publication:
March 2024
March 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Anna Tsitsishvili: Tbilisi
Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
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Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
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books
books
Publication:
June 2024
June 2024
Subject:
Photography monographs
Photography monographs
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books
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Zygmunt Rytka (1947–2018) was an intermedia artist associated with the Polish neo-avant-garde of the 1970s and the independent artist community of the 1980s. In his conceptual work, he combined a philosophical and artistic study of nature and perception with ironic reflections on contemporary media and politics. The artist saw the camera as an instrument that creates a(...)
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Zygmunt Rytka (1947–2018) was an intermedia artist associated with the Polish neo-avant-garde of the 1970s and the independent artist community of the 1980s. In his conceptual work, he combined a philosophical and artistic study of nature and perception with ironic reflections on contemporary media and politics. The artist saw the camera as an instrument that creates a(...)
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Zygmunt Rytka: Stones, Ants, and Television
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Zygmunt Rytka (1947–2018) was an intermedia artist associated with the Polish neo-avant-garde of the 1970s and the independent artist community of the 1980s. In his conceptual work, he combined a philosophical and artistic study of nature and perception with ironic reflections on contemporary media and politics. The artist saw the camera as an instrument that creates a convention and begins to influence reality. The book—the first monograph of his photographic work in English— is a comprehensive collection including early conceptual cycles, works dealing with consumer culture, politically charged analytical studies of the language of mass media, and works focusing on the relationship between culture and nature. There is commentary on the cycles provided by notes from the author, an interview conducted by Anna Maria Lesniewska, and new texts by David Crowley, Karol Hordziej, and Daniel Muzyczuk.
Zygmunt Rytka: Stones, Ants, and Television
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Zygmunt Rytka (1947–2018) was an intermedia artist associated with the Polish neo-avant-garde of the 1970s and the independent artist community of the 1980s. In his conceptual work, he combined a philosophical and artistic study of nature and perception with ironic reflections on contemporary media and politics. The artist saw the camera as an instrument that creates a convention and begins to influence reality. The book—the first monograph of his photographic work in English— is a comprehensive collection including early conceptual cycles, works dealing with consumer culture, politically charged analytical studies of the language of mass media, and works focusing on the relationship between culture and nature. There is commentary on the cycles provided by notes from the author, an interview conducted by Anna Maria Lesniewska, and new texts by David Crowley, Karol Hordziej, and Daniel Muzyczuk.
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books
books
Publication:
December 2025
December 2025
Subject:
Photography monographs
Photography monographs
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books
books
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$42.00
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Summary:
“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into(...)
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into(...)
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Sybren Vanoverberghe: desert spirals
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into traces of a recent or forgotten past, capturing the essence of the desert’s nothingness. The photographs create a compelling visual journey that merges contemporary scenes with ancient engravings. Through photography, Vanoverberghe captures these traces with evocative associations and powerful compositions. “Desert Spirals” offers a glimpse into the enigmatic beauty and timeless nature of the seemingly barren desert.
Sybren Vanoverberghe: desert spirals
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“Desert Spirals” by Sybren Vanoverberghe presents a new series of photographs taken in the captivating Moroccan desert. The images portray artifacts, shelters, and ancient engravings amidst the vast landscape. They capture the transient structures of human presence, built with materials often repurposed or left behind. Vanoverberghe’s artistic approach delves into traces of a recent or forgotten past, capturing the essence of the desert’s nothingness. The photographs create a compelling visual journey that merges contemporary scenes with ancient engravings. Through photography, Vanoverberghe captures these traces with evocative associations and powerful compositions. “Desert Spirals” offers a glimpse into the enigmatic beauty and timeless nature of the seemingly barren desert.
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books
books
Publication:
November 2023
November 2023
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Alick Phiri: Lusaka Street
Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
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Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
Alick Phiri: Lusaka Street
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
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books
books
Publication:
May 2024
May 2024
Subject:
Photography monographs
Photography monographs
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books
books
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$134.99
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer(...)
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Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
Hélène Binet: Architectural Photographers
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive.
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books
books
Publication:
March 2024
March 2024
Subject:
Photography monographs
Photography monographs
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books
books
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$16.00
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
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Mark Campbell: Stoke-on-Trent 1983–1986 series 2 books
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
Mark Campbell: Stoke-on-Trent 1983–1986 series 2 books
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A changing landscape for Stoke-on-Trent in the 1980s, by Mark Campbell. Series of 2 books.
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books
books
Publication:
November 2024
November 2024
Subject:
Photography monographs
Photography monographs
