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This illustrated book establishes the towering influence of the scientist Victor Regneault (1810-1878)in the earliest decades of photography, a period of experimentation ripe with artistic, commercial, and scientific possibility. Regneault has a double significance to the early history of photography, as the first leader of the Société française de photographie (S.F.P.)(...)
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This illustrated book establishes the towering influence of the scientist Victor Regneault (1810-1878)in the earliest decades of photography, a period of experimentation ripe with artistic, commercial, and scientific possibility. Regneault has a double significance to the early history of photography, as the first leader of the Société française de photographie (S.F.P.)(...)
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Victor Regnault and the advance of photography : the art of avoiding errors
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This illustrated book establishes the towering influence of the scientist Victor Regneault (1810-1878)in the earliest decades of photography, a period of experimentation ripe with artistic, commercial, and scientific possibility. Regneault has a double significance to the early history of photography, as the first leader of the Société française de photographie (S.F.P.) and as the maker of more than two hundred calotype (paper negative) portraits and landscapes.
Victor Regnault and the advance of photography : the art of avoiding errors
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This illustrated book establishes the towering influence of the scientist Victor Regneault (1810-1878)in the earliest decades of photography, a period of experimentation ripe with artistic, commercial, and scientific possibility. Regneault has a double significance to the early history of photography, as the first leader of the Société française de photographie (S.F.P.) and as the maker of more than two hundred calotype (paper negative) portraits and landscapes.
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books
books
Publication:
January 2005, Princeton
January 2005, Princeton
Subject:
Photography monographs
Photography monographs
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books
books
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$63.00
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In "Jacques Henri Lartigue : the invention of an artist", Kevin Moore puts to rest the long-held myth of Lartigue as a naive boy genius whose creations were based on instinct alone. Moore begins by exploring the milieu in which Lartigue became a photographer, examining his father's crutial role in teaching him the techniques as well as the larger context of the(...)
$63.00
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In "Jacques Henri Lartigue : the invention of an artist", Kevin Moore puts to rest the long-held myth of Lartigue as a naive boy genius whose creations were based on instinct alone. Moore begins by exploring the milieu in which Lartigue became a photographer, examining his father's crutial role in teaching him the techniques as well as the larger context of the(...)
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Jacques Henri Lartigue : the invention of an artist
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In "Jacques Henri Lartigue : the invention of an artist", Kevin Moore puts to rest the long-held myth of Lartigue as a naive boy genius whose creations were based on instinct alone. Moore begins by exploring the milieu in which Lartigue became a photographer, examining his father's crutial role in teaching him the techniques as well as the larger context of the turn-of-the-century craze for amateur photography.
Jacques Henri Lartigue : the invention of an artist
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In "Jacques Henri Lartigue : the invention of an artist", Kevin Moore puts to rest the long-held myth of Lartigue as a naive boy genius whose creations were based on instinct alone. Moore begins by exploring the milieu in which Lartigue became a photographer, examining his father's crutial role in teaching him the techniques as well as the larger context of the turn-of-the-century craze for amateur photography.
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books
books
Publication:
October 2004, Princeton
October 2004, Princeton
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$90.95
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Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the “golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s(...)
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Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the “golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2004, New Haven, London
November 2004, New Haven, London
Title:
All the mighty world : the photographs of Roger Fenton, 1852-1860
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Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the “golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members’ works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book--the first comprehensive publication on Fenton in almost twenty years--presents eighty-five of the artist’s finest photographs and discusses every aspect of his work and his remarkable career. This catalogue accompanies an exhibition on view at the National Gallery of Art, Washington, D.C. (October 17, 2004, to January 2, 2005); the J. Paul Getty Museum, Los Angeles (February 1 to April 25, 2005); The Metropolitan Museum of Art, New York (May 16 to August 14, 2005); and Tate Britain, London (September 25, 2005, to January 2, 2006).
All the mighty world : the photographs of Roger Fenton, 1852-1860
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Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the “golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in England--as were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members’ works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book--the first comprehensive publication on Fenton in almost twenty years--presents eighty-five of the artist’s finest photographs and discusses every aspect of his work and his remarkable career. This catalogue accompanies an exhibition on view at the National Gallery of Art, Washington, D.C. (October 17, 2004, to January 2, 2005); the J. Paul Getty Museum, Los Angeles (February 1 to April 25, 2005); The Metropolitan Museum of Art, New York (May 16 to August 14, 2005); and Tate Britain, London (September 25, 2005, to January 2, 2006).
Form:
books
books
Publication:
November 2004, New Haven, London
November 2004, New Haven, London
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
The Maze : Donovan Wylie
The Maze : Donovan Wylie
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than(...)
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than(...)
Title:
The Maze : Donovan Wylie
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For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than 1,700 prisoners, but in September 2000, under the terms of the Good Friday agreement, the prison was closed and the last four prisoners were transferred to other prisons in Northern Ireland. Now, a handful of prison officers staff the empty complex while the future of the site is debated. The prison’s current state of limbo and the unanswered questions regarding its fate seem to reflect Northern Ireland’s unsteady progress in grappling with its recent history. Earlier this year, the Northern Ireland Prison Service gave Donovan Wylie exclusive and unprecedented permission to photograph throughout the entire prison complex without supervision. The result is a book which documents the physical structure and at the same time, through the quantity and style of the photographs, to give the viewer some experience of the psychological impact of being inside the Maze prison. With a text by Louise Purbrick, Senior Lecturer in History and Design at Brighton University, and a timeline history of the prison and its prisoners as they relate to the history of the Troubles, this book records and preserves a unique physical structure that has played an important role in our recent history.
The Maze : Donovan Wylie
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$58.95
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Summary:
For nearly thirty years, the Maze prison, ten miles outside Belfast, played a unique role in the Northern Ireland troubles. Built in 1976 to house political prisoners, segregation was so fierce it lead to scenes of violent protests, hunger strikes, mass escapes, and deaths of both prisoners and prison staff. At its peak capacity in the 1980s the Maze housed more than 1,700 prisoners, but in September 2000, under the terms of the Good Friday agreement, the prison was closed and the last four prisoners were transferred to other prisons in Northern Ireland. Now, a handful of prison officers staff the empty complex while the future of the site is debated. The prison’s current state of limbo and the unanswered questions regarding its fate seem to reflect Northern Ireland’s unsteady progress in grappling with its recent history. Earlier this year, the Northern Ireland Prison Service gave Donovan Wylie exclusive and unprecedented permission to photograph throughout the entire prison complex without supervision. The result is a book which documents the physical structure and at the same time, through the quantity and style of the photographs, to give the viewer some experience of the psychological impact of being inside the Maze prison. With a text by Louise Purbrick, Senior Lecturer in History and Design at Brighton University, and a timeline history of the prison and its prisoners as they relate to the history of the Troubles, this book records and preserves a unique physical structure that has played an important role in our recent history.
Form:
books
books
Publication:
August 2004, London
August 2004, London
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Robert Polidori's metropolis
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2004, New York
November 2004, New York
Title:
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Robert Polidori's metropolis
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$84.50
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Summary:
Not only is he one of the world’s preeminent architecture photographers, Robert Polidori is also--as his popular book Havana proved--a master of urban portraiture. The Montreal-born photographer has made haunting studies of bombed-out buildings in Beirut, decaying New York tenements, Versailles rooms in dusty disarray, Brasilia's paean to spare '50s modernism, and, most recently, the abandoned, contaminated cities of Chernobyl and Pripyat. Taken together, they add to his ongoing project: the interpretation of the interrupted urban landscape. This new monograph combines the eye of a celebrated photographer with the distinctive voice of an artist and adventurer. Each breathtaking image--meticulously selected by the photographer from his own personal archive--is accompanied by a compelling first person account, based on interviews conducted by Martin C. Pedersen, executive editor of Metropolis magazine. Polidori tells behind-the-scene stories about the making of his photographs, takes us to war-torn Beirut and Brasilia and other world capitals, talks about what makes a building photogenic, how he shoots buildings he doesn’t like, his favorite architects, and his love of mosques. A look at the world’s great cities as seen through the eyes of a sharp social observer
Form:
books
books
Publication:
November 2004, New York
November 2004, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$100.00
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Summary:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
$100.00
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Summary:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived(...)
Title:
Lee Friedlander : sticks and stones, architectural America
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In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
Lee Friedlander : sticks and stones, architectural America
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$100.00
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Summary:
In "Sticks & Stones", Lee Friedlander offers his view of America as seen through its architecture. In 192 square-format pictures shot over the past 15 years, Friedlander has framed the familiar through his own unique way of seeing the world. Whether he's representing modest vernacular buildings or monumental skyscrapers, Friedlander liberates them from our preconceived notions and gives us a new way of looking at our surrounding environment. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car (the driver's window sometimes providing Friedlander with an extra frame), these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. Nevertheless, man's presence is not at stake here; streets, roads, façades, and buildings offer their own visual intrigue, without reference to their makers. And in the end, it is not even the grand buildings themselves that prick our interest, but rather the forgettable architectural elements--the poles, posts, sidewalks, fences, phone booths, alleys, parked cars--that through photographic juxtaposition with all kinds of buildings help us to discover the spirit of an Architectural America.
Form:
books
books
Publication:
October 2004, New York
October 2004, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Robert Frank : storylines
Robert Frank : storylines
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$49.95
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Summary:
Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something(...)
$49.95
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something(...)
Subject:
Photography monographs
Photography monographs
Publication:
November 2004, Götingen, Germany
November 2004, Götingen, Germany
Title:
Robert Frank : storylines
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Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. "Storylines" accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets, and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island, and Chicago, appear along with several artist's books.
Robert Frank : storylines
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Summary:
Robert Frank is one of the most influential of all post-war photographers. Pioneering a revolutionary approach to photography and filmmaking, he combines autobiographical and poetic elements to produce straight black-and-white images that transcend the specific. Speaking of universal experience, Frank has said, "I'm trying to forget easy photo, trying to make something from within." He adds, "Time moves on and never stops or waits." Often involving a progression through a series of images, his work is structured like a musical sequence, creating storylines that resonate beyond the frozen moment of any single photograph. "Storylines" accompanies an exhibition highlighting Frank's experimental use of narrative in photography and film. The exhibition consists of his films and photographs, including Polaroids, contact sheets, and recent digital stills. Photographs from locations as diverse as Peru, London, Wales, Coney Island, and Chicago, appear along with several artist's books.
Form:
books
books
Publication:
November 2004, Götingen, Germany
November 2004, Götingen, Germany
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$74.95
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Summary:
En 1991, deux ans après la fin de la guerre civile, Gabriele Basilico participe à une mission photographique, consacrée au centre-ville de Beyrouth. Ce territoire, symbole de “l’âge d’or” et de la diversité du Liban, fut pendant près de quinze ans le théâtre de combats rapprochés. Les images montrent des bâtiments criblés d’impacts mais encore debout, comme des(...)
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En 1991, deux ans après la fin de la guerre civile, Gabriele Basilico participe à une mission photographique, consacrée au centre-ville de Beyrouth. Ce territoire, symbole de “l’âge d’or” et de la diversité du Liban, fut pendant près de quinze ans le théâtre de combats rapprochés. Les images montrent des bâtiments criblés d’impacts mais encore debout, comme des(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2004, Cherbourg
February 2004, Cherbourg
Title:
Gabriele Basilica : Beyrouth 1991 (2003)
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En 1991, deux ans après la fin de la guerre civile, Gabriele Basilico participe à une mission photographique, consacrée au centre-ville de Beyrouth. Ce territoire, symbole de “l’âge d’or” et de la diversité du Liban, fut pendant près de quinze ans le théâtre de combats rapprochés. Les images montrent des bâtiments criblés d’impacts mais encore debout, comme des squelettes, dans un temps suspendu qui n’est plus celui de la guerre et pas encore celui de la paix.Le livre se conclut par une série de photographies en vis-à-vis associant des images réalisées en 1991 et des vues correspondantes en 2003 du centre-ville reconstruit.
Gabriele Basilica : Beyrouth 1991 (2003)
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En 1991, deux ans après la fin de la guerre civile, Gabriele Basilico participe à une mission photographique, consacrée au centre-ville de Beyrouth. Ce territoire, symbole de “l’âge d’or” et de la diversité du Liban, fut pendant près de quinze ans le théâtre de combats rapprochés. Les images montrent des bâtiments criblés d’impacts mais encore debout, comme des squelettes, dans un temps suspendu qui n’est plus celui de la guerre et pas encore celui de la paix.Le livre se conclut par une série de photographies en vis-à-vis associant des images réalisées en 1991 et des vues correspondantes en 2003 du centre-ville reconstruit.
Form:
books
books
Publication:
February 2004, Cherbourg
February 2004, Cherbourg
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$60.00
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Summary:
New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography.(...)
$60.00
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Summary:
New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography.(...)
Title:
Bas princen: Artificial Arcadia
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New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography. The pictures produce awareness about the complex qualities that construct contemporary landscape, such as accessibility, wind direction, water currents and communication networks. In addition the use of certain products, such as kites, mountain bikes and GPS monitors has a bearing on the way in which landscape is understood. Bas Princen enters these landscapes with the slowness, sharpness and precision of a large-format view camera. Although he has a keen eye for user interpretations and has produces over 40 awesome and puzzling pictures, "Artificial Arcadia" is mainly a book about landscape and its design. Texts by Lars Lerup, Bart Lootsma, Wim Cuyvers, Jeff Derksen and Dirk Sijmons reflect on the photographs and present different views on landscapes in transition.
Bas princen: Artificial Arcadia
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Summary:
New connoisseurs take the opportunities offered by the typically Dutch phenomenon of landscape being continuously adapted to changing demands, always with temporary leftovers awaiting their turn for utilitarian recycling. New ways of thinking about landscape design originate from this specialist landscape use. Bas Princen's arguments take the form of superb photography. The pictures produce awareness about the complex qualities that construct contemporary landscape, such as accessibility, wind direction, water currents and communication networks. In addition the use of certain products, such as kites, mountain bikes and GPS monitors has a bearing on the way in which landscape is understood. Bas Princen enters these landscapes with the slowness, sharpness and precision of a large-format view camera. Although he has a keen eye for user interpretations and has produces over 40 awesome and puzzling pictures, "Artificial Arcadia" is mainly a book about landscape and its design. Texts by Lars Lerup, Bart Lootsma, Wim Cuyvers, Jeff Derksen and Dirk Sijmons reflect on the photographs and present different views on landscapes in transition.
Form:
books
books
Publication:
May 2004, Rotterdam
May 2004, Rotterdam
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Thomas Ruff : machines
Thomas Ruff : machines
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$55.95
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Summary:
For his most recent cycle of works, photographer-artist Thomas Ruff digitally manipulated glass negatives from the 1930s which he had found in the photo archive of a machine and tool factory. This elegantly bound publication presents his machine pictures for the first time in book form.
$55.95
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Summary:
For his most recent cycle of works, photographer-artist Thomas Ruff digitally manipulated glass negatives from the 1930s which he had found in the photo archive of a machine and tool factory. This elegantly bound publication presents his machine pictures for the first time in book form.
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Title:
Thomas Ruff : machines
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Summary:
For his most recent cycle of works, photographer-artist Thomas Ruff digitally manipulated glass negatives from the 1930s which he had found in the photo archive of a machine and tool factory. This elegantly bound publication presents his machine pictures for the first time in book form.
Thomas Ruff : machines
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$55.95
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Summary:
For his most recent cycle of works, photographer-artist Thomas Ruff digitally manipulated glass negatives from the 1930s which he had found in the photo archive of a machine and tool factory. This elegantly bound publication presents his machine pictures for the first time in book form.
Form:
books
books
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Subject:
Photography monographs
Photography monographs
