2343 Results
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books
books
Title:
Snow : Thomas Flechtner
Snow : Thomas Flechtner
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This elegant book divides the Swiss photographer Thomas Flechtner’s work into four discrete groups, each dealing with a distinct manifestation of snow, its indiscriminate incursions into city and country. Mostly the artist observes and records, but he also uses snow as both his medium and subject. The arresting sequence which begins this book shows tracks left in the(...)
$77.00
(available to order)
Summary:
This elegant book divides the Swiss photographer Thomas Flechtner’s work into four discrete groups, each dealing with a distinct manifestation of snow, its indiscriminate incursions into city and country. Mostly the artist observes and records, but he also uses snow as both his medium and subject. The arresting sequence which begins this book shows tracks left in the(...)
Title:
Snow : Thomas Flechtner
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$77.00
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Summary:
This elegant book divides the Swiss photographer Thomas Flechtner’s work into four discrete groups, each dealing with a distinct manifestation of snow, its indiscriminate incursions into city and country. Mostly the artist observes and records, but he also uses snow as both his medium and subject. The arresting sequence which begins this book shows tracks left in the snow, lines carved out by walking along the contours of a hillside. Often panoramic diptychs carry the lines from one image to the next. Then there are night views of the same hillsides, the topography this time etched in light. Flechtner would attach lights to his skis and, with his camera set at a distance and for a long exposure, traverse the hillside. The two-dimensional result is, in effect, a kind of “writing” or “drawing” in the snow; three dimensionally it becomes sculptural graphics. Later in the book there are photographs of mountain passes, followed by images of the town La Chaux-de-Fonds. Snow is no longer white, but ultramarine, viridian, turquoise, and violet. Finally, there are views of the ice-impacted seas around Iceland and Greenland.
Snow : Thomas Flechtner
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$77.00
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Summary:
This elegant book divides the Swiss photographer Thomas Flechtner’s work into four discrete groups, each dealing with a distinct manifestation of snow, its indiscriminate incursions into city and country. Mostly the artist observes and records, but he also uses snow as both his medium and subject. The arresting sequence which begins this book shows tracks left in the snow, lines carved out by walking along the contours of a hillside. Often panoramic diptychs carry the lines from one image to the next. Then there are night views of the same hillsides, the topography this time etched in light. Flechtner would attach lights to his skis and, with his camera set at a distance and for a long exposure, traverse the hillside. The two-dimensional result is, in effect, a kind of “writing” or “drawing” in the snow; three dimensionally it becomes sculptural graphics. Later in the book there are photographs of mountain passes, followed by images of the town La Chaux-de-Fonds. Snow is no longer white, but ultramarine, viridian, turquoise, and violet. Finally, there are views of the ice-impacted seas around Iceland and Greenland.
Form:
books
books
Publication:
August 2002, Baden
August 2002, Baden
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$60.95
(available to order)
Summary:
Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
$60.95
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Summary:
Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method(...)
Title:
Time stands still : Muybridge and the instantaneous photography movement
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Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
Time stands still : Muybridge and the instantaneous photography movement
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$60.95
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Summary:
Eadweard Muybridge, one of the great pioneer-innovators of the 19th century, is a familiar figure to students of art history, photography, and cinema. Best known for the photographs of horses and other animals in motion that he made in the 1870s and '80s, Muybridge was the first person to use photography to freeze rapid action for analysis and study. He devised a method for photographing episodes of behavior using a series of cameras, producing some of the most famous sequential photographs ever made. These pictures, the first successful photographs of rapidly moving subjects, revolutionized expectations of what photography could reveal about the natural world, and ultimately led to the invention of the motion picture in the mid-1890s. "Time stands still" is the catalogue that accompanies an exhibition celebrating Muybridge's work. Though the instantaneous photography movement stands as a crucial event in the progression of photography to motion pictures, this exhibition represents the first major organized treatment of the subject. Opening in spring 2003 at the Iris and B. Gerald Cantor Center for Visual Arts at Stanford University and touring through 2004, it combines an examination of the artist's career in motion photography with a survey of early attempts to photograph moving subjects.
Form:
books
books
Publication:
April 2003, New York
April 2003, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$6.50
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Summary:
Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters.(...)
$6.50
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Summary:
Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters.(...)
Publication:
April 2003, San Francisco
April 2003, San Francisco
Title:
Readymades : American roadside artifacts
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$6.50
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Summary:
Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters. Brouws treats his subjects as readymade art found in the landscape, brought together to create an idiosyncratic roadside panorama. Provocative essays by leading writers and cultural commentators such as Luc Sante, DJ Waldie, M. Mark, Diana Gaston, Bruce Caron, and Phil Patton are juxtaposed with these images of all that is unique in the uniform, and striking in the mundane.
Readymades : American roadside artifacts
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$6.50
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Summary:
Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters. Brouws treats his subjects as readymade art found in the landscape, brought together to create an idiosyncratic roadside panorama. Provocative essays by leading writers and cultural commentators such as Luc Sante, DJ Waldie, M. Mark, Diana Gaston, Bruce Caron, and Phil Patton are juxtaposed with these images of all that is unique in the uniform, and striking in the mundane.
Form:
books
books
Publication:
April 2003, San Francisco
April 2003, San Francisco
Form:
books
books
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$67.95
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Summary:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
$67.95
(available to order)
Summary:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the(...)
Subject:
Photography monographs
Photography monographs
Publication:
June 2003, Zurich, Berlin and New York
June 2003, Zurich, Berlin and New York
Title:
Robert Frank : London / Wales
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Summary:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Robert Frank : London / Wales
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$67.95
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Summary:
Between 1949 and 1953, Robert Frank continually returned to Europe from his new home in New York to take photographs in France, Switzerland, Spain, and Great Britain, photographs that show the development of his uniquely humanist, poetic, and realist eye. In 1951 and early 1952, Frank visited London--"I liked the light, I liked the fog."--and set out to photograph the unique atmosphere of the city. He followed British financiers around the City, capturing them in their traditional top hats and long coats, creating images that depict them in a poetic dance with their fog-shrouded environment. He shot pictures of workers, men delivering coal, children playing on the streets, people waiting or relaxing in the parks, and images of poverty. In these photographs he juxtaposed money and work, wealth and poverty, creating a dynamic photographic project that has never been shown before in its entirety. Then, in March 1953, before the impending nationalization of the country's coal mines, Frank travelled to the town of Careau, in Wales, to photograph the coal miners whose lives revolved around their work. One miner, Ben James, and his family became the subject of a picture essay (originally published in a 1955 issue of U.S. Camera) in which Frank downplayed the classic modernist photographic moment in favor of a more provocative form that offered informal, revealing glances rather than an official document. In "Robert Frank: London/Wales", Frank returns for the first time to these old negatives. The volume explores a stylistic transformation in his work, a period of development which saw his mode of photography move from an innovative romanticism to a highly charged, metaphorical realism.
Form:
books
books
Publication:
June 2003, Zurich, Berlin and New York
June 2003, Zurich, Berlin and New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Sugimoto : architecture
Sugimoto : architecture
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$82.50
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Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
$82.50
(available to order)
Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Subject:
Photography monographs
Photography monographs
Publication:
March 2003, New York
March 2003, New York
Title:
Sugimoto : architecture
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$82.50
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Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Sugimoto : architecture
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Price:
$82.50
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Summary:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Form:
books
books
Publication:
March 2003, New York
March 2003, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Situating El Lissitzky
Situating El Lissitzky
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$62.50
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Summary:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
$62.50
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Summary:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
Subject:
Photography monographs
Photography monographs
Publication:
August 2003, Los Angeles
August 2003, Los Angeles
Title:
Situating El Lissitzky
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$62.50
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Summary:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Situating El Lissitzky
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$62.50
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Summary:
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Form:
books
books
Publication:
August 2003, Los Angeles
August 2003, Los Angeles
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$86.95
(available in store)
Summary:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
$86.95
(available in store)
Summary:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Subject:
Photography monographs
Photography monographs
Publication:
April 2003, New Haven / London / Ottawa
April 2003, New Haven / London / Ottawa
Title:
Manufactured landscapes : the photographs of Edward Burtynsky
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$86.95
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Summary:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Manufactured landscapes : the photographs of Edward Burtynsky
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$86.95
(available in store)
Summary:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Form:
books
books
Publication:
April 2003, New Haven / London / Ottawa
April 2003, New Haven / London / Ottawa
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$25.95
(available to order)
Summary:
The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of(...)
$25.95
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Summary:
The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of(...)
Title:
Stan Douglas : Every building on 100 West Hastings
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$25.95
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The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of Vancouver’s "emergence" as the terminus for the country’s national railroad, the buildings in the area have been in decline since the 1930s, when the locus of the city’s commerce began moving. But the "story" of the 100 block is not strictly one of global market forces, nor does it belong to those who, through whatever political stripe, lay claim to it. The book is based on a monumental-sized digital print of the 100 block of West Hastings Street by Stan Douglas who utilized current technologies to create a 16'×3' panorama of epic scope, photographing each building and compositing the individual prints to assume a fantastic, impossible perspective; which is reproduced in the book as a removable full-colour poster, 5½" tall and 30½" wide. Essays by Denise Olekszijuk, Nicholas Blomley, and Neil Smith use Douglas’s photograph as a template for assessing the state of Vancouver’s contested downtown eastside; its moral, economic and social implications. Ultimately, how can art affect society in a meaningful way? Scattered throughout the book are additional images highlighting Vancouver’s history as well as work from other artistic ventures that informed Douglas’s project. This book unravels the dynamics of history and sociology, combined with photography and art, to create a compelling and visually arresting document that informs our understanding of what makes a neighbourhood.
Stan Douglas : Every building on 100 West Hastings
Actions:
Price:
$25.95
(available to order)
Summary:
The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of Vancouver’s "emergence" as the terminus for the country’s national railroad, the buildings in the area have been in decline since the 1930s, when the locus of the city’s commerce began moving. But the "story" of the 100 block is not strictly one of global market forces, nor does it belong to those who, through whatever political stripe, lay claim to it. The book is based on a monumental-sized digital print of the 100 block of West Hastings Street by Stan Douglas who utilized current technologies to create a 16'×3' panorama of epic scope, photographing each building and compositing the individual prints to assume a fantastic, impossible perspective; which is reproduced in the book as a removable full-colour poster, 5½" tall and 30½" wide. Essays by Denise Olekszijuk, Nicholas Blomley, and Neil Smith use Douglas’s photograph as a template for assessing the state of Vancouver’s contested downtown eastside; its moral, economic and social implications. Ultimately, how can art affect society in a meaningful way? Scattered throughout the book are additional images highlighting Vancouver’s history as well as work from other artistic ventures that informed Douglas’s project. This book unravels the dynamics of history and sociology, combined with photography and art, to create a compelling and visually arresting document that informs our understanding of what makes a neighbourhood.
Form:
books
books
Publication:
December 2002, Vancouver
December 2002, Vancouver
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$29.95
(available to order)
Summary:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
$29.95
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Summary:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
Subject:
Photography monographs
Photography monographs
Publication:
January 2003, Paris
January 2003, Paris
Title:
Sophie Riestelhueber : le Luxembourg
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$29.95
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Summary:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
Sophie Riestelhueber : le Luxembourg
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$29.95
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Summary:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
Form:
books
books
Publication:
January 2003, Paris
January 2003, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Ori Gersht : afterglow
Ori Gersht : afterglow
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$58.00
(available to order)
Summary:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
$58.00
(available to order)
Summary:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Subject:
Photography monographs
Photography monographs
Publication:
September 2002, London / Tel Aviv
September 2002, London / Tel Aviv
Title:
Ori Gersht : afterglow
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$58.00
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Summary:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Ori Gersht : afterglow
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$58.00
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Summary:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Form:
books
books
Publication:
September 2002, London / Tel Aviv
September 2002, London / Tel Aviv
Subject:
Photography monographs
Photography monographs
