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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
$175.00
(available to order)
Summary:
This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 2009, Berlin, Amsterdam
January 2009, Berlin, Amsterdam
Title:
Grand stand 2 : design for trafe fair stands
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
Grand stand 2 : design for trafe fair stands
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$175.00
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This double-volume publication presents nearly 200 show-stopping brand and corporate fair presentations, scales ranging from small to large, with photography accompanied by commentary including company profiles as well as information about the designers. The scope of projects depicted from cover to cover reveal the increasing importance of fair stand design today and how designers play an essential role in visualizing the identity of brands into corporate presentations.
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books
books
Publication:
January 2009, Berlin, Amsterdam
January 2009, Berlin, Amsterdam
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
Title:
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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$37.95
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
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books
books
Publication:
February 2009
February 2009
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$39.95
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
$39.95
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Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials,(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Title:
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Hybrid modernities : architecture and representation at the 1931 colonial exposition, Paris
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Summary:
The 1931 international colonial exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the "Orient"--the site of rampant sensuality, decadence, and irrationality--and as the laboratory of Western rationality. In "Hybrid modernities", Patricia Morton shows how the exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were "authentic" native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions' exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a "middle region" of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the colonial exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced.
Form:
books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Title:
Les cabinets de curiosités
Les cabinets de curiosités
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$115.00
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Du nord au sud de l'Europe, à la fin de la Renaissance, surgirent d'étranges endroits : secrets ou visibles, dans des demeures royales comme chez des notables ou des apothicaires, tenant à la fois de l'antre du magicien et de l'officine, les cabinets de curiosité rassemblaient un incroyable capharnaüm couvrant murs et plafonds, débordants des tiroirs et des cassettes. S'y(...)
$115.00
(available to order)
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Du nord au sud de l'Europe, à la fin de la Renaissance, surgirent d'étranges endroits : secrets ou visibles, dans des demeures royales comme chez des notables ou des apothicaires, tenant à la fois de l'antre du magicien et de l'officine, les cabinets de curiosité rassemblaient un incroyable capharnaüm couvrant murs et plafonds, débordants des tiroirs et des cassettes. S'y(...)
Title:
Les cabinets de curiosités
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$115.00
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Du nord au sud de l'Europe, à la fin de la Renaissance, surgirent d'étranges endroits : secrets ou visibles, dans des demeures royales comme chez des notables ou des apothicaires, tenant à la fois de l'antre du magicien et de l'officine, les cabinets de curiosité rassemblaient un incroyable capharnaüm couvrant murs et plafonds, débordants des tiroirs et des cassettes. S'y côtoyaient mappemondes et objets d'ivoire, monnaies antiques et crânes de singe, dents de géant et cornes de licornes, pierres magiques et queues de sirène, sans oublier de fascinants oiseaux de paradis qui passaient leur vie à voler, supposait-on, puisqu'ils n'avaient pas de pattes… C'est à l'étrange destin de ces théâtres du bizarre qu'est consacré le présent ouvrage. On y retrace brièvement l'histoire du phénomène, on en montre les survivances et les transformations au cours des siècles suivants, on y évoque des figures peu connues de collectionneurs et d'amateurs attachés au culte de la curiosité ; on en souligne aussi l'influence sur certains des grands mouvements artistiques du XXe siècle, on en suit quelques-uns des développements dans l'art contemporain ; on considère enfin les motifs et les formes de réinvention du cabinet de curiosités dans des décors et des cadres de vie actuels.
Les cabinets de curiosités
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$115.00
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Du nord au sud de l'Europe, à la fin de la Renaissance, surgirent d'étranges endroits : secrets ou visibles, dans des demeures royales comme chez des notables ou des apothicaires, tenant à la fois de l'antre du magicien et de l'officine, les cabinets de curiosité rassemblaient un incroyable capharnaüm couvrant murs et plafonds, débordants des tiroirs et des cassettes. S'y côtoyaient mappemondes et objets d'ivoire, monnaies antiques et crânes de singe, dents de géant et cornes de licornes, pierres magiques et queues de sirène, sans oublier de fascinants oiseaux de paradis qui passaient leur vie à voler, supposait-on, puisqu'ils n'avaient pas de pattes… C'est à l'étrange destin de ces théâtres du bizarre qu'est consacré le présent ouvrage. On y retrace brièvement l'histoire du phénomène, on en montre les survivances et les transformations au cours des siècles suivants, on y évoque des figures peu connues de collectionneurs et d'amateurs attachés au culte de la curiosité ; on en souligne aussi l'influence sur certains des grands mouvements artistiques du XXe siècle, on en suit quelques-uns des développements dans l'art contemporain ; on considère enfin les motifs et les formes de réinvention du cabinet de curiosités dans des décors et des cadres de vie actuels.
Form:
books
books
Publication:
January 2003, Paris
January 2003, Paris
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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$31.25
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Summary:
Each year the best projects by students at Dutch educational institutions teaching architecture, urban design and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2002 give the state of play in Dutch design education. This book presents the winners and the jury's(...)
$31.25
(available to order)
Summary:
Each year the best projects by students at Dutch educational institutions teaching architecture, urban design and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2002 give the state of play in Dutch design education. This book presents the winners and the jury's(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
October 2002, Rotterdam
October 2002, Rotterdam
Title:
Archiprix 2002 : the best plans by Dutch students
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$31.25
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2002 give the state of play in Dutch design education. This book presents the winners and the jury's assessment. A shared first prize was awarded to Harm Timmermans and William Verbeek.
Archiprix 2002 : the best plans by Dutch students
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$31.25
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Summary:
Each year the best projects by students at Dutch educational institutions teaching architecture, urban design and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2002 give the state of play in Dutch design education. This book presents the winners and the jury's assessment. A shared first prize was awarded to Harm Timmermans and William Verbeek.
Form:
books
books
Publication:
October 2002, Rotterdam
October 2002, Rotterdam
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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$29.95
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Summary:
Catalogue d’exposition du Pavillon Belge à la Biennale d’architecture de Venise 2002 (6 septembre - 3 novembre 2002). Présentation de sept projets significatifs dans le domaine de l’architecture publique de ces dernières années en Communauté française de Belgique (Région bruxelloise et Wallonie). Ces projets ont été choisis pour leur valeur architecturale mais(...)
$29.95
(available to order)
Summary:
Catalogue d’exposition du Pavillon Belge à la Biennale d’architecture de Venise 2002 (6 septembre - 3 novembre 2002). Présentation de sept projets significatifs dans le domaine de l’architecture publique de ces dernières années en Communauté française de Belgique (Région bruxelloise et Wallonie). Ces projets ont été choisis pour leur valeur architecturale mais(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
November 2002, Bruxelles
November 2002, Bruxelles
Title:
Biennale di Venezia - 8è exposition d'architecture / pavillon belge : les îles flottantes
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Catalogue d’exposition du Pavillon Belge à la Biennale d’architecture de Venise 2002 (6 septembre - 3 novembre 2002). Présentation de sept projets significatifs dans le domaine de l’architecture publique de ces dernières années en Communauté française de Belgique (Région bruxelloise et Wallonie). Ces projets ont été choisis pour leur valeur architecturale mais aussi pour la qualité de leur interaction avec la collectivité. Il s’agit du MAC’s au Grand-Hornu (atelier Pierre Hebbelinck), du Théâtre National à Bruxelles (Architectes Associés Marc Lacour, Sabine Leribaux et Denis Trivière, Pierre Vanassche, L’Escaut /Olivier Bastin), le Siège administratif de la Cocof à Bruxelles (V+ avec Cooparch), la Passerelle sur l’avenue de Tervuren (Pierre Blondel, Laurent Ney et Jean-Marc Simon), le Service de promotions des initiatives de la Province de Liège (atelier Daniel Dethier), un immeuble de logements à Schaerbeek (atelier Mario Garzaniti), la Place d’Armes à Namur (atelier 4D).
Biennale di Venezia - 8è exposition d'architecture / pavillon belge : les îles flottantes
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$29.95
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Summary:
Catalogue d’exposition du Pavillon Belge à la Biennale d’architecture de Venise 2002 (6 septembre - 3 novembre 2002). Présentation de sept projets significatifs dans le domaine de l’architecture publique de ces dernières années en Communauté française de Belgique (Région bruxelloise et Wallonie). Ces projets ont été choisis pour leur valeur architecturale mais aussi pour la qualité de leur interaction avec la collectivité. Il s’agit du MAC’s au Grand-Hornu (atelier Pierre Hebbelinck), du Théâtre National à Bruxelles (Architectes Associés Marc Lacour, Sabine Leribaux et Denis Trivière, Pierre Vanassche, L’Escaut /Olivier Bastin), le Siège administratif de la Cocof à Bruxelles (V+ avec Cooparch), la Passerelle sur l’avenue de Tervuren (Pierre Blondel, Laurent Ney et Jean-Marc Simon), le Service de promotions des initiatives de la Province de Liège (atelier Daniel Dethier), un immeuble de logements à Schaerbeek (atelier Mario Garzaniti), la Place d’Armes à Namur (atelier 4D).
Form:
books
books
Publication:
November 2002, Bruxelles
November 2002, Bruxelles
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$36.95
(available to order)
Summary:
Favoriser par la diffusion et la promotion l'émergence d'une conscience plus fine, plus juste, plus sensible de notre cadre de vie et de l'importance que revêt sa qualité dans le bien-être collectif et individuel, tel est l'objectif que s'assigne Visions , une collection consacrée aux architectures publiques contemporaines en Communauté française de Belgique. L'ouverture(...)
$36.95
(available to order)
Summary:
Favoriser par la diffusion et la promotion l'émergence d'une conscience plus fine, plus juste, plus sensible de notre cadre de vie et de l'importance que revêt sa qualité dans le bien-être collectif et individuel, tel est l'objectif que s'assigne Visions , une collection consacrée aux architectures publiques contemporaines en Communauté française de Belgique. L'ouverture(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
October 2002, Bruxelles
October 2002, Bruxelles
Title:
Visions volume 1 : Musée des Arts Contemporains au Grand-Hornu
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Favoriser par la diffusion et la promotion l'émergence d'une conscience plus fine, plus juste, plus sensible de notre cadre de vie et de l'importance que revêt sa qualité dans le bien-être collectif et individuel, tel est l'objectif que s'assigne Visions , une collection consacrée aux architectures publiques contemporaines en Communauté française de Belgique. L'ouverture du MAC's offre l'occasion d'illustrer le premier volume de la collection.
Visions volume 1 : Musée des Arts Contemporains au Grand-Hornu
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Favoriser par la diffusion et la promotion l'émergence d'une conscience plus fine, plus juste, plus sensible de notre cadre de vie et de l'importance que revêt sa qualité dans le bien-être collectif et individuel, tel est l'objectif que s'assigne Visions , une collection consacrée aux architectures publiques contemporaines en Communauté française de Belgique. L'ouverture du MAC's offre l'occasion d'illustrer le premier volume de la collection.
Form:
books
books
Publication:
October 2002, Bruxelles
October 2002, Bruxelles
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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$46.50
(available to order)
Summary:
'Resource architecture' - under this theme architects and other planners in co-operation with representatives of further disciplines will discuss the responsibility they bear when designing our environment and the ability they have to promote sustainable building in an international context. This report shows the results of the UIA Student Competition, which was held on(...)
$46.50
(available to order)
Summary:
'Resource architecture' - under this theme architects and other planners in co-operation with representatives of further disciplines will discuss the responsibility they bear when designing our environment and the ability they have to promote sustainable building in an international context. This report shows the results of the UIA Student Competition, which was held on(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
July 2002, Basel
July 2002, Basel
Title:
Resource architecture - Student competition : projects for the 21st century
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$46.50
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Summary:
'Resource architecture' - under this theme architects and other planners in co-operation with representatives of further disciplines will discuss the responsibility they bear when designing our environment and the ability they have to promote sustainable building in an international context. This report shows the results of the UIA Student Competition, which was held on the occasion of the XXI World Congress of Architecture UIA Berlin 2002 and provides ideas and perspectives that indicate potential developments interconnecting and 'meshing' inner-city wastelands.
Resource architecture - Student competition : projects for the 21st century
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$46.50
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Summary:
'Resource architecture' - under this theme architects and other planners in co-operation with representatives of further disciplines will discuss the responsibility they bear when designing our environment and the ability they have to promote sustainable building in an international context. This report shows the results of the UIA Student Competition, which was held on the occasion of the XXI World Congress of Architecture UIA Berlin 2002 and provides ideas and perspectives that indicate potential developments interconnecting and 'meshing' inner-city wastelands.
Form:
books
books
Publication:
July 2002, Basel
July 2002, Basel
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Title:
Experiment cyclebowl
Experiment cyclebowl
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$66.00
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Summary:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
$66.00
(available to order)
Summary:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
June 2002, Ludwigsburg
June 2002, Ludwigsburg
Title:
Experiment cyclebowl
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$66.00
(available to order)
Summary:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
Experiment cyclebowl
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Price:
$66.00
(available to order)
Summary:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
Form:
books
books
Publication:
June 2002, Ludwigsburg
June 2002, Ludwigsburg
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Title:
Museums, society, inequality
Museums, society, inequality
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$52.95
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Summary:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
$52.95
(available to order)
Summary:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 1900, London / New York
January 1900, London / New York
Title:
Museums, society, inequality
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$52.95
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Summary:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Museums, society, inequality
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Price:
$52.95
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Summary:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Form:
books
books
Publication:
January 1900, London / New York
January 1900, London / New York
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
