A museum miscellany
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum(...)
A museum miscellany
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$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
Museology
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the(...)
Activity-based teaching in the art museum
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their methodology.
Museology
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of(...)
Curating after the global: roadmaps for the present
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.
Museology
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What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on(...)
An exhibition always hides another exhibition: texts on Hans Ulrich Obrist
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What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it.
Museology
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This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art(...)
Theater, garden, bestiary: a materialist history of exhibitions
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This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
Museology
What about activism?
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With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies,(...)
What about activism?
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With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy.
Museology
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
Curatorial activism: towards an ethics of curating
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
Museology
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Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils(...)
Manifeste du Muséum : quel futur sans nature ?
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Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils sont indispensables pour penser et construire le monde de demain.
Museology
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This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Exhibiting the exhibition: from the cabinet of curiosities to the curatorial situation
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This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Museology
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"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent(...)
The constituent museum: constellations of knowledge, politics and mediation
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"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent body of the museum.
Museology