Thinking about Exhibitions
$51.95
(available to order)
Summary:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Museology
December 1995, London, New York
Thinking about Exhibitions
Actions:
Price:
$51.95
(available to order)
Summary:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Museology
$39.95
(available to order)
Summary:
What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process(...)
Curatorial dreams: critics imagine exhibitions
Actions:
Price:
$39.95
(available to order)
Summary:
What if museum critics were challenged to envision their own exhibitions? In this publication, fourteen authors from disciplines throughout the social sciences and humanities propose exhibitions inspired by their research and critical concerns to creatively put theory into practice. Pushing the boundaries of museology, this collection gives rare insight into the process of conceptualizing exhibitions. The contributors offer concrete, innovative projects, each designed for a specific setting in which to translate critical academic theory about society, culture, and history into accessible imagined exhibitions. Spanning Australia, Barbados, Canada, Chile, the Netherlands, Poland, South Africa, Switzerland, and the United States, the exhibitions are staged in museums, scientific institutions, art galleries, and everyday sites. Essays explore political and practical constraints, imaginative freedom, and experiment with critical, participatory, and socially relevant exhibition design.
Museology
$35.00
(available to order)
Summary:
On Curating 2, Carolee Thea's new volume of interviews with 14 of today’s leading curators, explores the lively system of art biennials that is thriving around the world—particularly outside Europe and America. Spawned by their more formal Western predecessors and motivated by the forces of history and politics, the newer incarnations of the biennial often occur in the(...)
On curating 2: paradigm shifts
Actions:
Price:
$35.00
(available to order)
Summary:
On Curating 2, Carolee Thea's new volume of interviews with 14 of today’s leading curators, explores the lively system of art biennials that is thriving around the world—particularly outside Europe and America. Spawned by their more formal Western predecessors and motivated by the forces of history and politics, the newer incarnations of the biennial often occur in the cities of the postcolonial world and the Global South, as well as in former socialist countries. The new generation of curators who are organizing provocative and experimental exhibitions hail from cities as diverse as Bogotá, Dakar, Havana, Jakarta, Jerusalem, Lagos, Mumbai, Seoul and Zagreb, and they are the subjects of the interviews collected in this book. Thea’s interviewees are Nancy Adajania, Wassan Al-Khudhairi, David Elliott, Mami Kataoka, Sunjung Kim, Koyo Kouoh, Gerardo Mosquera, Ugochukwu-Smooth Nzewi, Jack Persekian, José Roca, Bisi Silva, Carol Yinghua Lu, Alia Swastika and WHW.
Museology
Notes on my dunce cap
$26.00
(available to order)
Summary:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
Notes on my dunce cap
Actions:
Price:
$26.00
(available to order)
Summary:
A text for those curious about education as a context for creativity and collaboration, and for teachers who want to reconsider hierarchy in their classrooms, Jesse Ball's Notes on My Dunce Cap includes advisory material regarding the creation of syllabi and the manner in which groups may evaluate the work of an individual without harm.
Museology
$30.00
(available to order)
Summary:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field(...)
Curatorial things: cultures of the curatorial 4
Actions:
Price:
$30.00
(available to order)
Summary:
The meaning, function, and status of things have changed decisively over the past two decades. This development can be traced back to a growing skepticism since the second half of the twentieth century that culture can be presented through things. The questioning of thingness is an integral part of presentation and has informed and shaped the social relevance of the field of the curatorial. Immanent to presentation as a mode of being (public) in the world, the curatorial has the potential to address, visualize, and question the central effects of the changing status and function of things. The presentational mode has played a generative role, vitally participating in the mobilization of things through its aesthetic, semantic, social, and, not least, economic dimensions. Intertwining transdisciplinary discourses, transcultural perspectives, and methods of practice-theory, the anthology 'Curatorial Things' is a new orientation of the analysis of things.
Museology
$35.00
(available to order)
Summary:
Exhibitions are tightly intertwined with the processes of historiography, creating dynamic and plural relations among and beyond participants both human and nonhuman. They are able to connect different histories while writing history themselves, their reciprocal relationships making them a complex object and transformative agent in historical research. Although it is(...)
Of(f) our times: curatorial anachronics
Actions:
Price:
$35.00
(available to order)
Summary:
Exhibitions are tightly intertwined with the processes of historiography, creating dynamic and plural relations among and beyond participants both human and nonhuman. They are able to connect different histories while writing history themselves, their reciprocal relationships making them a complex object and transformative agent in historical research. Although it is precisely these abilities that have led to the current intense engagement with exhibition history, the question of what exhibition history as a practice and method entails remains largely under-discussed. As a collection of conversations, essays, artists' projects, and inserts, this book aims to draw attention to the effects of a practice of exhibition history stemming from research and the curatorial. Through methodological considerations, interventions in existing historiographies, and proposals for new modes of referencing, the contributions work with exhibition history—and embody it themselves.
Museology
$38.00
(available to order)
Summary:
This volume brings together a wide selection of writings by exhibition maker and writer Jens Hoffmann that outline his deep understanding of the interconnections among art, curating, theater, film, and literature. The nearly fifty texts include essays on artists, exhibitions, and curating; reviews of large-scale international group exhibitions; catalogue texts from(...)
In the meantime: speculations on art, curating, and exhibitions
Actions:
Price:
$38.00
(available to order)
Summary:
This volume brings together a wide selection of writings by exhibition maker and writer Jens Hoffmann that outline his deep understanding of the interconnections among art, curating, theater, film, and literature. The nearly fifty texts include essays on artists, exhibitions, and curating; reviews of large-scale international group exhibitions; catalogue texts from exhibitions Hoffmann curated; and interviews and conversations with artists and other cultural practitioners. Collectively, these texts map the development of Hoffman's thoughts and agenda, articulating a highly unique curatorial trajectory.
Museology
$64.95
(available to order)
Summary:
This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the(...)
Speechless: different by design
Actions:
Price:
$64.95
(available to order)
Summary:
This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the publication itself. These revolutionary interpretations across various media will foster research intended to push our understanding of sensory perception and encourage new ways of conceiving, installing, and experiencing exhibitions. Designed by Laurie Haycock Makela, a leader in experimental graphic design, the book plays with the multiple meanings of the word “speechless,” exploring the evolution of the project, documenting the installations, and offering portraits of the creative individuals who defined this extraordinary undertaking. Topics range from personal connections to issues of inclusion, diversity, accessibility, and empathy.
Museology
$35.00
(available to order)
Summary:
This book explores an attitude in and toward design education that is socially engaged, politically aware, generous in approach, lyrical in tone, experimental in form and collaborative in practice. How can we talk about and draw out the political aspect inherent in the work of design students? What are the underlying values of such a pedagogy? What kind of practices are(...)
Design dedication: adaptive mentalities in design education
Actions:
Price:
$35.00
(available to order)
Summary:
This book explores an attitude in and toward design education that is socially engaged, politically aware, generous in approach, lyrical in tone, experimental in form and collaborative in practice. How can we talk about and draw out the political aspect inherent in the work of design students? What are the underlying values of such a pedagogy? What kind of practices are developed in this context? How can an institute support and safeguard this?
Museology
$39.95
(available to order)
Summary:
''Utopian display, geopolitical curating'' brings together curatorial experiences that have matured over the past 30 years in various geopolitical contexts – from Africa to China, India to Latin America, and the Middle East to the post-Soviet regions. Featuring experimental voices in contemporary curatorial research, more than a dozen authors from different generations(...)
Utopian display, geopolitical curating
Actions:
Price:
$39.95
(available to order)
Summary:
''Utopian display, geopolitical curating'' brings together curatorial experiences that have matured over the past 30 years in various geopolitical contexts – from Africa to China, India to Latin America, and the Middle East to the post-Soviet regions. Featuring experimental voices in contemporary curatorial research, more than a dozen authors from different generations look with scepticism at both the effects of globalisation within today’s artistic scene and the latest premises of so-called de-globalisation. Because, despite everything, the current model of art continues to be very similar to that of an institution capable of determining the integration or exclusion of minorities as a majoritarian measure.
Museology