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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
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Louvre-Lens : l'esprit du lieu
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
Louvre-Lens : l'esprit du lieu
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
Form:
books
books
Publication:
September 2013
September 2013
Subject:
Museology
Museology
Form:
books
books
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$25.00
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Summary:
Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil,(...)
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil,(...)
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September 2013
September 2013
Title:
Art et gestion de l'art: leadership et institutions culturelles
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil, directrice du Musée des beaux-arts de Montréal depuis 2007 ; Philippe de Montebello, directeur du Metropolitan Muséum of Art de New York de 1977 à 2008 ; et Stéphane Lissner, directeur de la Scala de Milan depuis 2005 et jusqu'en 2015.
Art et gestion de l'art: leadership et institutions culturelles
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil, directrice du Musée des beaux-arts de Montréal depuis 2007 ; Philippe de Montebello, directeur du Metropolitan Muséum of Art de New York de 1977 à 2008 ; et Stéphane Lissner, directeur de la Scala de Milan depuis 2005 et jusqu'en 2015.
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books
books
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September 2013
September 2013
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books
books
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$134.95
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Title:
The museum is open: towards a transnational history of museums 1750-1940
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$134.95
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
The museum is open: towards a transnational history of museums 1750-1940
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Summary:
This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Museology
Museology
Form:
books
books
Title:
Self-organised
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
$26.00
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Summary:
Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Title:
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Self-organised
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$26.00
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Summary:
Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Museology
Museology
Form:
books
books
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$32.50
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Summary:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
$32.50
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Summary:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
Title:
Ten fundamental questions of curating
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$32.50
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Summary:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Ten fundamental questions of curating
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$32.50
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Summary:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Museology
Museology
Form:
books
books
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$84.95
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Summary:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
$84.95
(available to order)
Summary:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
Title:
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
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$84.95
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Summary:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
Actions:
Price:
$84.95
(available to order)
Summary:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
Form:
books
books
Publication:
January 2014
January 2014
Subject:
Museology
Museology
Form:
books
books
Price:
$15.00
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Summary:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
$15.00
(available to order)
Summary:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
Title:
Pigeons on the grass atlas: contemporary curators talk about the field
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Pigeons on the grass atlas: contemporary curators talk about the field
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Price:
$15.00
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Summary:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Museology
Museology
Form:
books
books
Price:
$25.00
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Summary:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
$25.00
(available to order)
Summary:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
Title:
Radical museology: or what's contemporary in museums of contemporary art?
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In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Radical museology: or what's contemporary in museums of contemporary art?
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$25.00
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Summary:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Form:
books
books
Publication:
February 2014
February 2014
Subject:
Museology
Museology
Form:
books
books
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$46.00
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Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
$46.00
(available in store)
Summary:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Title:
Institutional time: a critique of studio art education
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$46.00
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Summary:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Institutional time: a critique of studio art education
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Price:
$46.00
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Summary:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Museology
Museology
Form:
books
books
Price:
$44.00
(available to order)
Summary:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure(...)
$44.00
(available to order)
Summary:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure(...)
Title:
Terms of exhibiting (from A to Z) / Begriffe des ausstellens (von A bis Z)
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This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Terms of exhibiting (from A to Z) / Begriffe des ausstellens (von A bis Z)
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$44.00
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Summary:
This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Museology
Museology
