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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
$42.95
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Summary:
Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
Title:
Museums and the interpretation of visual culture
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
Museums and the interpretation of visual culture
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$42.95
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Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
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books
books
Publication:
February 2001, New York
February 2001, New York
Subject:
Museology
Museology
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books
books
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$34.95
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
Publication:
October 2007, Syracuse
October 2007, Syracuse
Title:
The end of innocence : The 1964-1965 New York world's fair
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
The end of innocence : The 1964-1965 New York world's fair
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$34.95
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Summary:
From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
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books
books
Publication:
October 2007, Syracuse
October 2007, Syracuse
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books
books
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$27.00
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Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The(...)
$27.00
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Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The(...)
Subject:
Museology
Museology
Publication:
April 2007, Cologne
April 2007, Cologne
Title:
Under Construction : perspectives on institutional practice
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Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The Process of Societal Transformation, Cultural Economies, Curatorial Concepts, and, most ambitiously of all, The Way in Which the Art System Operates. Articles and discussion transcripts include "The Crisis of the Audience," "The Cultural Politics of Institutions," "Smuggling: A Curatorial Model," "The Power and Powerlessness of the Private Collector" and Liam Gillick's "Revised Construction of One."
Under Construction : perspectives on institutional practice
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$27.00
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Summary:
Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The Process of Societal Transformation, Cultural Economies, Curatorial Concepts, and, most ambitiously of all, The Way in Which the Art System Operates. Articles and discussion transcripts include "The Crisis of the Audience," "The Cultural Politics of Institutions," "Smuggling: A Curatorial Model," "The Power and Powerlessness of the Private Collector" and Liam Gillick's "Revised Construction of One."
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books
books
Publication:
April 2007, Cologne
April 2007, Cologne
Subject:
Museology
Museology
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books
books
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$56.50
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In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and(...)
$56.50
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In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and(...)
Title:
Cheap and tasteful dwellings: design competitions and the convenient interior, 1879-1909
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$56.50
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In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and responsibilities of architectural services and building trades. The contests helped to define the training, education, and values of “practical architects” and to solidify house-planning ideals. The lives and work of ordinary architects who competed in Carpentry and Building contests offer a reinterpretation of architectural professionalization in this time period.
Cheap and tasteful dwellings: design competitions and the convenient interior, 1879-1909
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$56.50
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Summary:
In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and responsibilities of architectural services and building trades. The contests helped to define the training, education, and values of “practical architects” and to solidify house-planning ideals. The lives and work of ordinary architects who competed in Carpentry and Building contests offer a reinterpretation of architectural professionalization in this time period.
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books
books
Publication:
September 2005, Knoxville
September 2005, Knoxville
Subject:
Museology
Museology
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books
books
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$32.50
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
$32.50
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Summary:
"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
Subject:
Museology
Museology
Publication:
January 2007, Durham, London
January 2007, Durham, London
Title:
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
Museum frictions : public cultures / global transformations
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$32.50
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Summary:
"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
Form:
books
books
Publication:
January 2007, Durham, London
January 2007, Durham, London
Subject:
Museology
Museology
Form:
books
books
Title:
Thinking about Exhibitions
Thinking about Exhibitions
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$51.95
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The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
$51.95
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Summary:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Subject:
Museology
Museology
Publication:
December 1995, London, New York
December 1995, London, New York
Title:
Thinking about Exhibitions
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$51.95
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The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Thinking about Exhibitions
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$51.95
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Summary:
The essays investigate exhibitions in settings outside of the traditional gallery as well as innovative work in extending cultural debates within the museum. Texts have been grouped in sections which focus on the history of the exhibition, forms of staging and spectacle, and questions of curatorship, spectatorship and narrative.
Form:
books
books
Publication:
December 1995, London, New York
December 1995, London, New York
Subject:
Museology
Museology
Form:
books
books
Title:
L'Art d'aimer les objets
L'Art d'aimer les objets
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$29.95
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L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les(...)
$29.95
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L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les(...)
Title:
L'Art d'aimer les objets
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$29.95
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L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les investissements personnels et les disciplines institutionnelles, les projections et les appropriations. Les exemples choisis vont de la Révolution à nos jours et envisagent aussi bien les chefs-d’œuvre de l’art au musée que l’inscription de la société dans les dispositifs patrimoniaux contemporains. On constate chaque fois que l’attachement pour des choses jugées précieuses accroît leur profondeur et leur densité, engage des identifications de leurs " amis " et travaille enfin à différentes représentations collectives. La cristallisation patrimoniale autorise ainsi, sinon une unité imaginée des héritages, au moins l’ambition de leur construction commune.
L'Art d'aimer les objets
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$29.95
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Summary:
L’écriture du patrimoine français a longtemps hésité entre la glorification des collections nationales et la critique de la perte du contexte des œuvres – aux dépens d’une approche du processus de patrimonialisation, de ses acteurs et de ses pratiques. On fait ici le pari d’une histoire de l’art d’aimer certains objets, en croisant les savoirs et les émotions, les investissements personnels et les disciplines institutionnelles, les projections et les appropriations. Les exemples choisis vont de la Révolution à nos jours et envisagent aussi bien les chefs-d’œuvre de l’art au musée que l’inscription de la société dans les dispositifs patrimoniaux contemporains. On constate chaque fois que l’attachement pour des choses jugées précieuses accroît leur profondeur et leur densité, engage des identifications de leurs " amis " et travaille enfin à différentes représentations collectives. La cristallisation patrimoniale autorise ainsi, sinon une unité imaginée des héritages, au moins l’ambition de leur construction commune.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Museology
Museology
Form:
books
books
Title:
The keeper
The keeper
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$64.95
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The Keeper accompanies an exhibition dedicated to the act of preserving objects, artworks and images. Through a variety of imaginary museums, personal collections and unusual assemblages, it offers a reflection on the impulse to save both the most precious and the apparently valueless, and reveals the devotion with which artists, collectors, scholars and hoarders have(...)
$64.95
(available to order)
Summary:
The Keeper accompanies an exhibition dedicated to the act of preserving objects, artworks and images. Through a variety of imaginary museums, personal collections and unusual assemblages, it offers a reflection on the impulse to save both the most precious and the apparently valueless, and reveals the devotion with which artists, collectors, scholars and hoarders have(...)
Title:
The keeper
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$64.95
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Summary:
The Keeper accompanies an exhibition dedicated to the act of preserving objects, artworks and images. Through a variety of imaginary museums, personal collections and unusual assemblages, it offers a reflection on the impulse to save both the most precious and the apparently valueless, and reveals the devotion with which artists, collectors, scholars and hoarders have created sanctuaries for endangered images and artifacts. Through works spanning the 20th century, The Keeper tells the stories of various individuals through the objects they chose to safeguard.
The keeper
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$64.95
(available to order)
Summary:
The Keeper accompanies an exhibition dedicated to the act of preserving objects, artworks and images. Through a variety of imaginary museums, personal collections and unusual assemblages, it offers a reflection on the impulse to save both the most precious and the apparently valueless, and reveals the devotion with which artists, collectors, scholars and hoarders have created sanctuaries for endangered images and artifacts. Through works spanning the 20th century, The Keeper tells the stories of various individuals through the objects they chose to safeguard.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Museology
Museology
Form:
books
books
Price:
$50.00
(available to order)
Summary:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of(...)
$50.00
(available to order)
Summary:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of(...)
Title:
Now-Tomorrow-Flux: an anthrology on the Museum of Contemporary Art
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$50.00
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Summary:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of the museum of contemporary art are addressed. The anthology discusses the museum of contemporary art’s double character as a site of production as well as conservation, and emphasizes its relation to different public spheres, also exploring ways of dealing with the standards that emerge from the practices of collecting, organizing and educating. Included are contributions from art historians and cultural experts Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Heathfield, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat Wyss and Artur Zmijewski.
Now-Tomorrow-Flux: an anthrology on the Museum of Contemporary Art
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$50.00
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Summary:
The category of the museum, as it has been understood by museums of contemporary art over the last 30 years, is in need of a reassessment. This volume reflects on the museum of contemporary art in all its paradoxical characteristics. Over four chapters consisting of three theoretical essays and a section dedicated to discussion, questions regarding the roles and tasks of the museum of contemporary art are addressed. The anthology discusses the museum of contemporary art’s double character as a site of production as well as conservation, and emphasizes its relation to different public spheres, also exploring ways of dealing with the standards that emerge from the practices of collecting, organizing and educating. Included are contributions from art historians and cultural experts Claire Bishop, Büro trafo.K, Martha Buskirk, Beatriz Colomina, Bettina Funcke, Adrian Heathfield, Christian Kravagna, Oliver Marchart, Donald Preziosi, Sophia Prinz, Beat Wyss and Artur Zmijewski.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$70.50
(available to order)
Summary:
What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income(...)
$70.50
(available to order)
Summary:
What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income(...)
Title:
New museums: intentions, expectations, challenges
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$70.50
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Summary:
What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income residents? How should museums respond to concerns about environmental sustainability? These are just a few of the questions museum professionals, planners, and architects must carefully consider when developing plans and choosing a location for a new museum. "New museums" explores these questions by talking to the people behind twenty different museums on six continents, both realized projects and speculative design proposals. Among the museums discussed in the book are the Smithsonian Institute’s National Museum of African American History and Culture in Washington, DC, by Adjaye Associates; the Guggenheim Helsinki by Moreau Kusunoki Architectes; the Comic and Animation Museum in Hangzhou by MVRDV; the Munch Museum in Oslo by Estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio; the Long Museum West Bund in Shanghai by Atelier Deshaus; and the recent extension of the Art Gallery of New South Wales in Sydney by SANAA. With more than 250 color illustrations and contributions by leading museum and architecture experts, the book sheds light on current trends and the state-of-the-art technological advances in architecture, while also providing insight into the careful thought and decision processes that go into the development of new museums.
New museums: intentions, expectations, challenges
Actions:
Price:
$70.50
(available to order)
Summary:
What is the role of the museum in society today? In this time of fundamental economic and social change, should museums be safe civic spaces or open a floor for challenge and change? Can museums contribute to the economic development of communities? If so, how best to guard against the effects of gentrification so that they do not further limit opportunity for low-income residents? How should museums respond to concerns about environmental sustainability? These are just a few of the questions museum professionals, planners, and architects must carefully consider when developing plans and choosing a location for a new museum. "New museums" explores these questions by talking to the people behind twenty different museums on six continents, both realized projects and speculative design proposals. Among the museums discussed in the book are the Smithsonian Institute’s National Museum of African American History and Culture in Washington, DC, by Adjaye Associates; the Guggenheim Helsinki by Moreau Kusunoki Architectes; the Comic and Animation Museum in Hangzhou by MVRDV; the Munch Museum in Oslo by Estudio Herreros, the Zeitz Museum of Contemporary Art Africa in Cape Town by Heatherwick Studio; the Long Museum West Bund in Shanghai by Atelier Deshaus; and the recent extension of the Art Gallery of New South Wales in Sydney by SANAA. With more than 250 color illustrations and contributions by leading museum and architecture experts, the book sheds light on current trends and the state-of-the-art technological advances in architecture, while also providing insight into the careful thought and decision processes that go into the development of new museums.
Form:
books
books
Publication:
August 2017
August 2017
Subject:
Museology
Museology
