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Exhibitions are tightly intertwined with the processes of historiography, creating dynamic and plural relations among and beyond participants both human and nonhuman. They are able to connect different histories while writing history themselves, their reciprocal relationships making them a complex object and transformative agent in historical research. Although it is(...)
Of(f) our times: curatorial anachronics
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Exhibitions are tightly intertwined with the processes of historiography, creating dynamic and plural relations among and beyond participants both human and nonhuman. They are able to connect different histories while writing history themselves, their reciprocal relationships making them a complex object and transformative agent in historical research. Although it is precisely these abilities that have led to the current intense engagement with exhibition history, the question of what exhibition history as a practice and method entails remains largely under-discussed. As a collection of conversations, essays, artists' projects, and inserts, this book aims to draw attention to the effects of a practice of exhibition history stemming from research and the curatorial. Through methodological considerations, interventions in existing historiographies, and proposals for new modes of referencing, the contributions work with exhibition history—and embody it themselves.
Museology
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This volume brings together a wide selection of writings by exhibition maker and writer Jens Hoffmann that outline his deep understanding of the interconnections among art, curating, theater, film, and literature. The nearly fifty texts include essays on artists, exhibitions, and curating; reviews of large-scale international group exhibitions; catalogue texts from(...)
In the meantime: speculations on art, curating, and exhibitions
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This volume brings together a wide selection of writings by exhibition maker and writer Jens Hoffmann that outline his deep understanding of the interconnections among art, curating, theater, film, and literature. The nearly fifty texts include essays on artists, exhibitions, and curating; reviews of large-scale international group exhibitions; catalogue texts from exhibitions Hoffmann curated; and interviews and conversations with artists and other cultural practitioners. Collectively, these texts map the development of Hoffman's thoughts and agenda, articulating a highly unique curatorial trajectory.
Museology
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This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the(...)
Speechless: different by design
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This catalogue pioneers a new approach to the art museum exhibition, using the power of design to explore how we experience the world through our varied senses. Six international design teams have collaborated with experts in neuroscience and cognitive, motor, and sensory issues to create site-specific, immersive, and participatory environments—one of which is the publication itself. These revolutionary interpretations across various media will foster research intended to push our understanding of sensory perception and encourage new ways of conceiving, installing, and experiencing exhibitions. Designed by Laurie Haycock Makela, a leader in experimental graphic design, the book plays with the multiple meanings of the word “speechless,” exploring the evolution of the project, documenting the installations, and offering portraits of the creative individuals who defined this extraordinary undertaking. Topics range from personal connections to issues of inclusion, diversity, accessibility, and empathy.
Museology
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This book explores an attitude in and toward design education that is socially engaged, politically aware, generous in approach, lyrical in tone, experimental in form and collaborative in practice. How can we talk about and draw out the political aspect inherent in the work of design students? What are the underlying values of such a pedagogy? What kind of practices are(...)
Design dedication: adaptive mentalities in design education
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This book explores an attitude in and toward design education that is socially engaged, politically aware, generous in approach, lyrical in tone, experimental in form and collaborative in practice. How can we talk about and draw out the political aspect inherent in the work of design students? What are the underlying values of such a pedagogy? What kind of practices are developed in this context? How can an institute support and safeguard this?
Museology
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''Utopian display, geopolitical curating'' brings together curatorial experiences that have matured over the past 30 years in various geopolitical contexts – from Africa to China, India to Latin America, and the Middle East to the post-Soviet regions. Featuring experimental voices in contemporary curatorial research, more than a dozen authors from different generations(...)
Utopian display, geopolitical curating
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''Utopian display, geopolitical curating'' brings together curatorial experiences that have matured over the past 30 years in various geopolitical contexts – from Africa to China, India to Latin America, and the Middle East to the post-Soviet regions. Featuring experimental voices in contemporary curatorial research, more than a dozen authors from different generations look with scepticism at both the effects of globalisation within today’s artistic scene and the latest premises of so-called de-globalisation. Because, despite everything, the current model of art continues to be very similar to that of an institution capable of determining the integration or exclusion of minorities as a majoritarian measure.
Museology
Curating as ethics
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Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging,(...)
Curating as ethics
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Today, everyone is a curator. What was once considered a hallowed expertise is now a commonplace and global activity. Can this new worldwide activity be ethical and, if yes, how? This book argues that curating can be more than just selecting, organizing, and presenting information in galleries or online. Curating can also constitute an ethics, one of acquiring, arranging, and distributing an always conjectural knowledge about the world. 'Curating as Ethics' is primarily philosophical in scope, evading normative approaches to ethics in favor of an intuitive ethics that operates at the threshold of thought and action. It explores the work of authors as diverse as Heidegger, Spinoza, Meillassoux, Mudimbe, Chalier, and Kofman. Jean-Paul Martinon begins with the fabric of these ethics: how it stems from matter, how it addresses death, how it apprehends interhuman relationships. In the second part he establishes the ground on which the ethics is based, the things that make up the curatorial—for example, the textual and visual evidence or the digital medium. The final part focuses on the activity of curating as such—sharing, caring, preparing, dispensing, and so on.
Museology
The Curatorial Condition
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In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art(...)
The Curatorial Condition
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In spite of the heightened interest in the curatorial since the late twentieth century, the structural conditions and potentials underpinning its special sociocultural status have yet to be defined. Taking this as a starting point, Beatrice von Bismarck’s book outlines the curatorial—that field of cultural activity and knowledge that relates to the becoming-public of art and culture—as a domain of practice and meaning with its own structures, conditions, rules, and procedures. Von Bismarck focuses on the relations created by the curatorial—relations between human and nonhuman participants. Rather than foregrounding partial definitions of the activity of curating, the subjectivization of the curator, and the presentation format of the exhibition, she emphasizes the interplay of all these factors.
Museology
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
Museology
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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer(...)
Radicalizing care: Feminist and queer activism in curating
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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer insights from diverse contexts and geographies.
Museology
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What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art through more than 20 interviews with artists and curators plus an extensive timeline, this book focuses on how the work of curators, artists and designers created fresh possibilities for reconfiguring traditional(...)
Curating digital art: from presenting and collecting digital art to netwiorked co-curation
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What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art through more than 20 interviews with artists and curators plus an extensive timeline, this book focuses on how the work of curators, artists and designers created fresh possibilities for reconfiguring traditional models for presenting and accessing digital art.
Museology