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books
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Title:
Qu'est-ce que le curating ?
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
$24.95
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Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Title:
Qu'est-ce que le curating ?
Actions:
Price:
$24.95
(available to order)
Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
Actions:
Price:
$24.95
(available to order)
Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
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$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
Title:
La mésologie: pourquoi et pour quoi faire?
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$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
La mésologie: pourquoi et pour quoi faire?
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Price:
$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Please come to the show
Please come to the show
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$44.95
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Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
$44.95
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Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
Title:
Please come to the show
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$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Please come to the show
Actions:
Price:
$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Curating research
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
Title:
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Form:
books
books
Publication:
January 2015
January 2015
Subject:
Museology
Museology
Form:
books
books
Title:
Museum of the future
Museum of the future
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$35.00
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Summary:
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also(...)
$35.00
(available to order)
Summary:
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also(...)
Title:
Museum of the future
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Price:
$35.00
(available to order)
Summary:
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also become a more openly discussed topic. How do curators meet these challenges? How do artists view their relationships to museum? How do practitioners navigate between ideas, ideals and realities? This publication gathers interviews with artists, architects and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger and Beatrix Ruf, among others.
Museum of the future
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Price:
$35.00
(available to order)
Summary:
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also become a more openly discussed topic. How do curators meet these challenges? How do artists view their relationships to museum? How do practitioners navigate between ideas, ideals and realities? This publication gathers interviews with artists, architects and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger and Beatrix Ruf, among others.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Museology
Museology
Form:
books
books
Actions:
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$30.00
(available to order)
Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts(...)
$30.00
(available to order)
Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts(...)
Title:
Making a museum in the 21st century
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$30.00
(available to order)
Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts and geopolitical shuffles resulting in rapid museum growth in Asia and the Middle East, museums around the world face new opportunities and challenges. This book brings together the perspectives of prominent museum leaders, directors, curators, architects and artists such as David Adjaye, Melissa Chiu (the Hirshhorn), Adam Lerner (MCA Denver), Glenn Lowry (MoMA), Walid Raad (Cooper Union), Hiroshi Sugimoto and others.
Making a museum in the 21st century
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$30.00
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Summary:
Making a Museum in the 21st Century addresses some of the most pressing issues for museums in a new era of popularity and audience engagement. Over the past decade, spectacular buildings and increased attendance have been accompanied by increased expectations for museums to create new ways for visitors to interact with art. Against a backdrop of large demographic shifts and geopolitical shuffles resulting in rapid museum growth in Asia and the Middle East, museums around the world face new opportunities and challenges. This book brings together the perspectives of prominent museum leaders, directors, curators, architects and artists such as David Adjaye, Melissa Chiu (the Hirshhorn), Adam Lerner (MCA Denver), Glenn Lowry (MoMA), Walid Raad (Cooper Union), Hiroshi Sugimoto and others.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Museology
Museology
Form:
books
books
Title:
Tilo Schulz
Tilo Schulz
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This publication surveys the work of German artist, curator and author Tilo Schulz (born 1971). Since the mid-1990s, Schulz has challenged the architecture of the conventional exhibition space by introducing site-specific installations that occupy the thoroughfares between the individual rooms.
$45.00
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Summary:
This publication surveys the work of German artist, curator and author Tilo Schulz (born 1971). Since the mid-1990s, Schulz has challenged the architecture of the conventional exhibition space by introducing site-specific installations that occupy the thoroughfares between the individual rooms.
Subject:
Museology
Museology
Publication:
February 2015
February 2015
Title:
Tilo Schulz
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$45.00
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Summary:
This publication surveys the work of German artist, curator and author Tilo Schulz (born 1971). Since the mid-1990s, Schulz has challenged the architecture of the conventional exhibition space by introducing site-specific installations that occupy the thoroughfares between the individual rooms.
Tilo Schulz
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Price:
$45.00
(available to order)
Summary:
This publication surveys the work of German artist, curator and author Tilo Schulz (born 1971). Since the mid-1990s, Schulz has challenged the architecture of the conventional exhibition space by introducing site-specific installations that occupy the thoroughfares between the individual rooms.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Museology
Museology
Form:
books
books
Title:
The curator's handbook
The curator's handbook
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$34.95
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Summary:
The Curators Handbook is the practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian,(...)
$34.95
(available to order)
Summary:
The Curators Handbook is the practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian,(...)
Title:
The curator's handbook
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Price:
$34.95
(available to order)
Summary:
The Curators Handbook is the practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian, interpreter, educator, facilitator and organizer. Twelve chapters then chart the various stages of the exhibition process in invaluable detail and clear, informative language from initial concept to writing contracts and loan requests, putting together budgets and schedules, producing exhibition catalogues and interpretation materials, designing gallery spaces, working with artists, lenders and art handlers, organizing private views, and documenting and evaluating a show.
The curator's handbook
Actions:
Price:
$34.95
(available to order)
Summary:
The Curators Handbook is the practical handbook for curators and curatorial students, mapping out every stage of the exhibition-making process from initial idea to final installation. In his introduction, Adrian George traces the history of curating back to its origins in the 17th century and outlines the multifarious roles of the curator today, including as custodian, interpreter, educator, facilitator and organizer. Twelve chapters then chart the various stages of the exhibition process in invaluable detail and clear, informative language from initial concept to writing contracts and loan requests, putting together budgets and schedules, producing exhibition catalogues and interpretation materials, designing gallery spaces, working with artists, lenders and art handlers, organizing private views, and documenting and evaluating a show.
Form:
books
books
Publication:
August 2015
August 2015
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$44.95
(available to order)
Summary:
Le discours sur l'art traite généralement d'œuvres, d'artistes ou de création mais délaisse un aspect essentiel de la relation esthétique : l'exposition. De fait, la question est complexe : comment aborder conjointement des éléments aussi hétérogènes que les relations entre objets, les relations de ces objets à des lieux ou à des publics ou encore les relations internes(...)
$44.95
(available to order)
Summary:
Le discours sur l'art traite généralement d'œuvres, d'artistes ou de création mais délaisse un aspect essentiel de la relation esthétique : l'exposition. De fait, la question est complexe : comment aborder conjointement des éléments aussi hétérogènes que les relations entre objets, les relations de ces objets à des lieux ou à des publics ou encore les relations internes(...)
Subject:
Museology
Museology
Publication:
May 2009
May 2009
Title:
L'art: une histoire d'expositions
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$44.95
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Summary:
Le discours sur l'art traite généralement d'œuvres, d'artistes ou de création mais délaisse un aspect essentiel de la relation esthétique : l'exposition. De fait, la question est complexe : comment aborder conjointement des éléments aussi hétérogènes que les relations entre objets, les relations de ces objets à des lieux ou à des publics ou encore les relations internes au monde de l'art qu'ils sous-tendent ? Une partie de la difficulté tient aux compréhensions contradictoires impliquées par l'exposition ; car exposer c'est à la fois produire une énonciation (un exposé) et découvrir, mettre à nu, mettre en danger. A la fois révéler - en un sens quasi photographique - et dévoiler : dénoncer et donner en exemple - rabaisser et élever. Bien que la question de l'art et de son appréciation ne se réduise évidemment pas à un ensemble de dispositifs de présentation, à des textes d'accompagnement ou de critique, à des choix de commissaires, il n'en demeure pas moins que la prise en compte des procédures d'exposition éclaire singulièrement la place de l'art dans notre monde. Des explications sur les circonstances entourant la création d'une œuvre - de même que la façon dont ces circonstances sont connues et divulguées - enrichissent sa connaissance et en modifient le sens et l'approche. De même, une réflexion sur les publics, la scénographie, l'architecture, les commentaires, les textes de présentation, permet de voir en quoi les différentes médiations orientent et réorientent en permanence le jugement sur les œuvres et notre compréhension de l'art.
L'art: une histoire d'expositions
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$44.95
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Summary:
Le discours sur l'art traite généralement d'œuvres, d'artistes ou de création mais délaisse un aspect essentiel de la relation esthétique : l'exposition. De fait, la question est complexe : comment aborder conjointement des éléments aussi hétérogènes que les relations entre objets, les relations de ces objets à des lieux ou à des publics ou encore les relations internes au monde de l'art qu'ils sous-tendent ? Une partie de la difficulté tient aux compréhensions contradictoires impliquées par l'exposition ; car exposer c'est à la fois produire une énonciation (un exposé) et découvrir, mettre à nu, mettre en danger. A la fois révéler - en un sens quasi photographique - et dévoiler : dénoncer et donner en exemple - rabaisser et élever. Bien que la question de l'art et de son appréciation ne se réduise évidemment pas à un ensemble de dispositifs de présentation, à des textes d'accompagnement ou de critique, à des choix de commissaires, il n'en demeure pas moins que la prise en compte des procédures d'exposition éclaire singulièrement la place de l'art dans notre monde. Des explications sur les circonstances entourant la création d'une œuvre - de même que la façon dont ces circonstances sont connues et divulguées - enrichissent sa connaissance et en modifient le sens et l'approche. De même, une réflexion sur les publics, la scénographie, l'architecture, les commentaires, les textes de présentation, permet de voir en quoi les différentes médiations orientent et réorientent en permanence le jugement sur les œuvres et notre compréhension de l'art.
Form:
books
books
Publication:
May 2009
May 2009
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$29.95
(available to order)
Summary:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
$29.95
(available to order)
Summary:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
Title:
On curating: interviews with ten international curators
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$29.95
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Summary:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
On curating: interviews with ten international curators
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Price:
$29.95
(available to order)
Summary:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
Form:
books
books
Publication:
October 2009
October 2009
