244 Results
Form:
books
books
Price:
$32.50
(available to order)
Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
$32.50
(available to order)
Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
Title:
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
Actions:
Price:
$32.50
(available to order)
Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
Actions:
Price:
$32.50
(available to order)
Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Museology
Museology
Form:
books
books
Price:
$27.00
(available to order)
Summary:
The postwar ascent of the curator as both cultural broker and creative participant in the work of art has seen the discipline acquire a brief but rich history of its own. Raising Frankenstein: Curatorial Education and Its Discontents unites curatorial studies with the increasingly debated subject of "the educational turn." Edited by Kitty Scott, whose own career as a(...)
$27.00
(available to order)
Summary:
The postwar ascent of the curator as both cultural broker and creative participant in the work of art has seen the discipline acquire a brief but rich history of its own. Raising Frankenstein: Curatorial Education and Its Discontents unites curatorial studies with the increasingly debated subject of "the educational turn." Edited by Kitty Scott, whose own career as a(...)
Title:
Raising Frankenstein: Curatorial education and its discontents
Actions:
Price:
$27.00
(available to order)
Summary:
The postwar ascent of the curator as both cultural broker and creative participant in the work of art has seen the discipline acquire a brief but rich history of its own. Raising Frankenstein: Curatorial Education and Its Discontents unites curatorial studies with the increasingly debated subject of "the educational turn." Edited by Kitty Scott, whose own career as a curator of contemporary art has taken her from the National Gallery in Ottawa to the Serpentine Gallery in London and the Banff Centre in Alberta, it presents a collection of essays that explores the education and formation of curators. Writings on curatorial pedagogy by Barbara Fischer, Teresa Gleadowe, Francesco Manacorda, Cuauhtémoc Medina and Lourdes Morales offer an overview of recent thought on curatorial pedagogy, elucidating, defining and building on current debates surrounding this subject.
Raising Frankenstein: Curatorial education and its discontents
Actions:
Price:
$27.00
(available to order)
Summary:
The postwar ascent of the curator as both cultural broker and creative participant in the work of art has seen the discipline acquire a brief but rich history of its own. Raising Frankenstein: Curatorial Education and Its Discontents unites curatorial studies with the increasingly debated subject of "the educational turn." Edited by Kitty Scott, whose own career as a curator of contemporary art has taken her from the National Gallery in Ottawa to the Serpentine Gallery in London and the Banff Centre in Alberta, it presents a collection of essays that explores the education and formation of curators. Writings on curatorial pedagogy by Barbara Fischer, Teresa Gleadowe, Francesco Manacorda, Cuauhtémoc Medina and Lourdes Morales offer an overview of recent thought on curatorial pedagogy, elucidating, defining and building on current debates surrounding this subject.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$44.00
(available to order)
Summary:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
$44.00
(available to order)
Summary:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for(...)
Title:
The captured museum : on Carte blanche, a research project by the Museum of contemporary art in Leipzig
Actions:
Price:
$44.00
(available to order)
Summary:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
The captured museum : on Carte blanche, a research project by the Museum of contemporary art in Leipzig
Actions:
Price:
$44.00
(available to order)
Summary:
A provocative two-year research project by the Galerie für Zeitgenössische Kunst in Leipzig, Carte Blanche offered an exhibition space for a fee. Collectors, businesses or commercial galleries that rented the space were allowed to do whatever they wanted, provided they not only took on the costs of the exhibition, but also a share in the overall project budget for operating costs, attendants and publicity. A creative approach to the current economic climate, Carte Blanche was primarily an investigation into the changing relationship between art and commerce, public and private.
Form:
books
books
Publication:
May 2011
May 2011
Subject:
Museology
Museology
Form:
books
books
Title:
Théorie de la restauration
Théorie de la restauration
Actions:
Price:
$15.95
(available to order)
Summary:
La restauration doit viser à rétablir l'unité potentielle de l'oeuvre d'art, à condition que cela soit possible sans commettre un faux artistique ou un faux historique, et sans effacer la moindre trace du passage de l'oeuvre d'art dans le temps.
$15.95
(available to order)
Summary:
La restauration doit viser à rétablir l'unité potentielle de l'oeuvre d'art, à condition que cela soit possible sans commettre un faux artistique ou un faux historique, et sans effacer la moindre trace du passage de l'oeuvre d'art dans le temps.
Publication:
December 2010
December 2010
Title:
Théorie de la restauration
Actions:
Price:
$15.95
(available to order)
Summary:
La restauration doit viser à rétablir l'unité potentielle de l'oeuvre d'art, à condition que cela soit possible sans commettre un faux artistique ou un faux historique, et sans effacer la moindre trace du passage de l'oeuvre d'art dans le temps.
Théorie de la restauration
Actions:
Price:
$15.95
(available to order)
Summary:
La restauration doit viser à rétablir l'unité potentielle de l'oeuvre d'art, à condition que cela soit possible sans commettre un faux artistique ou un faux historique, et sans effacer la moindre trace du passage de l'oeuvre d'art dans le temps.
Form:
books
books
Publication:
December 2010
December 2010
Form:
books
books
Actions:
Price:
$54.95
(available to order)
Summary:
Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of(...)
$54.95
(available to order)
Summary:
Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of(...)
Publication:
May 2011
May 2011
Title:
Biennials: Art of a global scale
Actions:
Price:
$54.95
(available to order)
Summary:
Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of globalization expresses itself in terms of arts. There is, though, little published information on the biennials of Sao Paulo, Habana, Istanbul, Sidney, or New Delhi, to name but the oldest. To which tradition do biennials belong and what s the importance of this format today? Which developments do they reflect, which ones do they initiate? Through the portraits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
Biennials: Art of a global scale
Actions:
Price:
$54.95
(available to order)
Summary:
Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of globalization expresses itself in terms of arts. There is, though, little published information on the biennials of Sao Paulo, Habana, Istanbul, Sidney, or New Delhi, to name but the oldest. To which tradition do biennials belong and what s the importance of this format today? Which developments do they reflect, which ones do they initiate? Through the portraits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
Form:
books
books
Publication:
May 2011
May 2011
Form:
books
books
Actions:
Price:
$34.50
(available to order)
Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
$34.50
(available to order)
Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
Title:
Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
Actions:
Price:
$34.50
(available to order)
Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
Actions:
Price:
$34.50
(available to order)
Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
Form:
books
books
Publication:
May 2011
May 2011
Form:
books
books
Price:
$66.00
(available to order)
Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
$66.00
(available to order)
Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Title:
unExhibit
Actions:
Price:
$66.00
(available to order)
Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
unExhibit
Actions:
Price:
$66.00
(available to order)
Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$43.95
(available in store)
Summary:
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the(...)
$43.95
(available in store)
Summary:
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the(...)
Title:
Virtuality and the art of exhibition: curatorial design for the multimedia museum
Actions:
Price:
$43.95
(available in store)
Summary:
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedial museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.
Virtuality and the art of exhibition: curatorial design for the multimedia museum
Actions:
Price:
$43.95
(available in store)
Summary:
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedial museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Museology
Museology
Form:
books
books
Title:
Project scope: exhibition design, a typology for architects, designers and museum professionals
Project scope: exhibition design, a typology for architects, designers and museum professionals
Actions:
Price:
$72.95
(available to order)
Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans,(...)
$72.95
(available to order)
Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans,(...)
Title:
Project scope: exhibition design, a typology for architects, designers and museum professionals
Actions:
Price:
$72.95
(available to order)
Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans, visualizations, and attractive photographs illustrate the approach, whose essential structure remains the same while finding a different solution for each theme.
Project scope: exhibition design, a typology for architects, designers and museum professionals
Actions:
Price:
$72.95
(available to order)
Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans, visualizations, and attractive photographs illustrate the approach, whose essential structure remains the same while finding a different solution for each theme.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$39.95
(available in store)
Summary:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of(...)
$39.95
(available in store)
Summary:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of(...)
Title:
Exhibiting Architecture: A Paradox?
Actions:
Price:
$39.95
(available in store)
Summary:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of exhibiting something as large and complex as a building or a city, and how to communicate something as elusive as an architectural experience that unfolds in space and time. It includes essays by Barry Bergdoll, Mari Lending, Romy Golan, Wallis Miller, Simon Sadler, Craig Buckley, among others, and two round table discussions with curators and practitioners.
Exhibiting Architecture: A Paradox?
Actions:
Price:
$39.95
(available in store)
Summary:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of exhibiting something as large and complex as a building or a city, and how to communicate something as elusive as an architectural experience that unfolds in space and time. It includes essays by Barry Bergdoll, Mari Lending, Romy Golan, Wallis Miller, Simon Sadler, Craig Buckley, among others, and two round table discussions with curators and practitioners.
Form:
books
books
Publication:
October 2015
October 2015
Subject:
Museology
Museology
