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When does an artists creation become art, and where? Does it occur in the solitary confines of an artists studio, or does it require the context of an art gallerys white cube? Studio and Cube is author Brian O'Dohertys long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube : The Ideology of the Gallery Space. In Studio(...)
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When does an artists creation become art, and where? Does it occur in the solitary confines of an artists studio, or does it require the context of an art gallerys white cube? Studio and Cube is author Brian O'Dohertys long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube : The Ideology of the Gallery Space. In Studio(...)
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November 2012
November 2012
Title:
Studio and cube : on the relationship between where art is made and where art is displayed
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When does an artists creation become art, and where? Does it occur in the solitary confines of an artists studio, or does it require the context of an art gallerys white cube? Studio and Cube is author Brian O'Dohertys long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube : The Ideology of the Gallery Space. In Studio and Cube, now available in paperback, O'Doherty expands his interpretation to include the artists studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism.
Studio and cube : on the relationship between where art is made and where art is displayed
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Summary:
When does an artists creation become art, and where? Does it occur in the solitary confines of an artists studio, or does it require the context of an art gallerys white cube? Studio and Cube is author Brian O'Dohertys long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube : The Ideology of the Gallery Space. In Studio and Cube, now available in paperback, O'Doherty expands his interpretation to include the artists studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism.
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books
books
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November 2012
November 2012
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books
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$32.00
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
$32.00
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Title:
Sketches for a national history museum
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Sketches for a national history museum
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$32.00
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Summary:
This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
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books
books
Publication:
June 2011
June 2011
Subject:
Museology
Museology
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books
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$56.95
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with(...)
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Transformative beauty: art museums in industrial Britain
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
Transformative beauty: art museums in industrial Britain
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Why did British industrial cities build art museums? By exploring the histories of the municipal art museums in Birmingham, Liverpool, and Manchester, Transformative Beauty examines the underlying logic of the Victorian art museum movement. These museums attempted to create a space free from the moral and physical ugliness of industrial capitalism. Deeply engaged with the social criticism of John Ruskin, reformers created a new, prominent urban institution, a domesticated public space that not only aimed to provide refuge from the corrosive effects of industrial society but also provided a remarkably unified secular alternative to traditional religion. Woodson-Boulton raises provocative questions about the meaning and use of art in relation to artistic practice, urban development, social justice, education, and class. In today's context of global austerity and shrinking government support of public cultural institutions, this book is a timely consideration of arts policy and purposes in modern society.
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books
books
Publication:
March 2012
March 2012
Subject:
Museology
Museology
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books
books
Title:
Defining the modern museum
Defining the modern museum
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Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization,(...)
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Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization,(...)
Title:
Defining the modern museum
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$50.00
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Summary:
Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization, the creation of Carnegie libraries, and the rising status of curators. Shedding light on many topics of current interest, especially the commodification and globalization of museums, this study makes a lively contribution to museum studies and cultural studies.
Defining the modern museum
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$50.00
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Summary:
Using theoretical models and extensive archival research, Lianne McTavish examines the case of Canada's oldest continuing public museum, the New Brunswick Museum in Saint John. Focusing on the period between 1842 and the 1950s, McTavish addresses topics such as the transnational exchange of objects between museums, efforts by women to claim space within the organization, the creation of Carnegie libraries, and the rising status of curators. Shedding light on many topics of current interest, especially the commodification and globalization of museums, this study makes a lively contribution to museum studies and cultural studies.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Museology
Museology
Form:
books
books
Title:
Exhibition select design
Exhibition select design
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$87.50
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This book provides photographs and floor plans of various commercial exhibits and booths from Asia.
$87.50
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This book provides photographs and floor plans of various commercial exhibits and booths from Asia.
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Exhibition select design
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$87.50
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This book provides photographs and floor plans of various commercial exhibits and booths from Asia.
Exhibition select design
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$87.50
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Summary:
This book provides photographs and floor plans of various commercial exhibits and booths from Asia.
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books
books
Publication:
March 2012
March 2012
Subject:
Museology
Museology
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books
books
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$44.95
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En s'appuyant sur l'écologie au sens scientifique du terme, Grégoire Bignier propose un paramètre nouveau pour la conception architecturale et urbaine. Théorique, la première partie repose sur le cours d'écologie de l'auteur à l'École nationale supérieure d'architecture de Paris-Malaquais tandis que la seconde partie décrit trois projets d'ouvrages d'art créés par B+M(...)
$44.95
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Summary:
En s'appuyant sur l'écologie au sens scientifique du terme, Grégoire Bignier propose un paramètre nouveau pour la conception architecturale et urbaine. Théorique, la première partie repose sur le cours d'écologie de l'auteur à l'École nationale supérieure d'architecture de Paris-Malaquais tandis que la seconde partie décrit trois projets d'ouvrages d'art créés par B+M(...)
Title:
Architecture et écologie: comment partager le monde habité?
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En s'appuyant sur l'écologie au sens scientifique du terme, Grégoire Bignier propose un paramètre nouveau pour la conception architecturale et urbaine. Théorique, la première partie repose sur le cours d'écologie de l'auteur à l'École nationale supérieure d'architecture de Paris-Malaquais tandis que la seconde partie décrit trois projets d'ouvrages d'art créés par B+M Architecture, agence dont l'auteur est l'associé fondateur.
Architecture et écologie: comment partager le monde habité?
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En s'appuyant sur l'écologie au sens scientifique du terme, Grégoire Bignier propose un paramètre nouveau pour la conception architecturale et urbaine. Théorique, la première partie repose sur le cours d'écologie de l'auteur à l'École nationale supérieure d'architecture de Paris-Malaquais tandis que la seconde partie décrit trois projets d'ouvrages d'art créés par B+M Architecture, agence dont l'auteur est l'associé fondateur.
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books
books
Publication:
April 2012
April 2012
Form:
books
books
Price:
$39.95
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Summary:
Concevoir, produire, mettre en espace, communiquer, accueillir... De l'idée initiale au vernissage, ce guide vous invite à découvrir les étapes et les savoir-faire qui permettent de monter une exposition. Comment naissent les projets ? Avec quels outils et méthodes les met-on en oeuvre ? Quels sont les moments clés ? Autant de questions auxquelles cet ouvrage répond,(...)
$39.95
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Summary:
Concevoir, produire, mettre en espace, communiquer, accueillir... De l'idée initiale au vernissage, ce guide vous invite à découvrir les étapes et les savoir-faire qui permettent de monter une exposition. Comment naissent les projets ? Avec quels outils et méthodes les met-on en oeuvre ? Quels sont les moments clés ? Autant de questions auxquelles cet ouvrage répond,(...)
Subject:
Museology
Museology
Publication:
April 2012
April 2012
Title:
Concevoir et réaliser une exposition : les métiers, les méthodes
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Concevoir, produire, mettre en espace, communiquer, accueillir... De l'idée initiale au vernissage, ce guide vous invite à découvrir les étapes et les savoir-faire qui permettent de monter une exposition. Comment naissent les projets ? Avec quels outils et méthodes les met-on en oeuvre ? Quels sont les moments clés ? Autant de questions auxquelles cet ouvrage répond, à travers la présentation des différents intervenants d'une exposition : commissaire, chargé de production, scénographe, graphiste, éditeur, régisseur, chargé de communication, chargé de l'accueil des publics.
Concevoir et réaliser une exposition : les métiers, les méthodes
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$39.95
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Summary:
Concevoir, produire, mettre en espace, communiquer, accueillir... De l'idée initiale au vernissage, ce guide vous invite à découvrir les étapes et les savoir-faire qui permettent de monter une exposition. Comment naissent les projets ? Avec quels outils et méthodes les met-on en oeuvre ? Quels sont les moments clés ? Autant de questions auxquelles cet ouvrage répond, à travers la présentation des différents intervenants d'une exposition : commissaire, chargé de production, scénographe, graphiste, éditeur, régisseur, chargé de communication, chargé de l'accueil des publics.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Museology
Museology
Form:
books
books
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$24.95
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens,(...)
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens,(...)
Title:
Pratiquer la muséohistoire : la guerre et l'histoire au musée : pour une visite critique
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens, aborder ces espaces publicsc dans leurs différentes dimensions, comme des objets culturels, sociaux et politiquesé Objets culturels, ils le sont en tant que supports de représentation, de mémoires et d'oublis; et objets sociopolitiques, ils le sont également par l'implication d'acteurs différents et nombreux dont il s'agit de repérer les enjeux, les stratégies, les contraintes.
Pratiquer la muséohistoire : la guerre et l'histoire au musée : pour une visite critique
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$24.95
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Summary:
Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens, aborder ces espaces publicsc dans leurs différentes dimensions, comme des objets culturels, sociaux et politiquesé Objets culturels, ils le sont en tant que supports de représentation, de mémoires et d'oublis; et objets sociopolitiques, ils le sont également par l'implication d'acteurs différents et nombreux dont il s'agit de repérer les enjeux, les stratégies, les contraintes.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Museology
Museology
Form:
books
books
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$34.95
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Summary:
Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand(...)
$34.95
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Summary:
Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand(...)
Title:
Le musée: entre la recherche et l'enseignement
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand échantillonnage des recherches en lien avec le musée.
Le musée: entre la recherche et l'enseignement
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$34.95
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand échantillonnage des recherches en lien avec le musée.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Museology
Museology
Form:
books
books
Title:
Exhibition experiments
Exhibition experiments
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$48.99
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
$48.99
(available to order)
Summary:
Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
Title:
Exhibition experiments
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$48.99
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Summary:
Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Exhibition experiments
Actions:
Price:
$48.99
(available to order)
Summary:
Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Museology
Museology
