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books
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
$13.95
(available to order)
Summary:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
Title:
Curationism: how curating took over the art world and everything else
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
Curationism: how curating took over the art world and everything else
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$13.95
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Summary:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
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$67.50
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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's(...)
$67.50
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Summary:
Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's(...)
Title:
Place and displacement: exhibiting architecture
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$67.50
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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's essays discuss the ambiguous status of architecture as an object of display.
Place and displacement: exhibiting architecture
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$67.50
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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's essays discuss the ambiguous status of architecture as an object of display.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
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books
books
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$26.95
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Summary:
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in(...)
$26.95
(available to order)
Summary:
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in(...)
Title:
In search of a lost avant-garde: an anthropologist investigates the contemporary art museum
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$26.95
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In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl’s In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago’s premier cultural institutions.
In search of a lost avant-garde: an anthropologist investigates the contemporary art museum
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Price:
$26.95
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Summary:
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl’s In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago’s premier cultural institutions.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Ways of curating
Ways of curating
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$28.00
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Summary:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
$28.00
(available to order)
Summary:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Title:
Ways of curating
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$28.00
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Summary:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Ways of curating
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$28.00
(available to order)
Summary:
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Form:
books
books
Publication:
July 2014
July 2014
Form:
books
books
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$29.00
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Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can(...)
$29.00
(available to order)
Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can(...)
Title:
Subtraction: critical spatial practice 4
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$29.00
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Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
Subtraction: critical spatial practice 4
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$29.00
(available to order)
Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
Form:
books
books
Publication:
July 2014
July 2014
Subject:
Museology
Museology
Form:
books
books
Title:
(Curating) from A to Z
(Curating) from A to Z
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$21.50
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Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).(...)
$21.50
(available to order)
Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).(...)
Title:
(Curating) from A to Z
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$21.50
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Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions.
(Curating) from A to Z
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Price:
$21.50
(available to order)
Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
Form:
books
books
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$39.95
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Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from(...)
$39.95
(available to order)
Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from(...)
Title:
Hans Ulrich Obrist: think like cloud
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$39.95
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Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from astronomer Dimitar Sasselov to journalist and activist Studs Turkel.
Hans Ulrich Obrist: think like cloud
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$39.95
(available to order)
Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from astronomer Dimitar Sasselov to journalist and activist Studs Turkel.
Form:
books
books
Publication:
September 2013
September 2013
Subject:
Museology
Museology
Form:
books
books
Title:
Qu'est-ce que le curating ?
Qu'est-ce que le curating ?
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$24.95
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Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
$24.95
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Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Title:
Qu'est-ce que le curating ?
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Price:
$24.95
(available to order)
Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
Actions:
Price:
$24.95
(available to order)
Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
Actions:
Price:
$19.95
(available to order)
Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
$19.95
(available to order)
Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
Title:
La mésologie: pourquoi et pour quoi faire?
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$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
La mésologie: pourquoi et pour quoi faire?
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Price:
$19.95
(available to order)
Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Please come to the show
Please come to the show
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$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
Title:
Please come to the show
Actions:
Price:
$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Please come to the show
Actions:
Price:
$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Museology
Museology
