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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's(...)
$67.50
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Summary:
Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's(...)
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Place and displacement: exhibiting architecture
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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's essays discuss the ambiguous status of architecture as an object of display.
Place and displacement: exhibiting architecture
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Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's essays discuss the ambiguous status of architecture as an object of display.
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books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
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books
books
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$26.95
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In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in(...)
$26.95
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Summary:
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in(...)
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In search of a lost avant-garde: an anthropologist investigates the contemporary art museum
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In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl’s In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago’s premier cultural institutions.
In search of a lost avant-garde: an anthropologist investigates the contemporary art museum
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$26.95
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Summary:
In 2008, anthropologist Matti Bunzl was given rare access to observe the curatorial department of Chicago’s Museum of Contemporary Art. For five months, he sat with the institution’s staff, witnessing firsthand what truly goes on behind the scenes at a contemporary art museum. From fund-raising and owner loans to museum-artist relations to the immense effort involved in safely shipping sixty works from twenty-seven lenders in fourteen cities and five countries, Matti Bunzl’s In Search of a Lost Avant-Garde illustrates the inner workings of one of Chicago’s premier cultural institutions.
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books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Ways of curating
Ways of curating
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$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
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Ways of curating
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$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Ways of curating
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$28.00
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Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
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books
books
Publication:
July 2014
July 2014
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books
books
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$29.00
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Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can(...)
$29.00
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Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can(...)
Title:
Subtraction: critical spatial practice 4
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Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
Subtraction: critical spatial practice 4
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$29.00
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Summary:
Keller Easterling’s volume in the Critical Spatial Practice series analyzes the urgency of building subtraction. Often treated as failure or loss, subtraction—when accepted as part of an exchange—can be growth. All over the world, sprawl and overdevelopment have attracted distended or failed markets and exhausted special landscapes. However, in failure, buildings can create their own alternative markets of durable spatial variables that can be managed and traded by citizens and cities rather than the global financial industry.
Form:
books
books
Publication:
July 2014
July 2014
Subject:
Museology
Museology
Form:
books
books
Title:
(Curating) from A to Z
(Curating) from A to Z
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$21.50
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(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).(...)
$21.50
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Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).(...)
Title:
(Curating) from A to Z
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$21.50
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Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions.
(Curating) from A to Z
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$21.50
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Summary:
(Curating) From A to Z offers a summary of the development of curatorial practice over the last two decades seen through the eyes of curator Jens Hoffmann. In this publication each letter of the alphabet evokes a particular word related to the world of exhibition making: From A (as in Artist) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube). Employing a diarist style, the curator presents his personal curatorial alphabet with a similar transparency and the same idiosyncratic character revealed in many of his exhibitions.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Museology
Museology
Form:
books
books
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$39.95
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Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from(...)
$39.95
(available to order)
Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from(...)
Title:
Hans Ulrich Obrist: think like cloud
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$39.95
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Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from astronomer Dimitar Sasselov to journalist and activist Studs Turkel.
Hans Ulrich Obrist: think like cloud
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$39.95
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Summary:
Think Like Clouds collects for the first time the drawings, notes and diagrams of curator, writer and Serpentine Gallery co-director Hans Ulrich Obrist. For the past 22 years, Obrist has curated exhibitions around the world and has interviewed major and minor personalities in nearly every field of endeavor; from architect Rem Koolhaas to painter Gerhard Richter; from astronomer Dimitar Sasselov to journalist and activist Studs Turkel.
Form:
books
books
Publication:
September 2013
September 2013
Subject:
Museology
Museology
Form:
books
books
Title:
Qu'est-ce que le curating ?
Qu'est-ce que le curating ?
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$24.95
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
$24.95
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Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Title:
Qu'est-ce que le curating ?
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$24.95
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Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
Actions:
Price:
$24.95
(available to order)
Summary:
Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
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$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll(...)
Title:
La mésologie: pourquoi et pour quoi faire?
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$19.95
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Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
La mésologie: pourquoi et pour quoi faire?
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$19.95
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Summary:
Définie en 1848 comme science des milieux, la mésologie est née des travaux d'un disciple d'Auguste Comte, le médecin Charles Robin. Sous l'influence de la phénoménologie, elle a été refondée sur d'autres bases au XXe siècle par le naturaliste Jakob von Uexküll - précurseur de l'éthologie et de la biosémiotique - et par le philosophe Tetsurô Watsuji. Tous deux - Uexküll au niveau du vivant en général, Watsuji à celui de l'humain en particulier - introduisent un double principe : d'une part, dans sa relation à l'environnement, l'être n'est pas un objet, mais un sujet qui interprète activement l'environnement pour en élaborer son milieu propre ; d'autre part, le milieu ne doit pas être confondu avec le donné brut de l'environnement.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Please come to the show
Please come to the show
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$44.95
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Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
Title:
Please come to the show
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$44.95
(available to order)
Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Please come to the show
Actions:
Price:
$44.95
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Summary:
David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Form:
books
books
Publication:
October 2014
October 2014
Subject:
Museology
Museology
Form:
books
books
Title:
Curating research
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
Title:
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Curating research
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$40.00
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Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Form:
books
books
Publication:
January 2015
January 2015
Subject:
Museology
Museology
