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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
October 2002, Melbourne
dia - Architecture thesis projects : 2000-2001
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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor),(...)
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor), visionary models of 1998 and the international competition, through to its fulfilment. The project concepts are explained by the authors in their own words: Coop Himmelb(l)au and GLS, Jean Nouvel and GIM, J. Sbriglio, and Extasia with T. Kobler/Vehovar + Jauslin, West 8/Diller + Scofidio.
Museums and Universal Exhibitions
$71.50
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably(...)
Inchoate : an experiment in architectural education
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably involves a contradictory bias both in favour as well as against the discipline at issue, promoting an understanding of its regulating principles while at the same time questioning the seemingly secure bases on which it is presumed to stand. Whereas teaching is affirmative, it simultaneously introduces a distancing from the very subject matter that it promotes.
Museums and Universal Exhibitions
$27.95
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
Museums and Universal Exhibitions
January 1900, Gollion
Futur antérieur : trésors archéologiques du 21e siècle après J.-C.
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
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books
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The last thirty years of the twentieth century saw the birth of more than six hundred art museums in the United States alone, with equal proliferation in much of Europe. Such projects as Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles have dominated television newscasts and newspaper headlines worldwide. The success or failure of these(...)
Museums and Universal Exhibitions
October 2006, New York
Towards a new museum, expanded edition
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The last thirty years of the twentieth century saw the birth of more than six hundred art museums in the United States alone, with equal proliferation in much of Europe. Such projects as Frank Gehry's Guggenheim in Bilbao and Richard Meier's Getty Center in Los Angeles have dominated television newscasts and newspaper headlines worldwide. The success or failure of these new museums, in aesthetic, educational and financial terms, results from a variety of factors, none more important than their architecture. In this unique investigation, architectural historian Victoria Newhouse challenges many hitherto accepted premises of museum design. She demonstrates that new museums are often based on old concepts that no longer apply. This unvarnished analysis is informed by interviews with museum directors and curators, collectors, artists and the architects themselves. Newhouse divides her discussion according to the dominant characteristics of the museums : private collections, single-artist museums, sacred spaces, artists' self-created sites, and museum additions. In addition to the Getty and the Guggenheim Bilbao, the author discusses the Menil Collection in Houston, Texas; the Andy Warhol Museum in Pittsburgh; the Kiasma Museum for Contemporary Art in Helsinki; Donald Judd's Chinati Foundation in Marfa, Texas; the Metropolitan Museum of Art and the Museum of Modern Art in New York; the Grand Louvre and the Centre Georges Pompidou in Paris; and many more.
books
October 2006, New York
Museums and Universal Exhibitions
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Que reste-t-il des Expositions universelles parisiennes, ces manifestations glorifiant les progrès industriels ou techniques, célébrant les arts à l'occasion et affirmant un goût prononcé pour une ethnologie plus pittoresque que scientifique ? La tour Eiffel, bien sûr, comme le Grand Palais ou le palais du Trocadéro. Mais la grande majorité des pavillons, faits de bois et(...)
Sur les traces des expositions universelles : Paris, 1855-1937
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Que reste-t-il des Expositions universelles parisiennes, ces manifestations glorifiant les progrès industriels ou techniques, célébrant les arts à l'occasion et affirmant un goût prononcé pour une ethnologie plus pittoresque que scientifique ? La tour Eiffel, bien sûr, comme le Grand Palais ou le palais du Trocadéro. Mais la grande majorité des pavillons, faits de bois et de torchis, de brique ou de plâtre, décorés de stuc et de céramique et promis à la destruction à l'issue des festivités, ont disparu. Certaines de ces constructions précaires ont cependant été rachetées ou récupérées par des collectivités ou des particuliers. On retrouve ainsi à Paris ou plus encore en banlieue des dizaines de pavillons anciens ou d'éléments remontés de façon plus ou moins fantaisiste.
Museums and Universal Exhibitions
Exhibition design
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Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and(...)
Museums and Universal Exhibitions
June 2006, Gloucester, MA
Exhibition design
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Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and lighting to achieve a convincing narrative and setting. Whether we find them in trade fairs or in museums, this book gathers the best recent installations, featured through full-color pictures, drawing plans, and sketches; and supplemented with descriptive text with practical information on manufacturers, furniture, and materials.
Museums and Universal Exhibitions
The Tate Modern handbook
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A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
Museums and Universal Exhibitions
November 2006, London
The Tate Modern handbook
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A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
Museums and Universal Exhibitions
$32.95
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The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
Museums and Universal Exhibitions
December 2006, London, New York
Architecture 06 The Guide to the RIBA Awards
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The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud.
Museums and Universal Exhibitions
$38.95
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Summary:
As we write this 8,000 people die from AIDS every day, more than at any other time during the epidemic. The incredible wealth of creative expression in these pages begins to articulate the sober reality of that statistic and, we hope, will galvanize all of us to continue working together to end this disease.
Emergent memory: the national AIDS memorial competition
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As we write this 8,000 people die from AIDS every day, more than at any other time during the epidemic. The incredible wealth of creative expression in these pages begins to articulate the sober reality of that statistic and, we hope, will galvanize all of us to continue working together to end this disease.
Museums and Universal Exhibitions