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Title:
Transbordeur, no 06
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
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books
books
Publication:
April 2022
April 2022
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Photography Collections
Photography Collections
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books
books
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la(...)
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la(...)
Title:
La beauté des lignes : collection Gilman et Gonzalez-Falla
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la puissance de la ligne photographique. Les photographies notamment de Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray, Nan Goldin ou encore Lee Friedlander entrent ainsi en résonnance au-delà de leur temporalité historique ou de considérations géographiques, par des correspondances formelles.
La beauté des lignes : collection Gilman et Gonzalez-Falla
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la puissance de la ligne photographique. Les photographies notamment de Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray, Nan Goldin ou encore Lee Friedlander entrent ainsi en résonnance au-delà de leur temporalité historique ou de considérations géographiques, par des correspondances formelles.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$75.00
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Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice(...)
$75.00
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Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice(...)
Subject:
Photography Collections
Photography Collections
Publication:
January 2018
January 2018
Title:
Subjective objective: a century of social photography
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While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.
Subjective objective: a century of social photography
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Summary:
While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.
Form:
books
books
Publication:
January 2018
January 2018
Subject:
Photography Collections
Photography Collections
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books
books
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$61.95
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since(...)
$61.95
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Summary:
At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since(...)
Subject:
Photography Collections
Photography Collections
Publication:
April 2018
April 2018
Title:
Experiment photography: new Bauhaus Chicago
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since the founding of the New Bauhaus in 1937. Surveying eighty years of photography from Chicago, the wide range of illustrations in this volume extend from conceptual and process-oriented series to material experiments and abstract photograms, and include contemporary works that reflect the continued importance of the Bauhaus school of thought in the present day. Marking the hundredth anniversary of the Bauhaus, this richly illustrated volume celebrates a school of photography that made history on both sides of the Atlantic.
Experiment photography: new Bauhaus Chicago
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Summary:
At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since the founding of the New Bauhaus in 1937. Surveying eighty years of photography from Chicago, the wide range of illustrations in this volume extend from conceptual and process-oriented series to material experiments and abstract photograms, and include contemporary works that reflect the continued importance of the Bauhaus school of thought in the present day. Marking the hundredth anniversary of the Bauhaus, this richly illustrated volume celebrates a school of photography that made history on both sides of the Atlantic.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$61.95
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
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Summary:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and(...)
Title:
Landscapes after Ruskin: redefining the sublime
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John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Landscapes after Ruskin: redefining the sublime
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Summary:
John Ruskin was an influential English art critic and social thinker of the Victorian era, who famously argued that the principal concern of the artist is “truth to nature.” For Ruskin, this truth entailed more than merely adept technical representation, but rather, should depict the natural world as mankind experiences it, with all the sensations of both beauty and terror it elicits. Today, in a world overwhelmed by industrial development and environmental uncertainty, contemporary artists are discovering new beauties and terrors associated with nature, invoking a sense of the sublime that is uniquely modern. "Landscapes after Ruskin" explores how a joyful experience of nature is now mixed with a particular dread as the earth and its atmosphere are increasingly touched by human activity.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$68.95
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai(...)
$68.95
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai(...)
Title:
The magazine & The New Photography: Koga and Japanese modernism
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The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai region, who became a driving force behind the New Photography movement. The catalogue for an exhibition featuring photographs printed in ‘Koga’, this publication examines the influence of foreign photographers on the New Photography and subsequent modes of photographic expression in Japan.
The magazine & The New Photography: Koga and Japanese modernism
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Summary:
The New Photography in Japan, influenced by Germany’s ‘Neue Sachlichkeit’, the New Objectivity, and surrealism, differed strikingly from the pictorialism that had been the leading form of art photography prior to 1930. ‘Koga’ was a small-press magazine that remained in print for less than two years, yet featured a number of amateur photographers, largely from the Kansai region, who became a driving force behind the New Photography movement. The catalogue for an exhibition featuring photographs printed in ‘Koga’, this publication examines the influence of foreign photographers on the New Photography and subsequent modes of photographic expression in Japan.
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books
books
Publication:
March 2018
March 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$58.95
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The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
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Summary:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and(...)
Title:
In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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Summary:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
In reference to: Red Desert by Michelangelo Antonioni. The streets, the factories, the colors, the sky, the people
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$58.95
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Summary:
The film "Il deserto rosso" (The Red Desert) by Michelangelo Antonioni, produced in the industrial region around Ravenna, Italy, in 1964, is considered one of the most important works in contemporary film history. Because of its innovative use of color, uncomfortably slow pacing, and existential environment, the film has long held appeal to filmmakers, artists, and photographers. As a response to the film, a joint endeavor between the students at the Academy of fine Arts, Leipzig, led by artists and professors Joachim Brohm and Anna voswinckel, with the photo initiatives Linea di Confine and Osservatorio fotografico, Italy, were asked to create an exhibition of living photographers influenced by the film. The catalog features more than thirty photographers, all associated in some way with the university and photo initiatives. The photographers were asked to provide their reaction to the film along with their associated images. The project was then exhibited at SK Stiftung Kultur (Cologne, September 2017January 2018). Among the featured artists are Joachim Brohm, Guido Guidi, Valentina Seidel, and Francesco Neri.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Eye on the West
Eye on the West
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary(...)
$65.00
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Summary:
The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary(...)
Title:
Eye on the West
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary photographers of the West, including David Plowden, Laura McPhee, Miguel Gandert, Karen Halverson, Toba Tucker, Richard Buswell, John Willis, David Ottenstein, Lauren Henkin, and Will Wilson. Beautiful reproductions of 34 photographs are accompanied by brief essays by George Miles and by the artists themselves, contributing to multiple conversations about how visual art continues to reflect and shape our understanding of Western American society, culture, and politics.
Eye on the West
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The histories of the North American West and photography have been intertwined since photography reached America. From the middle of the 19th century, images of the West have continuously played a significant role in defining the ways the region is perceived not only within America but around the world. "Eye on the West" presents the work of seventeen contemporary photographers of the West, including David Plowden, Laura McPhee, Miguel Gandert, Karen Halverson, Toba Tucker, Richard Buswell, John Willis, David Ottenstein, Lauren Henkin, and Will Wilson. Beautiful reproductions of 34 photographs are accompanied by brief essays by George Miles and by the artists themselves, contributing to multiple conversations about how visual art continues to reflect and shape our understanding of Western American society, culture, and politics.
Form:
books
books
Publication:
September 2018
September 2018
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Anthropocene
Anthropocene
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''Anthropocene'' is the latest book by Edward Burtynsky, Jennifer Baichwal, and Nick de Pencier to chronicle the massive and irreversible impact of humans on the Earth — on a geological scale.
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''Anthropocene'' is the latest book by Edward Burtynsky, Jennifer Baichwal, and Nick de Pencier to chronicle the massive and irreversible impact of humans on the Earth — on a geological scale.
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Photography Collections
Photography Collections
Publication:
October 2018
October 2018
Title:
Anthropocene
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''Anthropocene'' is the latest book by Edward Burtynsky, Jennifer Baichwal, and Nick de Pencier to chronicle the massive and irreversible impact of humans on the Earth — on a geological scale.
Anthropocene
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''Anthropocene'' is the latest book by Edward Burtynsky, Jennifer Baichwal, and Nick de Pencier to chronicle the massive and irreversible impact of humans on the Earth — on a geological scale.
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books
books
Publication:
October 2018
October 2018
Subject:
Photography Collections
Photography Collections
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books
books
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$60.00
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This volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are original interviews with some of the most(...)
$60.00
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Summary:
This volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are original interviews with some of the most(...)
Title:
Ravens and red lipstick: Japanese photography since 1945
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This volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are original interviews with some of the most influential photographers of each era, including Daido Moriyama. ''Ravens and Red Lipstick'' offers a survey of Japanese photography's recent history. Fritsch masterfully frames each movement with their business, education, and art-institutional backdrops- she shows the consumerism and intense political debates of 1960s and '70s Japan, for example, to be central to the rough style of the ''Provoke'' artists.
Ravens and red lipstick: Japanese photography since 1945
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This volume provides one of the first overviews of Japanese photography to be published in English. Drawing on extensive research, Lena Fritsch traces the development of Japanese photography chronologically, from the severity of post-war Realism to the diverse ingenuity of photography in contemporary Japan. Interspersed are original interviews with some of the most influential photographers of each era, including Daido Moriyama. ''Ravens and Red Lipstick'' offers a survey of Japanese photography's recent history. Fritsch masterfully frames each movement with their business, education, and art-institutional backdrops- she shows the consumerism and intense political debates of 1960s and '70s Japan, for example, to be central to the rough style of the ''Provoke'' artists.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Photography Collections
Photography Collections
