Histoire de sports
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les(...)
Photography Collections
May 2024
Histoire de sports
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L'« album » de l'exposition conçue par le Jeu de Paume qui propose de manière chronologique, à travers des photographies d'une trentaine d'auteurs, un regard subjectif sur l'évolution des pratiques sportives depuis la fin du XIXe siècle. Des athlètes mis en scène par l'atelier Nadar à Clint Eastwood photographié avec un ballon de football par Xavier Lambours, les rapprochements entre les sportifs et les photographes prennent des chemins de traverse dans la collection de la Médiathèque du patrimoine et de la photographie (MPP). Le sport et la compétition, mis en lumière en cette année d'olympiades en France, fournissent une occasion unique d'exhumer des images rarement montrées. Celles-ci mettent en relation des photographes travaillant à la commande ou menant des projets personnels, qu'ils soient écrivains-photographes, comme Émile Zola, photoreporters, comme Guy Le Querrec et Renée Falcke, illustrateurs, comme René-Jacques, ou plasticiens, comme Gladys
Photography Collections
$55.00
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique(...)
March 2024
Exteriors: Annie Ernaud and photography
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"Committing to paper the movements, postures, and words of the people I meet gives me the illusion that I am close to them. I don’t speak to them, I only watch them and listen to them. Yet the emotions they arouse in me are real. I may also be trying to discover something about myself through them, their attitudes or their conversations." Taking Annie Ernaux’s unique artistic endeavour to "describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered," this project by writer and curator Lou Stoppard uncovers the profound ways the written and visual image can inform and inflect on one another. In doing so, it proposes a new way of thinking about literature and photography, and the ways in which shared themes – such as class, travel, social stereotypes, and individual identity within the modern urban environment – might be explored between these two forms.
Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last(...)
May 2005, New York
Looking at Los Angeles
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Loved, hated, revered, scorned, real, imagined: this is Los Angeles. "Looking at Los Angeles" is a fascinating journey into the centre of the city’s heart and soul. Pictured within its pages is a Los Angeles of powerful dreams and startling realities. Editors Marla Hamburg Kennedy and Ben Stiller have gathered pictorial representations of Los Angeles from the last three-quarters of a century, resulting in this selection of more than 200 stunning, beautifully reproduced colour and duotone depictions of the city from different eras and different points of view. Along with the carefully chosen images by approximately 100 photographers who have time again turned to Los Angeles for inspiration, a preface and foreword by the editors describe their great affection for the city, while David L. Ulin’s essay offers a critical and loving look at Los Angeles. A portion of the proceeds from the sale of this book will be donated to the Los Angeles Conservancy, and the organization provides an essay about the importance of saving this city's rich architectural heritage. "Looking at Los Angeles" is at once a lesson in history, architecture, style, and culture, and a remarkable visual and written tribute to one of America’s greatest cities. Includes photographs by: Robert Adams, John Baldessari, William Claxton, Will Connell, Joe Deal, John Divola, William Eggleston, Sam Fentress, Anthony Friedkin, John Humble, Dennis Keeley, Florian Maier-Aichen, Grant Mudford, Karin A. Mueller, Catherine Opie, Ed Ruscha, Stephen Shore, Julius Schulman, Joel Sternfeld, Timothy Street-Porter, John Swope, Andy Warhol, Julian Wasser, Robert Weingarten, Garry Winogrand, Max Yavno, and others.
Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam,(...)
Photography Collections
September 2002, Besançon
Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam, Clément Deuve, Christel Sasso, Kyu-Dong Kim, Érick Beltran, et Jean-Michel Pancin. Avec le regard de Stéphane Paoli.
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books
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The public profile of the Japanese photography book has recently boomed, from near-complete obscurity to great desirability. And not only for the aficionados. Photobooks that once were entirely unknown outside Japan (except to a few well-informed scholars and collectors) now sell at astronomical prices at auctions and online. And yet the photobook has been central to the(...)
Japanese photobooks of the 1960s and 70s
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The public profile of the Japanese photography book has recently boomed, from near-complete obscurity to great desirability. And not only for the aficionados. Photobooks that once were entirely unknown outside Japan (except to a few well-informed scholars and collectors) now sell at astronomical prices at auctions and online. And yet the photobook has been central to the development of Japanese photography, particularly in its postwar phase.
books
January 2009
Photography Collections
$85.00
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Portraits from Above' is both a book and exhibition project documenting Hong Kong's legacy of rooftop communities as a highly unique form of architecture that has informally evolved. The project offers a comprehensive survey of five rooftop settlements in the city, while also revealing the creative cultural energy of these rooftop communities and their inextricable links(...)
Portraits from above Hong Kong's informal rooftop communities
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Portraits from Above' is both a book and exhibition project documenting Hong Kong's legacy of rooftop communities as a highly unique form of architecture that has informally evolved. The project offers a comprehensive survey of five rooftop settlements in the city, while also revealing the creative cultural energy of these rooftop communities and their inextricable links to local neighbourhood and social networks. Alongside some 90 axonometric drawings and analytical diagrams, the publication also includes detailed interior and exterior photographs of more than twenty households and a collections of rooftop resident's stories.
Photography Collections
$92.00
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
The Book of Images: A dictionary of visual experiences
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
Photography Collections
$40.00
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It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
Photography Collections
May 2019
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
Photography Collections
$67.95
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à(...)
D'ici, ça ne paraît pas si loin
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à l’heure des nouveaux ensembles – régions, Europe –, nos identités étaient multiples? « D’ici, ça ne paraît pas si loin » invite à trois voyages – géographique, temporel et affectif –, autour de trois questions : quelle ruralité à l’ère des métropoles? quel horizon pour chacun? d’où se raconte l’histoire qu’un territoire inspire? S'incarnant dans une géographie abstraite qui dépasse les frontières du Sud-Ouest, ce livre mêle textes et images en renouvelant les idées de faire culture et de faire société.
Photography Collections
+photographie
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Chaque année, des milliers de photographies (tirages, négatifs, plaques…) entrent dans les collections publiques françaises. Musées nationaux ou régionaux, grandes institutions culturelles, Frac, centres d'art ou d'archives, bibliothèques… enrichissent leurs fonds sans pour autant donner à voir leurs acquisitions au public. Cette publication y remédie en opérant une(...)
+photographie
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$57.95
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Chaque année, des milliers de photographies (tirages, négatifs, plaques…) entrent dans les collections publiques françaises. Musées nationaux ou régionaux, grandes institutions culturelles, Frac, centres d'art ou d'archives, bibliothèques… enrichissent leurs fonds sans pour autant donner à voir leurs acquisitions au public. Cette publication y remédie en opérant une sélection d'images, tant actuelles que patrimoniales. Du fonds Marc Riboud acquis par le musée Guimet aux photographies réalisées par Émile Zola, d'albums de photos de famille au portrait du dernier « cannibale » des îles Marquises ou à d'intenses clichés issus de la Première Guerre mondiale et des registres de déportation, cette publication revisite l'histoire de cet art visuel, depuis ses origines jusqu'à ses champs contemporains.
Photography Collections