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The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open(...)
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The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open(...)
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New trends in Japanese photography
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The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open order and still lack the appropriate support, but are aware of their skills. They are also able to appeal to people’s sensitivity across the board, especially that of the critics and Western public, who seem to have been dulled by redundant aestheticism for years.
New trends in Japanese photography
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The contemporary Japanese scene is remarkably complex, extremely varied, and even enticing. Maiko Haruki, Naoki Ishikawa, Tomoko Kikuchi, Toshiya Murakoshi, Yurie Nagashima, Sohei Nishino, Koji Onaka, Yuki Onodera, Chino Otsuka, Tomoko Sawada, Lieko Shiga, Risaku Suzuki, Ryoko Suzuki, and Chikako Yamashiro belong to a generation of artists who are proceeding in open order and still lack the appropriate support, but are aware of their skills. They are also able to appeal to people’s sensitivity across the board, especially that of the critics and Western public, who seem to have been dulled by redundant aestheticism for years.
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books
books
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November 2017
November 2017
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Photography Collections
Photography Collections
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books
books
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$65.00
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This substantial publication narrates Italian history between 1932 and 1968 through photographs from the Guido Bertero collection, with works by Robert Capa, Henri Cartier-Bresson, Paul Strand and Walker Evans, among others.
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This substantial publication narrates Italian history between 1932 and 1968 through photographs from the Guido Bertero collection, with works by Robert Capa, Henri Cartier-Bresson, Paul Strand and Walker Evans, among others.
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Realism, Neorealism and reality: photographs in Italy 1932-1968
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This substantial publication narrates Italian history between 1932 and 1968 through photographs from the Guido Bertero collection, with works by Robert Capa, Henri Cartier-Bresson, Paul Strand and Walker Evans, among others.
Realism, Neorealism and reality: photographs in Italy 1932-1968
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This substantial publication narrates Italian history between 1932 and 1968 through photographs from the Guido Bertero collection, with works by Robert Capa, Henri Cartier-Bresson, Paul Strand and Walker Evans, among others.
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books
books
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September 2017
September 2017
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Photography Collections
Photography Collections
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books
books
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$70.00
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This is the first book about the history, influences, and impact of the "Werkstatt für Photography" (Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic "airlift" to the United States, a democratic field of experimentation beyond the pale of(...)
$70.00
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This is the first book about the history, influences, and impact of the "Werkstatt für Photography" (Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic "airlift" to the United States, a democratic field of experimentation beyond the pale of(...)
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Photography Collections
Photography Collections
Publication:
June 2017
June 2017
Title:
Werkstatt für photographie 1976-1986
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This is the first book about the history, influences, and impact of the "Werkstatt für Photography" (Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic "airlift" to the United States, a democratic field of experimentation beyond the pale of traditional vocational and political-institutional standards. Those same years witnessed the establishment of infrastructures in West Germany that paved the way for the emancipation of photography as an art form. These included documenta 6 (1977), the first photo galleries and photography journals, and a number of pathbreaking exhibitions. Berlin, Hanover, and Essen played important roles in that process. All in all, the picture of a medium in transition emerges, a medium that developed an autonomous form of artistic authorship in the field of documentary. This book presents the story of German photography in the 1970s and 1980s, its international ties, its protagonists, and its networks.
Werkstatt für photographie 1976-1986
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This is the first book about the history, influences, and impact of the "Werkstatt für Photography" (Photography Workshop) founded by the Berlin photographer Michael Schmidt at the Volkshochschule Kreuzberg in 1976. In the midst of the Cold War, the Werkstatt initiated an artistic "airlift" to the United States, a democratic field of experimentation beyond the pale of traditional vocational and political-institutional standards. Those same years witnessed the establishment of infrastructures in West Germany that paved the way for the emancipation of photography as an art form. These included documenta 6 (1977), the first photo galleries and photography journals, and a number of pathbreaking exhibitions. Berlin, Hanover, and Essen played important roles in that process. All in all, the picture of a medium in transition emerges, a medium that developed an autonomous form of artistic authorship in the field of documentary. This book presents the story of German photography in the 1970s and 1980s, its international ties, its protagonists, and its networks.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Photography Collections
Photography Collections
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books
books
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$45.00
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et(...)
$45.00
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Summary:
La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et(...)
Title:
La vie des choses : Momenta biennale de l'image
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et auteurs du présent ouvrage s’intéressent ainsi aux univers qui se construisent entre les individus et leur environnement matériel, mettant en relief les rapports de réciprocité qui s’opèrent entre sujet et objet.
La vie des choses : Momenta biennale de l'image
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et auteurs du présent ouvrage s’intéressent ainsi aux univers qui se construisent entre les individus et leur environnement matériel, mettant en relief les rapports de réciprocité qui s’opèrent entre sujet et objet.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$75.00
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Summary:
'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This(...)
$75.00
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Summary:
'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This(...)
Subject:
Photography Collections
Photography Collections
Publication:
July 2019
July 2019
Title:
The Soviet century: Russian Photography in the Archivo Lafuente, 1917–1972
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'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.
The Soviet century: Russian Photography in the Archivo Lafuente, 1917–1972
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$75.00
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'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.
Form:
books
books
Publication:
July 2019
July 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$56.95
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Summary:
Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
$56.95
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Summary:
Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
Title:
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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$56.95
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$55.00
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal(...)
$55.00
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Summary:
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal(...)
Title:
Thought Pieces: 1970s photographs by Lew Thomas, Hal Fischer and Donna-Lee Philips
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976. This book is published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 – August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
Thought Pieces: 1970s photographs by Lew Thomas, Hal Fischer and Donna-Lee Philips
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Summary:
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976. This book is published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 – August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
Form:
books
books
Publication:
June 2020
June 2020
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
Title:
Making strange: the modernist photobook in France
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$86.95
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
Making strange: the modernist photobook in France
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$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$92.00
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
$92.00
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Summary:
An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
Title:
The Book of Images: A dictionary of visual experiences
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$92.00
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Summary:
An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
The Book of Images: A dictionary of visual experiences
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$92.00
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Summary:
An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
Form:
books
books
Publication:
June 2020
June 2020
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$40.00
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Summary:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
$40.00
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Summary:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
Subject:
Photography Collections
Photography Collections
Publication:
May 2019
May 2019
Title:
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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Summary:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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$40.00
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Summary:
It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Photography Collections
Photography Collections
