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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international(...)
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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international(...)
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Lacuna/ae: identità e architettura moderna a Venezia
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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international architects of the time, such as Giancarlo De Carlo, Gino Valle and Vittorio Gregotti.
Lacuna/ae: identità e architettura moderna a Venezia
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LACUNA/AE. Identità e Architettura Moderna a Venezia is a photobook documenting the urban transformations of Venice, which occurred in the second half of the XX century. Over 100 photographs by 18 Italian photographers offer insight into understanding the city’s former industrial areas reconverted into social housing by some of the greatest Italian and international architects of the time, such as Giancarlo De Carlo, Gino Valle and Vittorio Gregotti.
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books
books
Publication:
November 2016
November 2016
Subject:
Photography Collections
Photography Collections
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books
books
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$57.50
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In 1967, The Museum of Modern Art presented "New documents", a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these(...)
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In 1967, The Museum of Modern Art presented "New documents", a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these(...)
Title:
Arbus Friedlander Winogrand: New Documents, 1967
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In 1967, The Museum of Modern Art presented "New documents", a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.
Arbus Friedlander Winogrand: New Documents, 1967
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In 1967, The Museum of Modern Art presented "New documents", a landmark exhibition organized by John Szarkowski that brought together a selection of works by three photographers whose individual achievements signaled the artistic potential for the medium in the 1960s and beyond: Diane Arbus, Lee Friedlander and Garry Winogrand. Though largely unknown at the time, these three photographers are now universally acknowledged as artists of singular talent within the history of photography. The exhibition articulated a profound shift in the landscape of 20th-century photography, and interest in the exhibition has only continued to expand. Yet, until now, there has been no publication that captures its content. Published in celebration of the 50th anniversary of the exhibition, Arbus Friedlander Winogrand features full-page reproductions of the 94 photographs included in the exhibition, along with Szarkowski’s original wall text, press release, installation views and an abundance of archival material. Essays by curator Sarah Hermanson Meister and critic Max Kozloff, who originally reviewed the exhibition for The Nation in 1967, critically situate the exhibition and its reception, and examine its lasting influence on the field of photography.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
New York in photobooks
New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in(...)
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New York in photobooks
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
New York in photobooks
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$45.00
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"New York in photobooks" gathers and studies a selection of images of the capital of the twentieth century, the most photogenic and most photographed city in history. In these images from the books selected (only a fraction of those in existence), the city of skyscrapers is captured from construction thereof in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, recorded in a model style of street photography. Many of the books are the work of European and Japanese photographers, who discovered multiple perspectives (human, cultural, social, economic…) from which to view the city that shaped the twentieth century. Nueva York en fotolibros is the catalogue of a traveling exhibition curated by Horacio Fernández, who is also the editor of the book: a collaborative effort in which, in addition to the many images, there are texts by numerous pho-tography scholars.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Looking backward: a photographic portrait of the world at the beginning of the twentieth century
Looking backward: a photographic portrait of the world at the beginning of the twentieth century
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In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the(...)
$65.95
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Summary:
In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the(...)
Title:
Looking backward: a photographic portrait of the world at the beginning of the twentieth century
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$65.95
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In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the first decade of the twentieth century, Michael Lesy presents nearly 250 images displaying a riot of peoples and cultures, stark class divisions, and unsettling glimpses of daily life a century ago.
Looking backward: a photographic portrait of the world at the beginning of the twentieth century
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$65.95
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In 1900 the stereograph was king. Its three-dimensional optics created a virtual presence for the viewer. Millions of Americans, especially schoolchildren, absorbed ideas about race, class, and gender from such 3D images, the embodiment of the notion that “seeing is believing.” Drawing on an enormous, rarely seen collection of some 300,000 stereographic views spanning the first decade of the twentieth century, Michael Lesy presents nearly 250 images displaying a riot of peoples and cultures, stark class divisions, and unsettling glimpses of daily life a century ago.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$45.00
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"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the(...)
$45.00
(available to order)
Summary:
"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the(...)
Subject:
Photography Collections
Photography Collections
Publication:
September 2017
September 2017
Title:
The Canadians: photographs from the Globe and Mail archives
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Summary:
"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the National Gallery of Canada. Nearly 80 of these photographs have been selected for this book, and also form the basis for a national touring exhibition. These functionary press photographs, made to illustrate news stories—the state of the roads after a severe winter; a politician on the campaign trail; the opening of a new laundromat—hold no pretentions to be works of photographic art. However, taken together, they describe Canadian culture during an era of great transformation. Published in association with the Archive of Modern Conflict, the book begins with an insightful and irreverent introduction by Douglas Coupland, bringing together themes illuminated in these photographs, and taking us on a guided tour of a Canada gone, but not forgotten. "How strange it is to look at these photos of a Canada that was almost dead when I was a child," he writes, "the Canada of my parents and my grandparents, the Canada of the late 1950s and early ‘60s, a country in which, it would seem, people were born, became teenagers, and then, magically, at the age of 21, turned into chain-smoking 50-year olds with undiagnosed cancers."
The Canadians: photographs from the Globe and Mail archives
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$45.00
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Summary:
"The Canadians" playfully and affectionately reimagines one of the most revered photography books of the 20th century, Robert Frank’s The Americans. The source for the imagery is the print archive of The Globe and Mail, which contains more than 500,000 prints—24,000 of which have been donated to the newly formed Canadian Institute of Photography, housed within the National Gallery of Canada. Nearly 80 of these photographs have been selected for this book, and also form the basis for a national touring exhibition. These functionary press photographs, made to illustrate news stories—the state of the roads after a severe winter; a politician on the campaign trail; the opening of a new laundromat—hold no pretentions to be works of photographic art. However, taken together, they describe Canadian culture during an era of great transformation. Published in association with the Archive of Modern Conflict, the book begins with an insightful and irreverent introduction by Douglas Coupland, bringing together themes illuminated in these photographs, and taking us on a guided tour of a Canada gone, but not forgotten. "How strange it is to look at these photos of a Canada that was almost dead when I was a child," he writes, "the Canada of my parents and my grandparents, the Canada of the late 1950s and early ‘60s, a country in which, it would seem, people were born, became teenagers, and then, magically, at the age of 21, turned into chain-smoking 50-year olds with undiagnosed cancers."
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
But still, it turns
But still, it turns
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$80.00
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
$80.00
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Summary:
With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell(...)
Title:
But still, it turns
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$80.00
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With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
But still, it turns
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$80.00
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Summary:
With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is.
Form:
books
books
Publication:
February 2021
February 2021
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Jeux de mains
Jeux de mains
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$69.95
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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The(...)
$69.95
(available in store)
Summary:
Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The(...)
Subject:
Photography Collections
Photography Collections
Publication:
March 2021
March 2021
Title:
Jeux de mains
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$69.95
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Summary:
Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, 'Jeux de mains' confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book.
Jeux de mains
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$69.95
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Summary:
Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, 'Jeux de mains' confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book.
Form:
books
books
Publication:
March 2021
March 2021
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$42.95
(available to order)
Summary:
Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la(...)
$42.95
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Summary:
Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la(...)
Title:
Circulation(s), 2021 : Festival de la jeune photographie européenne
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la diversité des écritures photographiques au travers d’expositions et d’événements singuliers. Cet ouvrage constitue le catalogue de l’édition 2021.
Circulation(s), 2021 : Festival de la jeune photographie européenne
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$42.95
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Le festival Circulation(s), initié par l’association Fetart en 2011, propose chaque année de découvrir la jeune photographie européenne. Il a pour vocation de faire émerger les talents et de créer un réseau de structures européennes. À Paris et dans différents lieux en France et à l’international, il révèle chaque année la vitalité de la jeune création et défend la diversité des écritures photographiques au travers d’expositions et d’événements singuliers. Cet ouvrage constitue le catalogue de l’édition 2021.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Photography Collections
Photography Collections
Form:
books
books
Actions:
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$63.00
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Summary:
How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
$63.00
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Summary:
How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially(...)
Title:
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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$63.00
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How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Fotoclubismo: Brazilian modernist photography and the Foto-Cine Clube Bandeirante 1946-1964
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$63.00
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Summary:
How a small photography club gave birth to modernist photography in Brazil. Published in conjunction with the first major museum exhibition of Brazilian modernist photography outside of Brazil, ''Fotoclubismo'' presents the groundbreaking creative achievements of São Paulo’s Foto-Cine Clube Bandeirante, a group of amateur photographers founded in 1939 that is essentially unknown today to European and North American audiences. The vast majority of FCCB members pursued photography outside of their day jobs as lawyers, businessmen, accountants, journalists, engineers, biologists and bankers, but they were nonetheless quite serious about their artistic ambition. Their radical experimentations with process and form and their determination to distill inventive compositions from everyday life contributed to their esteemed reputation within an active international postwar scene—a status that has been all but forgotten.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
+ Photographie, vol. 2
+ Photographie, vol. 2
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$57.95
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Summary:
Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces(...)
$57.95
(available to order)
Summary:
Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces(...)
Title:
+ Photographie, vol. 2
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$57.95
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Summary:
Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces acquisitions. Parmi les découvertes de cette 2e édition, les tirages albuminés de l'album Eugène Delacroix acquis par la BnF, des œuvres de Josef Koudelka, Dolorès Marat, Susan Meiselas, Bernard Plossu ou Wolfgang Tillmans, un focus sur la photographie de spectacle, Man Ray en photographe de mode, les images impressionnantes prises par un capitaine terre-neuvas dans les années 1930, les carnets du projet Azimut de Tendance Floue à travers la France, un almanach de 1941 transformé par son propriétaire en album de famille en captivité…Par cette sélection d'œuvres replacées dans le contexte de leur création et de leur acquisition, « +Photographie » revisite l'histoire du médium, de ses origines à ses champs contemporains.
+ Photographie, vol. 2
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$57.95
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Summary:
Chaque année, des milliers de photographies et d’objets (tirages, négatifs, plaques, albums, installations, appareils…) entrent dans les collections publiques françaises (musées nationaux ou régionaux, grandes institutions, Frac, centres d'art ou d'archives, bibliothèques…). Jusqu’à la création de cette publication en 2020, le public ne disposait pas d'un aperçu de ces acquisitions. Parmi les découvertes de cette 2e édition, les tirages albuminés de l'album Eugène Delacroix acquis par la BnF, des œuvres de Josef Koudelka, Dolorès Marat, Susan Meiselas, Bernard Plossu ou Wolfgang Tillmans, un focus sur la photographie de spectacle, Man Ray en photographe de mode, les images impressionnantes prises par un capitaine terre-neuvas dans les années 1930, les carnets du projet Azimut de Tendance Floue à travers la France, un almanach de 1941 transformé par son propriétaire en album de famille en captivité…Par cette sélection d'œuvres replacées dans le contexte de leur création et de leur acquisition, « +Photographie » revisite l'histoire du médium, de ses origines à ses champs contemporains.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Photography Collections
Photography Collections
