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One pairs artists and writers to think about this question. Eight photographers: Marco Breuer, Thomas Joshua Cooper, John Gossage, Trevor Paglen, Alison Rossiter, Victoria Sambunaris, Rebecca Norris Webb and James Welling were asked to submit one image on the theme of minimalism. Eight writers David Campany, Teju Cole, Christie Davis, John D’Agata, Michael Fried, Darius(...)
One. David Campany, Teju Cole, Christie David, John D'Agata, Michael Fried, Darius Himes
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One pairs artists and writers to think about this question. Eight photographers: Marco Breuer, Thomas Joshua Cooper, John Gossage, Trevor Paglen, Alison Rossiter, Victoria Sambunaris, Rebecca Norris Webb and James Welling were asked to submit one image on the theme of minimalism. Eight writers David Campany, Teju Cole, Christie Davis, John D’Agata, Michael Fried, Darius Himes, Leah Ollman and Laura Steward were enlisted to respond to those submissions, each paired with a specific image. The results offer a probing assessment of Antoine de Saint-Exupery’s maxim: “Perfection is achieved, not when there is nothing more to add, but when there is nothing left to take away.”
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes(...)
Diapositive: histoire de la photographie projetée
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L’ouvrage, organisé en quatre grandes sections thématiques (l’image de la lumière, le dispositif, la séquence et la séance), présente les spécificités de la diapositive. La sélection iconographique intègre la diversité de ces pratiques afin de rendre compte de son impact sur la culture visuelle et de son évolution. Elle comprend des travaux d’amateurs et de photographes professionnels tels que Alfred Stieglitz et Helen Levitt ; elle montre ses usages dans le domaine de l’éducation et du divertissement populaire ; son intégration dans le domaine du design telles que les projections de Le Corbusier et de Charles et Ray Eames ; ainsi que des œuvres représentatives de l’intérêt des artistes conceptuels pour la projection à partir des années 1960 tels que Dan Graham, Robert Smithson, Jan Dibbets, Allan Sekula, Nan Goldin, Runo Lagomarsino, James Coleman, Peter Fischli et David Weiss, et Krzysztof Wodiczko.
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Wojciech Zamecznik
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Wojciech Zamecznik est un artiste graphique polonais considéré comme un pionnier dans l’association du médium photographique aux arts graphiques. Cet ouvrage paraît dans le cadre de l’exposition du Musée de l’Élysée, en collaboration avec la Fondation Archeologia Fotografii qui conserve les archives de l’artiste à Varsovie.
Wojciech Zamecznik
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Wojciech Zamecznik est un artiste graphique polonais considéré comme un pionnier dans l’association du médium photographique aux arts graphiques. Cet ouvrage paraît dans le cadre de l’exposition du Musée de l’Élysée, en collaboration avec la Fondation Archeologia Fotografii qui conserve les archives de l’artiste à Varsovie.
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The photographic I
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Catalog accompanying the first part of a diptych exhibition in S.M.A.K., Ghent, spread over two years, curated by Martin Germann with Tanja Boon and Steven Humblet. The exhibition comprises new and existing work by artists and photographers including Lewis Baltz, Tina Barney, Mohamed Bourouissa, Moyra Davey, Marc De Blieck, Sara Deraedt, Patrick Faigenbaum, Peter Fraser,(...)
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December 2017
The photographic I
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Catalog accompanying the first part of a diptych exhibition in S.M.A.K., Ghent, spread over two years, curated by Martin Germann with Tanja Boon and Steven Humblet. The exhibition comprises new and existing work by artists and photographers including Lewis Baltz, Tina Barney, Mohamed Bourouissa, Moyra Davey, Marc De Blieck, Sara Deraedt, Patrick Faigenbaum, Peter Fraser, Alair Gomes, Jitka Hanzlová, Roni Horn, Stephanie Kiwitt, Aglaia Konrad, Jochen Lempert, Zoe Leonard, Jean-Luc Moulène, Zanele Muholi, Jean-Luc Mylayne, Trevor Paglen, Doug Rickard, Torbjørn Rødland, Michael Schmidt, Arne Schmitt, Allan Sekula, Ahlam Shibli, Malick Sidibé, Dayanita Singh, Wolfgang Tillmans, Marc Trivier and Tobias Zielony. The selection, ranging from the 1960s to the present, demonstrates a lively interest in the power of the still image as a means of examining the world. It concentrates on indefinable images with an open view, whose multi-layering requires slow reading. With an introduction by Martin Germann and Philippe Van Cauteren, and an essay by Steven Humblet in Dutch and English.
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la(...)
La beauté des lignes : collection Gilman et Gonzalez-Falla
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L’ouvrage présente une sélection de chefs-d’œuvre de l’histoire de la photographie issus de la collection de Sondra Gilman et Celso Gonzalez-Falla, constituée de plus de 1500 tirages originaux des plus grands photographes des XXe et XXIe siècles et basée à New York. Par des confrontations formelles et visuelles, le lecteur est invité à expérimenter à travers ces œuvres la puissance de la ligne photographique. Les photographies notamment de Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray, Nan Goldin ou encore Lee Friedlander entrent ainsi en résonnance au-delà de leur temporalité historique ou de considérations géographiques, par des correspondances formelles.
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While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice(...)
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January 2018
Subjective objective: a century of social photography
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While the public’s acceptance of photographs as visual evidence made documentary photography possible, canny interventions employed by image makers and their editors alternately exploit and dismantle assumptions of the medium’s transparency, testing our wish to see pictures inspire social change. Among the photographers included in the exhibition and book are Berenice Abbott, Max Alpert, William Castellana, Walker Evans, Larry Fink, LaToya Ruby Frazier, Lewis Hine, Boris Ignatovich, Dorothea Lange, Igor Moukhin, Gordon Parks, Alexander Rodchenko, Arthur Rothstein, Sebastião Salgado, Arkady Shaikhet, Aaron Siskind, W. Eugene Smith, Weegee et al.
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since(...)
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April 2018
Experiment photography: new Bauhaus Chicago
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At the New Bauhaus and what later became the Institute of Design in Chicago, teachers like László Moholy-Nagy and György Kepes, and later Arthur Siegel, Harry Callahan, and Aaron Siskind, molded generations of groundbreaking photographers. This collection introduces the protagonists and institutions who have inspired, created, collected, and exhibited photography since the founding of the New Bauhaus in 1937. Surveying eighty years of photography from Chicago, the wide range of illustrations in this volume extend from conceptual and process-oriented series to material experiments and abstract photograms, and include contemporary works that reflect the continued importance of the Bauhaus school of thought in the present day. Marking the hundredth anniversary of the Bauhaus, this richly illustrated volume celebrates a school of photography that made history on both sides of the Atlantic.
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Camera Atomica
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An exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by photographers including Weegee, Barbara Kruger, Sandy Skoglund and Garry Winogrand from some of the nuclear events from 1945 onwards.
Camera Atomica
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An exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by photographers including Weegee, Barbara Kruger, Sandy Skoglund and Garry Winogrand from some of the nuclear events from 1945 onwards.
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New Scandinavian photography
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Focusing on the last ten years, New Scandinavian Photography highlights the work produced by a diverse range of artists who are exploring and manipulating the use of photography in their practices and explores photography as a medium through academic texts and interviews, addressing the technical and material properties of photography in the context of fine art and(...)
New Scandinavian photography
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Focusing on the last ten years, New Scandinavian Photography highlights the work produced by a diverse range of artists who are exploring and manipulating the use of photography in their practices and explores photography as a medium through academic texts and interviews, addressing the technical and material properties of photography in the context of fine art and pan-media practice with a focus on the exhibition room as well as printed matter. Through critical examination and personal interviews, the book showcases established names in the photographic art scene such as Asger Carlsen and Emil Salto, along with emerging talents that include Marten Lange and Marthe Elise Stramund. A key focus is upon artist’s use of photography as a medium, along with their methods of presentation, from the white cube gallery space to intimate printed matter.
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The book examines how photos are used to digitally reproduce, inform about, and archive buildings. Moreover, it is dedicated to the concept of the use of a building being the visual content of architectural photography, and also questions how the photograph influences the constructed reality.
On the uses of architectural photography
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The book examines how photos are used to digitally reproduce, inform about, and archive buildings. Moreover, it is dedicated to the concept of the use of a building being the visual content of architectural photography, and also questions how the photograph influences the constructed reality.
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