La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est(...)
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est traversée par l'histoire de l'écriture et vice versa. Depuis les premiers relevés photographiques des hiéroglyphes égyptiens jusqu'aux graffitis urbains, en passant par les néons publicitaires qui éclairent la nuit des grandes villes, l'écrit hante la photographie. L'image photographique a aussi, à l'inverse, profondément modifié notre regard sur l'écriture. A l'époque moderne, la ville est devenue un immense réservoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, poétique ou politique. Des surréalistes à Andreas Gursky, de Brassaï à William Klein, c'est à cette lecture urbaine que nous invite ce livre.
Photography Collections
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural(...)
The bitter years: Edward Steichen and the Farm Security Administration photographs
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The Bitter Years was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its fiftieth anniversary. The show featured 209 images by photographers who worked under the aegis of the U.S. Farm Security Administration (FSA) in 1935–41, as part of Roosevelt’s New Deal. The FSA, set up to combat rural poverty during the Great Depression, included an ambitious photography project that launched many photographic careers, most notably those of Walker Evans and Dorothea Lange. The exhibition featured their work as well as that of ten other FSA photographers, including Ben Shahn, Carl Mydans and Arthur Rothstein. Their images are among the most remarkable in documentary photography--testimonies of a people in crisis, hit by the full force of economic turmoil and the effects of drought and dust storms.
Photography Collections
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape.(...)
European landscape photography
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape. This book brings together images from 27 European Union nations and from prominent artists such as Olafur Eliasson (Denmark), Andreas Gursky (Germany), Carl De Keyzer (Belgium), Massimo Vitali (Italy), and Celine Clanet (France). The book shows how landscape photography in particular offers critical insights into the characteristics of a place, inviting viewers, through a subjective lens, to form their own feelings toward that place. Organized into three broad geographic zones, it offers depictions of Europe’s wonderfully varied geography — shorelines and fjords, mountains and plains, farmland and urban centers — as it seeks to understand the source of the continent’s diversity and unity.
Photography Collections
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
On common ground : Photographs of spatial development in suburban regions and in the Alps, since 1945
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
Photography Collections
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
Mionsi : prales virgin forest
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
Photography Collections
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
A new view: Architecture photography from the National Museums in Berlin
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
Photography Collections
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
Photography Collections
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over(...)
The unseen eye: photographs from the unconscious
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"The Unseen Eye" presents a idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of 30 years by New York collector W.M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe and Robert Frank, as well as works by lesser-known artists and vernacular images. Hunt's instinctive pursuit of striking images has resulted in a collection that manages to evoke a picture of humanity from birth to death, with all the associated nuances of memory, wit, eroticism, fear, grief and horror. More than 350 evocative and frequently surreal images are brilliantly sequenced in this volume; the cumulative effect is unnerving and riveting. Most critically, the images are drawn together by the narrative of the collector himself, in a highly personal monologue that weaves throughout the book, in which Hunt offers his own perceptive responses to the images he has gathered over many years. The result is a series of surprising epiphanies about how and why one collects.
Photography Collections
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the(...)
Our true intention is all for your delight : the John Hinde Butlin's photographs
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the challenging job of two German (Elmar Ludwig and Edmund Nägele) and one British photographer (David Noble) to execute the photographs to Hinde's rigorous formula and standards. With innovative use of color and elaborate staging (the trademarks of a John Hinde postcard), each photograph is painstakingly produced, with often large casts of real holidaymakers acting their allocated roles in these narrative tableaux of the Butlin's quiet lounges, ballrooms and Beachcomber bars. Shot with large-format cameras and lit like a film set, these photographs were an extraordinary undertaking in their production values, and helped John Hinde become one of the most successful postcard publishers in the world. Most of the John Hinde Butlin's photographs have only ever been published as postcards.
Photography Collections
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important(...)
Photography Collections
September 2011
XL photography 4
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The Art Collection Deutsche Borse is among the preeminent collections of contemporary photography in Europe. Begun in 1999, the collection comprises more than 700 works by roughly 70 international artists, encompassing a range of genres from landscape and architecture to portrait and conceptual photography, and the collection continues to expand. It includes important representatives from the so-called Becher School, led by Bernd and Hilla Becher, to exciting new work by the next generation of young photographers, as well as significant contributions by photojournalists. The fourth volume in this excellent series, "XL Photography 4" documents the collection's holdings and its evolution over the last decade. It features outstanding recent works by emerging and mid-career artists such as Beate Gutschow, Tobias Zielony, Sze Tsung Leong and Pieter Hugo, as well as established masterworks by Werner Bischoff, Joseph Szabo and Philip Jones Griffiths.
Photography Collections