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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
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books
books
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March 2010
March 2010
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Photography Collections
Photography Collections
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$49.00
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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February 2010
February 2010
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19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
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February 2010
February 2010
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$90.00
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
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Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
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books
books
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April 2010
April 2010
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Photography Collections
Photography Collections
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$59.99
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
Title:
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
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books
books
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May 2010
May 2010
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$90.00
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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as(...)
$90.00
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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as(...)
Subject:
Photography Collections
Photography Collections
Publication:
February 2015
February 2015
Title:
Both sides of sunset: photographing Los Angeles
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$90.00
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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few.
Both sides of sunset: photographing Los Angeles
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Los Angeles is a city of dualities—sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few.
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books
books
Publication:
February 2015
February 2015
Subject:
Photography Collections
Photography Collections
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books
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$65.00
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some(...)
$65.00
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Summary:
The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some(...)
Title:
Modern times: the age of photography
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$65.00
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The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as André Kertész, Brassaï, Robert Capa, László Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyö, Man Ray and Joel Meyerowitz.
Modern times: the age of photography
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$65.00
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Summary:
The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as André Kertész, Brassaï, Robert Capa, László Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyö, Man Ray and Joel Meyerowitz.
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books
books
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February 2015
February 2015
Subject:
Photography Collections
Photography Collections
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books
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$70.00
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
$70.00
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Summary:
The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in(...)
Publication:
February 2015
February 2015
Title:
In the wake: japanese photographers respond to 3/11
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The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
In the wake: japanese photographers respond to 3/11
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$70.00
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Summary:
The catastrophic events of March 11, 2011—the earthquake, tsunami and ensuing nuclear meltdown of the Fukushima Daiichi Nuclear Power Plant—have been called "the triple disaster" in Japan. Among the first artists to respond to these experiences were photographers. Some attempted to document the devastation, while others ruminated on the meaning and use of photography in the wake of tragedy. As the immediate effects of the earthquake and tsunami gave way to nuclear disaster, artists began to respond to the challenges of depicting an invisible threat that calls up the collective memory of Hiroshima and Nagasaki. Artists include Takashi Arai, Nobuyoshi Araki, Ishu Han, Naoya Hatakeyama, Takashi Homma, Kikuji Kawada, Rinko Kawauchi, Keizo Kitajima, Kozo Miyoshi, Masato Seto, Lieko Shiga, Shimpei Takada, Masaru Tatsuki, Daisuke Yokota and Tomoko Yoneda.
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books
books
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February 2015
February 2015
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$180.00
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In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now,(...)
$180.00
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Summary:
In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now,(...)
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The chinese photobook: from the 1900's to the present
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$180.00
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In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren.
The chinese photobook: from the 1900's to the present
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$180.00
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Summary:
In the last decade there has been a major reappraisal of the role and status of the photobook within the history of photography. Newly revised histories of photography as recorded via the photobook have added enormously to our understanding of the medium's culture, particularly in places that are often marginalized, such as Latin America and Africa. However, until now, only a handful of Chinese books have made it onto historians' short lists. Yet China has a fascinating history of photobook publishing, and The Chinese Photobook will reveal for the first time the richness and diversity of this heritage. This volume is based on a collection compiled by Martin Parr and Beijing- and London-based Dutch photographer team WassinkLundgren.
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books
books
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February 2015
February 2015
Subject:
Photography Collections
Photography Collections
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$60.00
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Title:
Landscape in my mind: landscape photography today. Hamish Fulton to Andreas Gursky
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This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
Landscape in my mind: landscape photography today. Hamish Fulton to Andreas Gursky
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$60.00
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Summary:
This catalogue examines the theory and practice of contemporary landscape photography. From British photographer Hamish Fulton to German architectural and landscape photographer Andreas Gursky, Swiss large-format specialist Balthasar Burkhard, and more.
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books
books
Publication:
April 2015
April 2015
Subject:
Photography Collections
Photography Collections
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$29.95
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Summary:
With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
$29.95
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Summary:
With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Title:
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Road trip : roadside America from Custard's last stand to the Wigwam restaurant
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$29.95
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Summary:
With a focus on vernacular roadside architecture built between 1920 and the late 1960s, the golden age of the American road, Road Trip is a time capsule, a snapshot taken primarily in the early 1970s, of an extraordinary era and its roadside buildings, restaurants, gas stations, motels, and places of amusement, most of which are now long since gone.
Form:
books
books
Publication:
April 2015
April 2015
Subject:
Photography Collections
Photography Collections
