2423 Results
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as(...)
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Summary:
Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as(...)
Title:
Joel Sternfeld : walking the High Line
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as they unfold in a ribbon within the vertical architectural landscape of New York City, Sternfeld has created a suite of images marked by quiet grace and formal rigor. In Walking the High Line, as in all of his work, landscape is read as a social and cultural indicator.
Joel Sternfeld : walking the High Line
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as they unfold in a ribbon within the vertical architectural landscape of New York City, Sternfeld has created a suite of images marked by quiet grace and formal rigor. In Walking the High Line, as in all of his work, landscape is read as a social and cultural indicator.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Robert Frank: Tal uf Tal ab
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of(...)
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of(...)
Title:
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of the photobook.
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of the photobook.
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books
books
Publication:
August 2010
August 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Ernst Haas: color correction
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades(...)
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades(...)
Title:
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades it has often been derided by critics and curators as “overly commercial”, and too easily accessible – or in the language of curators, not sufficiently “serious”. As a result, his reputation has suffered in comparison with a younger generation of colour photographers, notably Eggleston, Shore and Meyerowitz.
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades it has often been derided by critics and curators as “overly commercial”, and too easily accessible – or in the language of curators, not sufficiently “serious”. As a result, his reputation has suffered in comparison with a younger generation of colour photographers, notably Eggleston, Shore and Meyerowitz.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Joann Verburg: Interruptions
Joann Verburg: Interruptions
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective.(...)
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective.(...)
Title:
Joann Verburg: Interruptions
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective. In contrast, Verburg's tightly cropped, close-ups of Spoleto's residents are timeless yet grounded compositions. These portraits remain elusive and at the margins of a specific place and time, however, with no immediate reference to their surroundings at-large. When viewed together, the cityscapes become backdrops into which the photographed individuals could wander at any time. Writing about Verburg's work, distinguished art historian Walter Liedtke notes: "Verburg has learned that all observation, including the seemingly most objective, is always subjective, selective, slanted, focused, blurred, disconnected, or somehow interrupted."
Joann Verburg: Interruptions
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective. In contrast, Verburg's tightly cropped, close-ups of Spoleto's residents are timeless yet grounded compositions. These portraits remain elusive and at the margins of a specific place and time, however, with no immediate reference to their surroundings at-large. When viewed together, the cityscapes become backdrops into which the photographed individuals could wander at any time. Writing about Verburg's work, distinguished art historian Walter Liedtke notes: "Verburg has learned that all observation, including the seemingly most objective, is always subjective, selective, slanted, focused, blurred, disconnected, or somehow interrupted."
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Photography monographs
Photography monographs
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books
books
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$54.95
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel(...)
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel(...)
Title:
Harry Callahan: seven collages
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel Adams, whom he met in 1941, Callahan improved his technique and swiftly developed an artistic voice. In 1946, he was hired by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. In 1961, he moved to Providence, Rhode Island and taught at the Rhode Island School of Design, retiring in 1977. He established his reputation with black and white materials, but also fully explored color photography, especially from the late 1960s onwards. Callahan's work was widely published and exhibited during his lifetime, and was the subject of a major retrospective at the National Gallery of Art, Washington, DC, in 1996.
Harry Callahan: seven collages
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel Adams, whom he met in 1941, Callahan improved his technique and swiftly developed an artistic voice. In 1946, he was hired by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. In 1961, he moved to Providence, Rhode Island and taught at the Rhode Island School of Design, retiring in 1977. He established his reputation with black and white materials, but also fully explored color photography, especially from the late 1960s onwards. Callahan's work was widely published and exhibited during his lifetime, and was the subject of a major retrospective at the National Gallery of Art, Washington, DC, in 1996.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$72.00
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Title:
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Stefan Koppelkamm: Screening
Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues(...)
$59.00
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues(...)
Title:
Stefan Koppelkamm: Screening
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$59.00
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the ideal inhabitants of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.
Stefan Koppelkamm: Screening
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$59.00
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the ideal inhabitants of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.
Form:
books
books
Publication:
July 2010
July 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$22.00
(available in store)
Summary:
Catalogue published in conjunction with the exhibition at the bulger gallery in Toronto from january 2008 - february, 2008.
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Catalogue published in conjunction with the exhibition at the bulger gallery in Toronto from january 2008 - february, 2008.
Title:
The death of photography, Robert Burley, Michel Campeau, Alison Rossiter
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Catalogue published in conjunction with the exhibition at the bulger gallery in Toronto from january 2008 - february, 2008.
The death of photography, Robert Burley, Michel Campeau, Alison Rossiter
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Catalogue published in conjunction with the exhibition at the bulger gallery in Toronto from january 2008 - february, 2008.
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books
books
Publication:
January 2008
January 2008
Subject:
Photography monographs
Photography monographs
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books
books
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$102.00
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Summary:
This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind(...)
$102.00
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Summary:
This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind(...)
Title:
Peter Bialobrzeski: paradise now
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$102.00
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This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind of “vernacular light” that makes the urban super-green alternate between the hyper-real and the surreal. The images in this publication celebrate this lush green as a sign of hope, but also pose the question of whether we can continue to take responsibility for this incandescence, considering the predicted climatic catastrophe. Never before have our cities been so bright—they will not be able to glow like this in the future. Taken between October 2007 and March 2008 in Hanoi, Jakarta, Singapore, Bangkok, and Kuala Lumpur,
Peter Bialobrzeski: paradise now
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$102.00
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This book presents fragments of nature—some of them mise en scène, others untouched by urban growth—on the periphery of the artificially illuminated infrastructure of large Asian cities. Unlike natural light, the lights of the big city do not follow any direction: the artificial suns comprised of sodium lamps, automobile headlights, and illuminated skyscrapers form a kind of “vernacular light” that makes the urban super-green alternate between the hyper-real and the surreal. The images in this publication celebrate this lush green as a sign of hope, but also pose the question of whether we can continue to take responsibility for this incandescence, considering the predicted climatic catastrophe. Never before have our cities been so bright—they will not be able to glow like this in the future. Taken between October 2007 and March 2008 in Hanoi, Jakarta, Singapore, Bangkok, and Kuala Lumpur,
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$102.00
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Summary:
Ola Kolehmainen’s photographs are extraordinarily minimal and almost exclusively depict sections of building façades. This volume presents many new, previously unpublished photographs, including two monumental five- and eight-part works by the artist.
$102.00
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Summary:
Ola Kolehmainen’s photographs are extraordinarily minimal and almost exclusively depict sections of building façades. This volume presents many new, previously unpublished photographs, including two monumental five- and eight-part works by the artist.
Title:
Ola Kolehmainen: a building is not a building
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Ola Kolehmainen’s photographs are extraordinarily minimal and almost exclusively depict sections of building façades. This volume presents many new, previously unpublished photographs, including two monumental five- and eight-part works by the artist.
Ola Kolehmainen: a building is not a building
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$102.00
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Summary:
Ola Kolehmainen’s photographs are extraordinarily minimal and almost exclusively depict sections of building façades. This volume presents many new, previously unpublished photographs, including two monumental five- and eight-part works by the artist.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Photography monographs
Photography monographs
