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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and(...)
$104.00
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and(...)
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Photography monographs
Photography monographs
Publication:
November 2016
November 2016
Title:
Lee Friedlander: Western landscapes
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and Mexico, taken during the 1990s and 2000s. The selection encompasses mountains, deserts, icy plains, and forests alike, capturing the majesty of crashing waves and towering peaks as well as the humble beauty of mottled stones and tangled twigs. Friedlander also showcases in crisp black and white some of the most prominent and treasured American national parks—including Yosemite, Yellowstone, the Grand Canyon, and Zion. The iconic grandeur and isolation of the west provide a counterpoint to Friedlander’s portraits and scenes of modern American life, illustrating another equally compelling dimension of national identity.
Lee Friedlander: Western landscapes
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Lee Friedlander (b. 1934) is best known for his images of the social landscape, in which the banal features of roadsides and city streets become a vivid backdrop for human interaction. In this extraordinary compilation, Friedlander turns his attention to the natural landscape. Western Landscapes features more than 175 images of the western United States, Canada, and Mexico, taken during the 1990s and 2000s. The selection encompasses mountains, deserts, icy plains, and forests alike, capturing the majesty of crashing waves and towering peaks as well as the humble beauty of mottled stones and tangled twigs. Friedlander also showcases in crisp black and white some of the most prominent and treasured American national parks—including Yosemite, Yellowstone, the Grand Canyon, and Zion. The iconic grandeur and isolation of the west provide a counterpoint to Friedlander’s portraits and scenes of modern American life, illustrating another equally compelling dimension of national identity.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Photography monographs
Photography monographs
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books
books
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$71.00
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes(...)
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes(...)
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December 2016
December 2016
Title:
Notman: visionary photographer
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer’s numerous achievements.
Notman: visionary photographer
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This beautifully illustrated book offers a comprehensive look at the career of photographer William Notman (1826–1891). Born in Scotland, Notman emigrated to Canada in 1856; he settled in Montreal and opened a photography studio that later had branches throughout Canada and the United States. Notman documented the development of a continent, photographing street scenes in burgeoning cities and modern transportation by steam and rail, and creating portraits of such notable figures as Mark Twain, Henry Wadsworth Longfellow, Sitting Bull, and Buffalo Bill. By fully exploiting the commercial and aesthetic potential of the rapidly advancing photographic technology, Notman contributed to the establishment of the socio-economic prominence of Montreal and played a key role in the formation of a Canadian national identity. Published and unpublished photographs are paired with texts that explore the photographer’s numerous achievements.
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books
books
Publication:
December 2016
December 2016
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books
books
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$45.00
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In 2008, Leonardo Finotti was invited by MoMA's chief curator, Barry Bergdoll, to be part of a tribute exhibition for a landmark survey of modern architecture in Latin America shown in 1955. He began a commissioned work that led him directly into an immersive experience lasting the past eight years. ''Latin American Modern Architecture'' is part of an ongoing series by(...)
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In 2008, Leonardo Finotti was invited by MoMA's chief curator, Barry Bergdoll, to be part of a tribute exhibition for a landmark survey of modern architecture in Latin America shown in 1955. He began a commissioned work that led him directly into an immersive experience lasting the past eight years. ''Latin American Modern Architecture'' is part of an ongoing series by(...)
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Leonardo Finotti: Latin American modern architecture
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In 2008, Leonardo Finotti was invited by MoMA's chief curator, Barry Bergdoll, to be part of a tribute exhibition for a landmark survey of modern architecture in Latin America shown in 1955. He began a commissioned work that led him directly into an immersive experience lasting the past eight years. ''Latin American Modern Architecture'' is part of an ongoing series by one of the leading architectural photographers worldwide. It presents nearly eighty images of Finotti's photographic vision of undiscovered Latin American modern architecture and offers an important overview of the region. Collecting visits, stories, experiences, and photographs, the research took place in diverse latitudes, eight of them published in this book: Montevideo, Buenos Aires, Valparaiso, Sa o Paulo, Bogota , Caracas, Me xico City, and Havana.
Leonardo Finotti: Latin American modern architecture
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In 2008, Leonardo Finotti was invited by MoMA's chief curator, Barry Bergdoll, to be part of a tribute exhibition for a landmark survey of modern architecture in Latin America shown in 1955. He began a commissioned work that led him directly into an immersive experience lasting the past eight years. ''Latin American Modern Architecture'' is part of an ongoing series by one of the leading architectural photographers worldwide. It presents nearly eighty images of Finotti's photographic vision of undiscovered Latin American modern architecture and offers an important overview of the region. Collecting visits, stories, experiences, and photographs, the research took place in diverse latitudes, eight of them published in this book: Montevideo, Buenos Aires, Valparaiso, Sa o Paulo, Bogota , Caracas, Me xico City, and Havana.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Photography monographs
Photography monographs
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books
books
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$45.00
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Josef Sudek (1896–1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek’s photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through(...)
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Josef Sudek (1896–1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek’s photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through(...)
Title:
The intimate world of Josef Sudek
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Josef Sudek (1896–1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek’s photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through his window to his night walks through the streets of Prague and its periphery, as well as excursions into the surrounding countryside.
The intimate world of Josef Sudek
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Josef Sudek (1896–1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek’s photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through his window to his night walks through the streets of Prague and its periphery, as well as excursions into the surrounding countryside.
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books
books
Publication:
October 2016
October 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
The bread book
The bread book
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$60.00
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In 1973, renowned conceptual photographer Kenneth Josephson photographed a sliced loaf of bread from one end to the other to create ''The Bread Book''. A deceptively simple object—photographs of the fronts and backs of ten slices of bread, sandwiched between the heels of the loaf with no accompanying text—this artist’s book raises fascinating questions about the nature of(...)
$60.00
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In 1973, renowned conceptual photographer Kenneth Josephson photographed a sliced loaf of bread from one end to the other to create ''The Bread Book''. A deceptively simple object—photographs of the fronts and backs of ten slices of bread, sandwiched between the heels of the loaf with no accompanying text—this artist’s book raises fascinating questions about the nature of(...)
Title:
The bread book
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$60.00
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In 1973, renowned conceptual photographer Kenneth Josephson photographed a sliced loaf of bread from one end to the other to create ''The Bread Book''. A deceptively simple object—photographs of the fronts and backs of ten slices of bread, sandwiched between the heels of the loaf with no accompanying text—this artist’s book raises fascinating questions about the nature of photography and its ability to transform an object into an idea or concept, while creating yet another object: the book itself.
The bread book
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$60.00
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In 1973, renowned conceptual photographer Kenneth Josephson photographed a sliced loaf of bread from one end to the other to create ''The Bread Book''. A deceptively simple object—photographs of the fronts and backs of ten slices of bread, sandwiched between the heels of the loaf with no accompanying text—this artist’s book raises fascinating questions about the nature of photography and its ability to transform an object into an idea or concept, while creating yet another object: the book itself.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Armin Linke : inside/outside
Armin Linke : inside/outside
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$135.95
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Summary:
Photographer Armin Linke captures the library in this series of images, depicting the interior spaces of this time-honoured cultural institution as an expression of its commitment to stimulating questioning and discovery. He not only looks at the grandly ornamented, open spaces of academic study found within several Parisian institutions (such as Science Po, the Louvre,(...)
$135.95
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Summary:
Photographer Armin Linke captures the library in this series of images, depicting the interior spaces of this time-honoured cultural institution as an expression of its commitment to stimulating questioning and discovery. He not only looks at the grandly ornamented, open spaces of academic study found within several Parisian institutions (such as Science Po, the Louvre,(...)
Title:
Armin Linke : inside/outside
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$135.95
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Photographer Armin Linke captures the library in this series of images, depicting the interior spaces of this time-honoured cultural institution as an expression of its commitment to stimulating questioning and discovery. He not only looks at the grandly ornamented, open spaces of academic study found within several Parisian institutions (such as Science Po, the Louvre, and C2RMF), but also the lecture halls, administrative offices, and behind-the-scenes storage and hidden technical functions. Besides Linke’s thoughtfully banal images, the book includes an essay by Bruno Latour, an interview with Linke, and a conversation about the project’s initiation and background. Signed and numbered edition with two original photographs.
Armin Linke : inside/outside
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$135.95
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Summary:
Photographer Armin Linke captures the library in this series of images, depicting the interior spaces of this time-honoured cultural institution as an expression of its commitment to stimulating questioning and discovery. He not only looks at the grandly ornamented, open spaces of academic study found within several Parisian institutions (such as Science Po, the Louvre, and C2RMF), but also the lecture halls, administrative offices, and behind-the-scenes storage and hidden technical functions. Besides Linke’s thoughtfully banal images, the book includes an essay by Bruno Latour, an interview with Linke, and a conversation about the project’s initiation and background. Signed and numbered edition with two original photographs.
Form:
books
books
Publication:
June 2015
June 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$89.00
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The eponymous “peripher” functions in the works of Andreas Tschersich, a Swiss artist based in Berlin for 14 years now, as a structural, aesthetic and mental moment. It refers to places of transit and transition that defy unequivocal classification, standardization and demarcation. Tschersich portrays cityscapes in which people, upkeep, habits and uses always remain(...)
$89.00
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Summary:
The eponymous “peripher” functions in the works of Andreas Tschersich, a Swiss artist based in Berlin for 14 years now, as a structural, aesthetic and mental moment. It refers to places of transit and transition that defy unequivocal classification, standardization and demarcation. Tschersich portrays cityscapes in which people, upkeep, habits and uses always remain(...)
Title:
Peripher
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The eponymous “peripher” functions in the works of Andreas Tschersich, a Swiss artist based in Berlin for 14 years now, as a structural, aesthetic and mental moment. It refers to places of transit and transition that defy unequivocal classification, standardization and demarcation. Tschersich portrays cityscapes in which people, upkeep, habits and uses always remain hidden. The tenor remains the same regardless of whether the scene is set in Charleroi, Liverpool, New York or Tokyo. Tschersich’s pictures are universal and never seem foreign or forbidding, but ever familiar in their everyday banality, even to those who’ve never been there before.
Peripher
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The eponymous “peripher” functions in the works of Andreas Tschersich, a Swiss artist based in Berlin for 14 years now, as a structural, aesthetic and mental moment. It refers to places of transit and transition that defy unequivocal classification, standardization and demarcation. Tschersich portrays cityscapes in which people, upkeep, habits and uses always remain hidden. The tenor remains the same regardless of whether the scene is set in Charleroi, Liverpool, New York or Tokyo. Tschersich’s pictures are universal and never seem foreign or forbidding, but ever familiar in their everyday banality, even to those who’ve never been there before.
Form:
books
books
Publication:
July 2016
July 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$47.50
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Summary:
For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of(...)
$47.50
(available in store)
Summary:
For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of(...)
Title:
Armin Linke: the appearance of that which cannot be seen
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of computer centres, data highways, and server rooms, are largely invisible. For The Appearance of That Which Cannot Be Seen, Linke invited scientists and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.
Armin Linke: the appearance of that which cannot be seen
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$47.50
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Summary:
For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of computer centres, data highways, and server rooms, are largely invisible. For The Appearance of That Which Cannot Be Seen, Linke invited scientists and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$110.00
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Diane Arbus, née à New York le 14 mars 1923, a fait ses études secondaires dans des écoles progressistes (l’Ethical Culture School et la Fieldston School). À dix-huit ans, elle épouse Allan Arbus. Elle prend ses premières photos au début des années 1940 et étudie la photographie avec Alexey Brodovitch en 1954, mais ce n’est qu’entre 1955 et 1957 – période où elle suit les(...)
$110.00
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Diane Arbus, née à New York le 14 mars 1923, a fait ses études secondaires dans des écoles progressistes (l’Ethical Culture School et la Fieldston School). À dix-huit ans, elle épouse Allan Arbus. Elle prend ses premières photos au début des années 1940 et étudie la photographie avec Alexey Brodovitch en 1954, mais ce n’est qu’entre 1955 et 1957 – période où elle suit les(...)
Title:
Diane Arbus au commencement, 1956-1962
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Diane Arbus, née à New York le 14 mars 1923, a fait ses études secondaires dans des écoles progressistes (l’Ethical Culture School et la Fieldston School). À dix-huit ans, elle épouse Allan Arbus. Elle prend ses premières photos au début des années 1940 et étudie la photographie avec Alexey Brodovitch en 1954, mais ce n’est qu’entre 1955 et 1957 – période où elle suit les cours de la photographe Lisette Model – qu’elle se lance sérieusement dans la carrière pour laquelle elle est aujourd’hui connue. Elle se suicide le 26 juillet 1971 à l’âge de 48 ans. Au cours de sa carrière, qui n’a guère duré plus de quinze ans, elle a produit une œuvre qui, par son style et son contenu – mais aussi par l’influence qu’elle continue d’exercer – lui vaut d’être considérée aujourd’hui comme l’une des photographes les plus importantes de notre temps.
Diane Arbus au commencement, 1956-1962
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Diane Arbus, née à New York le 14 mars 1923, a fait ses études secondaires dans des écoles progressistes (l’Ethical Culture School et la Fieldston School). À dix-huit ans, elle épouse Allan Arbus. Elle prend ses premières photos au début des années 1940 et étudie la photographie avec Alexey Brodovitch en 1954, mais ce n’est qu’entre 1955 et 1957 – période où elle suit les cours de la photographe Lisette Model – qu’elle se lance sérieusement dans la carrière pour laquelle elle est aujourd’hui connue. Elle se suicide le 26 juillet 1971 à l’âge de 48 ans. Au cours de sa carrière, qui n’a guère duré plus de quinze ans, elle a produit une œuvre qui, par son style et son contenu – mais aussi par l’influence qu’elle continue d’exercer – lui vaut d’être considérée aujourd’hui comme l’une des photographes les plus importantes de notre temps.
Form:
books
books
Publication:
September 2016
September 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$96.00
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Summary:
These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing(...)
$96.00
(available to order)
Summary:
These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing(...)
Title:
August Sander Landscapes: photographs 1926-1946
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$96.00
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These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander’s landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland’s unique political situation in the 1920s and 1930s for any discussion of Sander’s artistic approach.
August Sander Landscapes: photographs 1926-1946
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$96.00
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Summary:
These photographs showcase a variety of scenes, from a sunrise over Cologne to the slopes of the Rhine valley. The Rhine River flows through many of these pictures, its dynamic curves and lively current leading the eye through an intriguing mix of natural and urban landscapes. A new essay by art historian Wolfgang Kemp provides context for Sander’s work while introducing his contemporaries, including the writer Hans Ludwig Mathar and the painter Franz M. Jansen. Also explored are the ties between Sander’s landscapes and his portrait photography, which is celebrated worldwide. Crucially, Kemp highlights the need to consider the Rhineland’s unique political situation in the 1920s and 1930s for any discussion of Sander’s artistic approach.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
Photography monographs
Photography monographs
