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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans(...)
Jeff Wall: essais et entretiens
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Cette nouvelle édition augmentée des écrits de Jeff Wall présente des essais, des conférences et des entretiens, ainsi que deux longs dialogues avec Jean-François Chevrier. Jeff Wall revient sur sa formation et l'évolution de son travail et analyse celui d'autres artistes, comme Dan Graham, Stephan Balkenhol, Roy Arden ou On Kawara. Ces textes plongeront le lecteur dans une réflexion qui porte sur la photographie et son histoire ainsi que sur les questions essentielles de la tradition critique et de l'écriture sur l'art. Ils lui permettront de comprendre comment un artiste-photographe peut être peintre et narrateur.
Photography monographs
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
Michael Schmidt: Ein heit (u-ni-ty)
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
Photography monographs
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme(...)
Luc Baptiste & Marie-Hélène Lafon : Le corps des pays
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Ce livre est une rencontre. Il part de l'invitation faite à Marie-Hélène Lafon (Prix Renaudot 2020) de mettre ses mots sur un chemin d'images composé pour elle par le photographe et écrivain-voyageur Luc Baptiste. Des images saisies dans la haute vallée du Cantal où elle a passé son enfance, et ailleurs dans le monde. Marie-Hélène Lafon, qui sait Luc Baptiste né comme elle les pieds dans la terre, voit dans les paysages qu'il photographie « le corps des pays ».
Photography monographs
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious(...)
Thomas Struth: Unconscious places
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In this new edition of his striking collection of street views from 1970 to 2010. Thomas Struth presents a series of urban streetscapes from cities such as Edinburgh, Lima, Pyongyang, Naples, and New York City, all taken in similar conditions--devoid of human activity. Struth refers to these mundane buildings, unpopulated streets and anonymous facades as "unconscious places"--environments that are imbued with meaning only by the viewer. Captured with exquisite technical prowess and presented with powerful, restrained neutrality, Struth's images allow us to fully appreciate a city's character--from its telephone wires above to the pavement below. Richard Sennett's illuminating essay reveals how Struth's sober, lucid photography leads the viewer to create their own conclusions, rather than forcing a perspective. The resulting interplay among photographer, viewer, and landscape may hold the key to understanding how architecture affects our daily lives.
Photography monographs
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans,(...)
Charles Marville : Un mémoire du vieux Paris
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Quand Charles Marville photographie Paris au milieu du XIXe siècle, c’est une ville sur le point de disparaître qu’il immortalise. De cette cité surgie d’un autre temps, nous ne reconnaissons que quelques bribes tant elle nous échappe, éloignée de tout souvenir personnel. Elle ne nous est pourtanpas totalement étrangère pour avoir prêté son décor à d’innombrables romans, tableaux ou films. Cette ville de papier s’offre aujourd’hui à nos déambulations imaginaires ; libre à nous de la peupler, au gré des silhouettes que nous y entrevoyons, de mille vies que nous n’avons pas vécues.
Photography monographs
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Gabriele Basilico: Metropoli
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This book gathers the most important series by Italian photographer Gabriele Basilico (1944-2013), one of the best-known urban photographers in the world. Published in conjunction with a retrospective in Rome, this monograph presents contributions by Roberta Valtorta, Marc Augé, Luca Doninelli, Giovanna Calvenzi and Filippo Maggia.
Photography monographs
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these(...)
Bernd & Hilla Becher: Basic forms
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During their 40-year career, Bernd and Hilla Becher created their own architectural typology as they photographed buildings in a unique style. Basic Forms represents the culmination of their career. Although the subject matter is unglamorous--mine shafts, blast furnaces, cooling towers, water towers, silos, and gas tanks--the Bechers' passion for their work imbues these photographs with beauty and solemnity. The Bechers restricted the conditions of each photograph--taking them early in the morning, on overcast days, so as to eliminate shadow and distribute light evenly. Each image is centered and frontally framed, its parallel lines set on an even plane. There are no human figures, nor are there birds in the sky. The result is a treasury of precisely functional architectural forms, a sublime example of conceptual artistic practices, and a series of "perfect sculptures of a bygone industrial age."
Photography monographs
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''The triple folly'' presents the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat’s Ebeltoft campus. The basis of the building is three found paper objects – a legal pad, a paper plate, and a soda jerk hat – which Demand brought to Caruso St John with the simple(...)
The triple folly (single volume)
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''The triple folly'' presents the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat’s Ebeltoft campus. The basis of the building is three found paper objects – a legal pad, a paper plate, and a soda jerk hat – which Demand brought to Caruso St John with the simple question: ‘Can you make this into architecture?’ In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area’s rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds a textile work by the artist Rosemarie Trockel. Inspired by Kvadrat’s role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal architectural structure with many iterations across contexts of leisure and shelter, simplicity and grandeur. Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency.
Photography monographs
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the(...)
July 2023
At home in London: The mansion block. Architecture Foundation.
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Covering twenty-seven examples, illustrated by newly commissioned drawings and photographs, this volume reflects on the architectural ambitions and lived realities of these quotidian buildings. Architectural and urban designer Karin Templin considers the ways in which the mansion block came to define large areas of the city from Westminster and South Kensington in the nineteenth century to Kilburn and Stratford in the twenty-first. Reflecting London’s development from its consolidation as a metropolis in the high Victorian era to its present efforts to address a longstanding housing crisis, this volume explores the mansion block’s centrality to the capital’s identity and its wider relevance to discussions of housing and urban planning. This book is first in a series on types of London housing, reflecting on the place of the home in the city in the light of its longstanding housing crisis.
Marc Riboud : Au long cours
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A l'occasion du centenaire de la naissance de l'artiste, une sélection de clichés confidentiels qui témoignent de son talent et de son intérêt pour l'observation du monde et de ses évolutions. La grève des dockers en 1954 en Grande-Bretagne, l'indépendance de l'Algérie en 1962 et la révolution islamique en Iran en 1979 sont quelques-uns des sujets photographiés.
Marc Riboud : Au long cours
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A l'occasion du centenaire de la naissance de l'artiste, une sélection de clichés confidentiels qui témoignent de son talent et de son intérêt pour l'observation du monde et de ses évolutions. La grève des dockers en 1954 en Grande-Bretagne, l'indépendance de l'Algérie en 1962 et la révolution islamique en Iran en 1979 sont quelques-uns des sujets photographiés.
Photography monographs