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Après avoir photographié des paysages urbains, Gabriele Basilico rend hommage à la "Provincia antiqua" en consacrant aux douze sites parmi les plus importants de la région une série de photographies inédites.
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Après avoir photographié des paysages urbains, Gabriele Basilico rend hommage à la "Provincia antiqua" en consacrant aux douze sites parmi les plus importants de la région une série de photographies inédites.
Subject:
Photography monographs
Photography monographs
Publication:
October 2003, Arles
October 2003, Arles
Title:
Gabriele Basilico : les monuments antiques de Provence
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Après avoir photographié des paysages urbains, Gabriele Basilico rend hommage à la "Provincia antiqua" en consacrant aux douze sites parmi les plus importants de la région une série de photographies inédites.
Gabriele Basilico : les monuments antiques de Provence
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Après avoir photographié des paysages urbains, Gabriele Basilico rend hommage à la "Provincia antiqua" en consacrant aux douze sites parmi les plus importants de la région une série de photographies inédites.
Form:
books
books
Publication:
October 2003, Arles
October 2003, Arles
Subject:
Photography monographs
Photography monographs
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books
books
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$38.95
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During the 1960s, Shirley Baker created a photographic record of Salford streets, capturing a community at a time of change. At the start of a new century, Shirley returns to make a personal photographic story of Salford's people and places. This illustrated publication juxtaposes photographs from then and now.
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During the 1960s, Shirley Baker created a photographic record of Salford streets, capturing a community at a time of change. At the start of a new century, Shirley returns to make a personal photographic story of Salford's people and places. This illustrated publication juxtaposes photographs from then and now.
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Shirley Baker : streets & spaces - urban potography
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During the 1960s, Shirley Baker created a photographic record of Salford streets, capturing a community at a time of change. At the start of a new century, Shirley returns to make a personal photographic story of Salford's people and places. This illustrated publication juxtaposes photographs from then and now.
Shirley Baker : streets & spaces - urban potography
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During the 1960s, Shirley Baker created a photographic record of Salford streets, capturing a community at a time of change. At the start of a new century, Shirley returns to make a personal photographic story of Salford's people and places. This illustrated publication juxtaposes photographs from then and now.
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books
books
Publication:
February 2001, Salford, U.K.
February 2001, Salford, U.K.
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Gustave Le Gray 1820-1884
Gustave Le Gray 1820-1884
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This complete retrospective offers an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the(...)
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This complete retrospective offers an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the(...)
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Gustave Le Gray 1820-1884
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This complete retrospective offers an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the Getty Museum, coincides with an abridged version of the same exhibition at the Getty Museum that will run from July 9 to September 29, 2002.
Gustave Le Gray 1820-1884
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This complete retrospective offers an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the Getty Museum, coincides with an abridged version of the same exhibition at the Getty Museum that will run from July 9 to September 29, 2002.
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books
books
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January 1900, Los Angeles
January 1900, Los Angeles
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Walker Evans
Walker Evans
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Walker Evans (1903-1975)
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Walker Evans (1903-1975)
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books
books
Publication:
November 2001, Paris
November 2001, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Gabriele Basilico
Gabriele Basilico
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Gabriele Basilico (né en 1944)
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Gabriele Basilico (né en 1944)
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Gabriele Basilico
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Gabriele Basilico (né en 1944)
Gabriele Basilico
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Gabriele Basilico (né en 1944)
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books
books
Publication:
January 1900, Paris
January 1900, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Eugène Atget
Eugène Atget
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Eugène Atget (1857-1927)
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Eugène Atget (1857-1927)
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books
books
Publication:
May 2001, Paris
May 2001, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
André Kertész
André Kertész
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André Kertész (1894-1985).
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André Kertész (1894-1985).
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André Kertész
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André Kertész (1894-1985).
André Kertész
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André Kertész (1894-1985).
Form:
books
books
Publication:
May 2001, Paris
May 2001, Paris
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$72.00
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Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
$72.00
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Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2002, New York
October 2002, New York
Title:
First photographs : William Henry Fox Talbot and the birth of photography
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"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
First photographs : William Henry Fox Talbot and the birth of photography
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Summary:
"First photographs" is an extraordinary view into the origins of photography. This monograph includes many hitherto unpublished images of landscapes, architectural studies, and portraits from Talbot’s personal archive and selections from his detailed research notebooks made during the 1830s and 1840s and currently housed at Lacock Abbey in England. A gentleman and an intellectual, Talbot was a great student of the Arts and Sciences and kept detailed notes of his activities and experiments. He discovered the negative/positive paper process which made multiple reproductions of a single image possible, and which distinguished it from its contemporary, the one-of-a-kind daguerreotype. Talbot first announced his invention to the public in 1839 in his paper “An account of the art of photogenic drawing or the process by which natural objects may be made to delineate themselves without the aid of the artist’s pencil”. The work he did during this time established in principle and in practice the foundation of modern photography—the basis of the process that is still used today. In addition to Talbot’s technological contributions, his photographs represent exceptional artistic achievement. "First photographs" includes a significant text by Michael Gray, who provides a comprehensive essay, biography, and timeline of Talbot’s life and revolutionary work. Arthur Ollman, gives an in-depth analysis of the aesthetic and social significance of Talbot’s first image, the “Oriel window.” Curator Carol McCusker considers how the Romantic Movement and the women of the Lacock household influenced Talbot’s aesthetic choices. "First photographs" and the accompanying exhibition provide a rare opportunity for contemporary audiences to experience these uncommon images and the personal, cultural, and scientific contexts in which they were made.
Form:
books
books
Publication:
October 2002, New York
October 2002, New York
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Inside Havana
Inside Havana
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$66.00
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Summary:
"Inside Havana" is a photographic portrait of a city swept up in the flow of time. In the wake of a turbulent five-hundred-year history, Havana today is a shipwreck of splendour and decay; a place where the passing decades have created a haunting landscape, both beautiful and serene. Photographer, Andrew Moore, captures the substance of this place. The result of four(...)
$66.00
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Summary:
"Inside Havana" is a photographic portrait of a city swept up in the flow of time. In the wake of a turbulent five-hundred-year history, Havana today is a shipwreck of splendour and decay; a place where the passing decades have created a haunting landscape, both beautiful and serene. Photographer, Andrew Moore, captures the substance of this place. The result of four(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, San Francisco
January 1900, San Francisco
Title:
Inside Havana
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$66.00
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"Inside Havana" is a photographic portrait of a city swept up in the flow of time. In the wake of a turbulent five-hundred-year history, Havana today is a shipwreck of splendour and decay; a place where the passing decades have created a haunting landscape, both beautiful and serene. Photographer, Andrew Moore, captures the substance of this place. The result of four years' work, the images not only document Havana and its architecture at the turn of the century, but also portray the nuances of the city's inner life. (80 plates).
Inside Havana
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"Inside Havana" is a photographic portrait of a city swept up in the flow of time. In the wake of a turbulent five-hundred-year history, Havana today is a shipwreck of splendour and decay; a place where the passing decades have created a haunting landscape, both beautiful and serene. Photographer, Andrew Moore, captures the substance of this place. The result of four years' work, the images not only document Havana and its architecture at the turn of the century, but also portray the nuances of the city's inner life. (80 plates).
Form:
books
books
Publication:
January 1900, San Francisco
January 1900, San Francisco
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Landfall : Lukas Felzmann
Landfall : Lukas Felzmann
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Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly(...)
$49.95
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Summary:
Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly(...)
Title:
Landfall : Lukas Felzmann
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Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly carrying the viewer along on a strange journey, where broad landscapes and deep horizons become expanses onto which visions of all kinds can be projected. Uncompromisingly printed in a small format deliberately set apart from the typical coffee-table picture book, "Landfall" is like a literary work, an existential analysis of the truths and illusions of our civilization, or a piece of poetry full of surprising encounters, whose ambivalence requires repeated reading.
Landfall : Lukas Felzmann
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$49.95
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Summary:
Roads that peter out in the middle of nowhere, buildings that no longer make sense, flotsam and jetsam that defy oblivion: Lukas Felzmann's scenery and objects quietly and unobtrusively open up their profound symbolism in the field of tension between desire and memory, hope and pain, dream and reality. Together they form a narrative that follows its own rules, subtly carrying the viewer along on a strange journey, where broad landscapes and deep horizons become expanses onto which visions of all kinds can be projected. Uncompromisingly printed in a small format deliberately set apart from the typical coffee-table picture book, "Landfall" is like a literary work, an existential analysis of the truths and illusions of our civilization, or a piece of poetry full of surprising encounters, whose ambivalence requires repeated reading.
Form:
books
books
Publication:
January 1900, Baden
January 1900, Baden
Subject:
Photography monographs
Photography monographs
