Looking for Lenin
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In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most(...)
Looking for Lenin
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In the process of decommunisation, Ukraine has toppled all its Lenin monuments. The authors have hunted down and photographed these banned Soviet statues, revealing their inglorious fate. Photographer Niels Ackermann and journalist Sébastien Gobert, both based in Kyiv, have scoured the country in search of the remains of these toppled figures. They found them in the most unlikely of places: Lenin inhabits gardens, scrap yards and store rooms. He has fallen on hard times - cut into pieces; daubed with paint in the colors of the Ukrainian flag; transformed into a Cossack or Darth Vader - but despite these attempts to reduce their status, the statues retain a sinister quality, resisting all efforts to separate them from their history.
Photography monographs
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A(...)
Photography monographs
September 2017
Soviet bus stops 2
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Photographer Christopher Herwig has returned to the former Soviet Union in this second volume of Soviet Bus Stops, discovering new stops in the remotest areas of Georgia and Ukraine. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form. A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop.
Photography monographs
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of(...)
Holidays in soviet sanatoriums
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Visiting a Soviet sanatorium is like stepping back in time. Originally built in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era’s sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect of these structures; Western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors: health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigor. Certain sanatoriums became known for their specialist treatments, such as crude-oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over 45 sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.
Photography monographs
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Les photographies de Vincent-Valerio, d’une grande concision, sont composées dans la lumière d’un jour qui s’efface avant la nuit, ou juste avant son retour à l’aube, quand tout bleuit sensiblement dans la profondeur d’un lieu. Cette belle lumière étrange et rare, presque surnaturelle, permet l’écriture d’un paysage immense et dense, et la lente découverte des détails de(...)
Photography monographs
May 2017
Vincent-Valério François : formes lentes
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Les photographies de Vincent-Valerio, d’une grande concision, sont composées dans la lumière d’un jour qui s’efface avant la nuit, ou juste avant son retour à l’aube, quand tout bleuit sensiblement dans la profondeur d’un lieu. Cette belle lumière étrange et rare, presque surnaturelle, permet l’écriture d’un paysage immense et dense, et la lente découverte des détails de son monde à méditer.
Photography monographs
Fan Ho: Hong Kong yesterday
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"Hong Kong Yesterday" presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that(...)
Fan Ho: Hong Kong yesterday
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"Hong Kong Yesterday" presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that is simultaneously abstract and humanistic. Fan Ho was born in Shanghai in 1937; he immigrated to Hong Kong as child and passed away in 2016.
Photography monographs
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Greg Girard’s photographs of Vancouver from the 1970s and early 1980s show us the city’s final days as a port town at the end of the railway line. Soon after Vancouver began to be noticed by the wider world (Expo 86 is generally agreed on as the pivotal moment), the city began refashioning itself as an urban resort on nature’s doorstep and attracting attention as a(...)
Greg Girard: Under Vancouver,1972-1982
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Greg Girard’s photographs of Vancouver from the 1970s and early 1980s show us the city’s final days as a port town at the end of the railway line. Soon after Vancouver began to be noticed by the wider world (Expo 86 is generally agreed on as the pivotal moment), the city began refashioning itself as an urban resort on nature’s doorstep and attracting attention as a destination for real estate investment. At that time, many of Vancouver’s downtown and east side streets ended at the waterfront, an area filled with commercial fishing docks, cargo terminals, and bars and cafes for waterfront workers and sailors. Wandering these streets, living in cheap hotels, Girard photographed the workaday (and night) world of the city where he grew up.
Photography monographs
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A proponent of the Düsseldorf school of photography and a master pupil of Thomas Ruff’s, the artist Ralf Brueck (b. 1966) thematises in his sophisticated, stringently composed works the architectural interior, the expanse of landscape, and modern architecture. The publication illustrates Brueck’s genesis – which began with the series Timecapsules, created at the end of(...)
Ralf Brueck: Dekonstruktion Distortion
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A proponent of the Düsseldorf school of photography and a master pupil of Thomas Ruff’s, the artist Ralf Brueck (b. 1966) thematises in his sophisticated, stringently composed works the architectural interior, the expanse of landscape, and modern architecture. The publication illustrates Brueck’s genesis – which began with the series Timecapsules, created at the end of the 1990s and devoted to modern church buildings – and builds a bridge to his two new series, Distortion and Deconstruction.
Photography monographs
L'heure blanche
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Une ville qu’on peine à identifier, marquée par un ciel blanc, à une heure incertaine. Anne Collongues la photographie presque vide, tel un endroit familier que les souvenirs habitent encore mais qui paraît déjà étranger. Elle capte une architecture éclectique et des espaces accidentés dont on ne saurait dire si le béton et la végétation s’y embrassent ou s’y dévorent.(...)
L'heure blanche
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Une ville qu’on peine à identifier, marquée par un ciel blanc, à une heure incertaine. Anne Collongues la photographie presque vide, tel un endroit familier que les souvenirs habitent encore mais qui paraît déjà étranger. Elle capte une architecture éclectique et des espaces accidentés dont on ne saurait dire si le béton et la végétation s’y embrassent ou s’y dévorent. Partagées entre l'objectivité d'un recensement et la subjectivité d'un état d'âme, ses photographies ne démontrent rien, chaque élément du chaos urbain participe à l’équilibre de la composition.
Photography monographs
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Stephen Shore’s "Uncommon Places" is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety.(...)
Stephen Shore: the selected works, 1973-1981
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Stephen Shore’s "Uncommon Places" is indisputably a canonic body of work—a touchstone for those interested in photography and the American landscape. Remarkably, despite having been the focus of numerous shows and books, including the eponymous 1982 Aperture classic (expanded and reissued several times), this series of photographs has yet to be explored in its entirety. Over the past five years, Shore has scanned hundreds of negatives shot between 1973 and 1981. In this volume, Aperture has invited an international group of fifteen photographers, curators, authors, and cultural figures to select ten images apiece from this rarely seen cache of images. Each portfolio offers an idiosyncratic and revealing commentary on why this body of work continues to astound; how it has impacted the work of new generations of photography and the medium at large; and proposes new insight on Shore’s unique vision of America as transmuted in this totemic series.
Photography monographs
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After India won its independence in 1947, Le Corbusier was asked to design the city of Chandigarh. What he created, realizing his modernist vision, became known as The City Beautiful. This book is an ode to Le Corbusier's core belief that "architecture is the skillful, correct, an magnificent play of volumes assembled in light."
Martien Mulder: The city beautiful
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After India won its independence in 1947, Le Corbusier was asked to design the city of Chandigarh. What he created, realizing his modernist vision, became known as The City Beautiful. This book is an ode to Le Corbusier's core belief that "architecture is the skillful, correct, an magnificent play of volumes assembled in light."
Photography monographs