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''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet(...)
Rudy VanderLans: Anywhere, California
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''Anywhere, California'' is another close look by Rudy VanderLans into the cultural landscape of his favorite subject, the Golden State. Whether it’s the garage where Apple started in Los Altos, or the former location where the Manson Family lived in Chatsworth, or an anonymous abandoned storefront in Calexico, VanderLans finds beauty in the unlikeliest of locations. Yet he rarely divulges the why or what of his photographs. Instead he stresses that things aren’t always what they appear to be, leaving much to the imagination of the reader.
Photography monographs
Still beautiful
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David Grandorge’s work is a type of Reconnaissance. In his photographs of cities, architecture appears as part of a network of reciprocal situations. His landscapes evoke a sense of balanced disequilibrium, of great energy and stillness. Natural and man-made aspects of reality seem to occur simultaneously, almost casually, as if discovered by the photographer in a state(...)
Still beautiful
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David Grandorge’s work is a type of Reconnaissance. In his photographs of cities, architecture appears as part of a network of reciprocal situations. His landscapes evoke a sense of balanced disequilibrium, of great energy and stillness. Natural and man-made aspects of reality seem to occur simultaneously, almost casually, as if discovered by the photographer in a state of unselfconscious innocence. This appearance of innocence is beguiling. On reflection, the charm, beauty and stillness of the photographs reveal the complexity and depth of the entanglements of humankind and the world. Comprising essays by Paul Shepheard and David Grandorge, and an interview between the photographer and David Campany, ''Still beautiful'' is a timely and poignant document. David Grandorge’s Arctic photographs, taken in 2007, are a form of witness to what is now a lost world. In 2017 he recorded the effects of mass migration – of global politics – upon the water levels of The Dead Sea. Still Beautiful is an acclamation of wonder: of both the beauty of the world, and of capacity of photography to move us to acknowledge it.
Photography monographs
Victor Burgin: Between
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers(...)
Victor Burgin: Between
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction.
Photography monographs
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Pseudopanorama documente les sept dernières séries photographiques de Manolo Laguillo : Lavapiés (2014), Japón (2014), Las Provincias (2015), Beirut (2017), El Estrecho de Gibraltar (2019), Centrales Nucleares (2020) et Barcelona Abril (2020), cette dernière étant consacrée à la capitale déserte, confinée en période de Covid-19. En outre, une chronologie visuelle(...)
Photography monographs
December 2021
Manolo Laguillo : Pseudopanorama
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Pseudopanorama documente les sept dernières séries photographiques de Manolo Laguillo : Lavapiés (2014), Japón (2014), Las Provincias (2015), Beirut (2017), El Estrecho de Gibraltar (2019), Centrales Nucleares (2020) et Barcelona Abril (2020), cette dernière étant consacrée à la capitale déserte, confinée en période de Covid-19. En outre, une chronologie visuelle récapitule les œuvres les plus emblématiques du photographe et retrace l'évolution de son utilisation des appareils photo de 1977 jusqu'à aujourd'hui.
Photography monographs
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La catastrophe nucléaire de Fukushima a durablement bouleversé les relations autrefois intenses entre les individus, leur communauté et les cycles de la nature. Comment vivre alors dans un nouvel environnement? Telle est la question qu’évoque ce livre dans un dialogue à plusieurs voix : celle de la photographe Delphine Parodi, dont les diptyques, entre paysages intimes et(...)
Fukushima : à l'abri du regard
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La catastrophe nucléaire de Fukushima a durablement bouleversé les relations autrefois intenses entre les individus, leur communauté et les cycles de la nature. Comment vivre alors dans un nouvel environnement? Telle est la question qu’évoque ce livre dans un dialogue à plusieurs voix : celle de la photographe Delphine Parodi, dont les diptyques, entre paysages intimes et portraits d’habitants, suggèrent l'altération de leur rapport au lieu et l'importance de la mémoire individuelle. Et celle l’écrivaine japonaise Yoko Tawada qui, par 24 poèmes rapportés de Fukushima, parachève un subtil équilibre entre visible et invisible. En donnant forme à ce qui reste une menace constante mais imperceptible, ce livre se veut un rappel universel à la conscience collective en temps de pandémie.
Photography monographs
L'écume des amnésies
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Lorsqu'elle était enfant, Shiraz Bazin-Moussi passait ses vacances d'été en famille sur les îles Kerkennah, un archipel tunisien rural et préservé, qui vit naître Farhat Hached, leader indépendantiste assassiné en 1952. Il y a quelques années, elle découvre que Google a oublié de « maper » une des îles de l'archipel et que celle-ci a disparu! Depuis, l'oubli est réparé(...)
L'écume des amnésies
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Lorsqu'elle était enfant, Shiraz Bazin-Moussi passait ses vacances d'été en famille sur les îles Kerkennah, un archipel tunisien rural et préservé, qui vit naître Farhat Hached, leader indépendantiste assassiné en 1952. Il y a quelques années, elle découvre que Google a oublié de « maper » une des îles de l'archipel et que celle-ci a disparu! Depuis, l'oubli est réparé mais la photographe est retournée sur les traces de son enfance, à la recherche des images d'insouciance que sa mémoire a estompées, tout comme l'ont été les images officielles du récit national tunisien au temps de la colonisation, puis de la dictature. En utilisant le procédé du tirage Fresson, elle parvient à donner à ses photographies un caractère onirique et s'interroge aussi sur le rapport entre cartographie et pouvoir.
Photography monographs
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The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike(...)
Das unheimliche: Giaime Meloni
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The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike situations in which reality and fiction are intertwined, the project is inspired by the aesthetic concept, that Sigmund Freud explored in the 1919 essay 'Das unheimliche'. When the labyrinthine space of the children’s Colony in the former Eni village at Corte di Cadore is investigated through the lens of this concept, we question the restless familiarity of this place: 'Have I been here before?'.
Photography monographs
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Here, as with the Brion tomb, Guidi has portrayed the variations produced by the light of different times of day and at different months of the year, and the moving complement that the shadows add to each aspect of the architectural work, projecting altered geometries onto the ground.
Verum ipsum factum : il portale di Carlo Scarpa allo luav / Carlo Scarpa's gate to the luav
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Here, as with the Brion tomb, Guidi has portrayed the variations produced by the light of different times of day and at different months of the year, and the moving complement that the shadows add to each aspect of the architectural work, projecting altered geometries onto the ground.
Photography monographs
Depardon : Voyages
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Raymond Depardon réussit ce prodige d'être un photographe aussi à son aise sur quelques hectares que dans les grandes traversées de continents, qui sont au coeur de ce livre. C'est que son travail, quel qu'en soit le sujet, se fonde sur une réflexion, sur un effort de compréhension qui nous rend soudain proches, presque familiers, les paysages et les hommes qui les peuplent.
Depardon : Voyages
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Raymond Depardon réussit ce prodige d'être un photographe aussi à son aise sur quelques hectares que dans les grandes traversées de continents, qui sont au coeur de ce livre. C'est que son travail, quel qu'en soit le sujet, se fonde sur une réflexion, sur un effort de compréhension qui nous rend soudain proches, presque familiers, les paysages et les hommes qui les peuplent.
Photography monographs
$50.00
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as(...)
They are lost as soon as they are made
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as sites for experimentation, the translational capacity of photography, the perimeters of vision, and the possibilities of the landscape to reveal and render its own image. This artist book presents the full suite of colour photographs of ''They are lost as soon as they are made,'' with essays by Katie Belcher and Sara Matthews.
Photography monographs