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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the(...)
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the(...)
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Matteo Di Giovanni: True places never are
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the still lifes are vast and open—interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."
Matteo Di Giovanni: True places never are
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From 2013 to 2023, photographer Matteo Di Giovanni (born 1980) embarked on several rambling journeys off the beaten path through Italy, Scandinavia and Northern Europe, in which map and territory gave way to intuition and curiosity, documenting the outer world through attentive observation and image-making. Di Giovanni’s landscapes seem intimate and mythic, while the still lifes are vast and open—interior and exterior are interchangeable. True Places Never Are resequences this series of medium format photographs (originally released as three separate photobooks) and adds several previously unpublished images. The result is a fresh, cohesive body of work in which the location and chronology are secondary to the intangible meanings and associations suggested by the lens. Taken from a line in Moby-Dick, the title expands upon this search for metaphysical enlightenment: "It is not down on any map; true places never are."
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books
books
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May 2025
May 2025
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Photography monographs
Photography monographs
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books
books
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
Title:
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
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books
books
Publication:
April 2023
April 2023
Subject:
Photography monographs
Photography monographs
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books
books
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Summary:
ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that(...)
Title:
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Ives Maes & David Campany in Conversation
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ves Maes explores his doctoral research in the arts with David Campany, jury member of his PhD committee. Focussing on the intersection of architecture and photography, Maes has designed biodegradable refugee camps, photographed the remains of world’s fairs worldwide, and recaptured his homestead memories in photographic installations. His research postulates that architecture is inherently part of the photographic medium, initiated by the camera obscura pavilion. He proposes that world’s fairs came into being precisely because of the invention of a medium that could truthfully propagate them, and describes how this, in turn, affected architectural display strategies for photography. Campany has had a long career in curating and writing about photography exhibitions, with a focus on exhibition history, scale and design, temporality, and the role of both still and moving images within the exhibition context. Together, Maes and Campany discuss their own expanded practices and a multitude of historical examples such as the Crystal Palace at London’s Great Exhibition in 1851, Charlotte Perriand’s Agriculture Pavilion for the International Exposition of Art and Technology in Modern Life in 1937, the Pepsi-Cola Pavilion for the Japan World Exposition in 1970, and Simon Starling’s 2008 Plant Room for Kunstraum Dornbirn.
Form:
books
books
Publication:
March 2025
March 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Tacita Dean: Why Cy
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place(...)
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place(...)
Title:
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place to go out of your head’. Dean has loved the work of the American painter and sculptor since writing her art school thesis on him in the late 1980s. She photographed his studio home in Gaeta, Italy, in 2009, made a film with him in 2011 called Edwin Parker, and has written about his work on numerous occasions. During her time at the Menil, she asked permission to spend a night in the Gallery. "Why Cy" is a book of exuberant adoration, full of colour and black-and-white photographs that pay homage to this singular artist. It reflects Dean’s longstanding admiration for Twombly’s work and her close affinity with it, while at the same time taking a new, surprising, and unintended path. The book includes a booklet of notes by Dean developed out of her night with Cy, and coincides with the exhibition ‘Tacita Dean: Blind Folly’ at the Menil Collection (11 October 2024–19 April 2025), which includes a room dedicated to celebrating the connection between Dean and Twombly. Limited edition of 1,000 signed and numbered copies
Tacita Dean: Why Cy
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In February 2024, Tacita Dean undertook a residency in the Cy Twombly Gallery at the Menil Collection in Houston. Designed by architect Renzo Piano in collaboration with Twombly, the Gallery houses a display of Twombly’s work organised by the artist to augment the building’s mood of disorientation and temporal suspension. For Dean, it is a site of pilgrimage and ‘a place to go out of your head’. Dean has loved the work of the American painter and sculptor since writing her art school thesis on him in the late 1980s. She photographed his studio home in Gaeta, Italy, in 2009, made a film with him in 2011 called Edwin Parker, and has written about his work on numerous occasions. During her time at the Menil, she asked permission to spend a night in the Gallery. "Why Cy" is a book of exuberant adoration, full of colour and black-and-white photographs that pay homage to this singular artist. It reflects Dean’s longstanding admiration for Twombly’s work and her close affinity with it, while at the same time taking a new, surprising, and unintended path. The book includes a booklet of notes by Dean developed out of her night with Cy, and coincides with the exhibition ‘Tacita Dean: Blind Folly’ at the Menil Collection (11 October 2024–19 April 2025), which includes a room dedicated to celebrating the connection between Dean and Twombly. Limited edition of 1,000 signed and numbered copies
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$55.00
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners,(...)
Title:
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Benjamin Freedman: Positive illusions
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Using CGI, Canadian artist Benjamin Freedman presents a captivating image sequence which meticulously reconstructs his childhood memories of a family road trip to Maine in 1999. Blurring the line between reality and simulation, these surreal images toy with the ephemerality of memory and its inseparability from fantasy. Freedman’s recreated scenes of roadside diners, pools, and picnics create a visceral and sensory dreamscape, evoking the sounds and smells attached to his childhood recollections. These digitally constructed images explore how technology permits us to revisit and reimagine the past in ways that feel both familiar and uncanny. Distinctions between personal recollection and collective nostalgia are compromised, creating an idiosyncratic visual realm saturated with shared emotions and histories. Freedman’s use of digital tools to recapture nostalgic scenes underscores the fluidity of memory while also challenging traditional conventions of the photographic medium.
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$95.00
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that(...)
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that(...)
Title:
Gregory Halpern: Omaha sketchbook, 2nd edition
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In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in dissonance and unexpected harmony, playing on a sense of simultaneous repulsion and attraction to the place. Halpern has significantly altered the first iteration of the book with a new cover and thirty-five previously unseen photographs, breathing life into his original notion that this project is a working sketchbook he will return to and revise periodically.
Gregory Halpern: Omaha sketchbook, 2nd edition
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$95.00
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Summary:
In this new edition of ''Omaha Sketchbook'', Gregory Halpern returns to his lyrical yet equivocal account of the American heartland. Compiled over fifteen years of photographing Omaha, Nebraska, the book forms a prescient meditation on America, the men and boys who inhabit it, and the mechanics of aggression, inadequacy, and power. In loosely collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in dissonance and unexpected harmony, playing on a sense of simultaneous repulsion and attraction to the place. Halpern has significantly altered the first iteration of the book with a new cover and thirty-five previously unseen photographs, breathing life into his original notion that this project is a working sketchbook he will return to and revise periodically.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$110.00
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
$110.00
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in(...)
Title:
Guido Guidi: Col Tempo, paperback edition
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Guido Guidi: Col Tempo, paperback edition
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Coinciding with a major retrospective exhibition at MAXXI, Rome, ''Col tempo, 1956–2024'' provides a complete and long-awaited retrospective of the career of Guido Guidi, sequenced by the artist himself in his typically illuminating, associative style. The book begins with some of the earliest photographs Guidi made, aged fifteen, in the countryside around his home in Cesena in the Italian region of Romagna. The sequence that follows, covering almost seventy years, encompasses a wide range of styles, forms, and approaches as it traces the evolution of one of the most important voices in contemporary photography. It includes journeys to the USA, Russia, Turkey, and Portugal, and studies of the works of architects including Carlo Scarpa, Mies van der Rohe, and Le Corbusier. Consistently, though, it returns to the modest agricultural landscapes where Guidi was born and still lives and works today, among which he has developed the revelatory visual language for which he is celebrated as a modern master.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Robert Doiseau photo poche
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce(...)
$27.95
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce(...)
Title:
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce qu'il voit font de lui l'archiviste des instants furtifs et des vérités passagères.. « Il est des jours, dit-il, où l'on ressent le simple fait de voir comme un véritable bonheur. ».
Robert Doiseau photo poche
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Poète des banlieues maussades et des petits riens anonymes, Robert Doisneau (1912-1994) est l'un des principaux représentants de la photographie humaniste française. Parisien malicieux, il joue de l'image comme son ami Jacques Prévert joue des mots. Le regard qu'il porte sur le quotidien avec une bienveillance amusée, sa disposition d'esprit qui le rend amoureux de ce qu'il voit font de lui l'archiviste des instants furtifs et des vérités passagères.. « Il est des jours, dit-il, où l'on ressent le simple fait de voir comme un véritable bonheur. ».
Form:
books
books
Publication:
May 2025
May 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Trop de peines
Trop de peines
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$87.95
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Jane Evelyn Atwood a commencé à photographier les femmes incarcérées en 1989. En 9 ans, elle a eu accès à 40 prisons dans 9 pays d’Europe et aux Etats-Unis. Plaidoyer pour un traitement égalitaire des femmes face à la prison – 89% des femmes incarcérées le sont alors pour des délits non violent – « Trop de peines » est un livre majeur. Initialement paru en 2000 chez Albin(...)
$87.95
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Summary:
Jane Evelyn Atwood a commencé à photographier les femmes incarcérées en 1989. En 9 ans, elle a eu accès à 40 prisons dans 9 pays d’Europe et aux Etats-Unis. Plaidoyer pour un traitement égalitaire des femmes face à la prison – 89% des femmes incarcérées le sont alors pour des délits non violent – « Trop de peines » est un livre majeur. Initialement paru en 2000 chez Albin(...)
Title:
Trop de peines
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Jane Evelyn Atwood a commencé à photographier les femmes incarcérées en 1989. En 9 ans, elle a eu accès à 40 prisons dans 9 pays d’Europe et aux Etats-Unis. Plaidoyer pour un traitement égalitaire des femmes face à la prison – 89% des femmes incarcérées le sont alors pour des délits non violent – « Trop de peines » est un livre majeur. Initialement paru en 2000 chez Albin Michel, devenu un classique de la photographie documentaire, il était épuisé de longue date. Sa réédition, augmentée de photographies inédites et de lettres de détenues, permettra au public de redécouvrir un travail d’une profonde humanité. Elle rappelle aussi, alors que partout sont menacés les acquis des femmes pour disposer librement de leur corps, que le sujet de cette enquête reste d’une puissante actualité politique.
Trop de peines
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Jane Evelyn Atwood a commencé à photographier les femmes incarcérées en 1989. En 9 ans, elle a eu accès à 40 prisons dans 9 pays d’Europe et aux Etats-Unis. Plaidoyer pour un traitement égalitaire des femmes face à la prison – 89% des femmes incarcérées le sont alors pour des délits non violent – « Trop de peines » est un livre majeur. Initialement paru en 2000 chez Albin Michel, devenu un classique de la photographie documentaire, il était épuisé de longue date. Sa réédition, augmentée de photographies inédites et de lettres de détenues, permettra au public de redécouvrir un travail d’une profonde humanité. Elle rappelle aussi, alors que partout sont menacés les acquis des femmes pour disposer librement de leur corps, que le sujet de cette enquête reste d’une puissante actualité politique.
Form:
books
books
Publication:
April 2025
April 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Ernst Haas: Abstract
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily(...)
$79.00
(available to order)
Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily(...)
Title:
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily life. For this collection Haas drew on images made in all phases of his career from 1952 to 1984, and, despite the title, most of these photographs are not abstract but rather clear, focused, well-exposed images of recognizable surfaces from the observable world around him: crumbling paint, graphic road markings, fabric, liquids, detritus, decay, and torn posters. David Campany’s eloquent introductory essay lays the groundwork for a deep appreciation of the slideshow which, in book form, can be savored and understood in an entirely new way.
Ernst Haas: Abstract
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$79.00
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Summary:
Three decades after its completion, Haas’ most personal and least-known project is now available for the first time in this exquisitely produced book. Presented in a clean and spare design, this volume features reproductions of superb quality that allow readers to appreciate his mastery of color, light, and composition, and his ability to capture the mystery of daily life. For this collection Haas drew on images made in all phases of his career from 1952 to 1984, and, despite the title, most of these photographs are not abstract but rather clear, focused, well-exposed images of recognizable surfaces from the observable world around him: crumbling paint, graphic road markings, fabric, liquids, detritus, decay, and torn posters. David Campany’s eloquent introductory essay lays the groundwork for a deep appreciation of the slideshow which, in book form, can be savored and understood in an entirely new way.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Photography monographs
Photography monographs
