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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
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Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
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books
books
Publication:
December 2025
December 2025
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Richard Misrach: Cargo
Richard Misrach: Cargo
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of(...)
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of(...)
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Richard Misrach: Cargo
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.
Richard Misrach: Cargo
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.
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books
books
Publication:
June 2025
June 2025
Subject:
Photography monographs
Photography monographs
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books
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$70.00
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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he(...)
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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he(...)
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Jean Gaumy: A certain nature: After Giverny
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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he experienced in his family's garden while young, he has sought to re-create that childhood curiosity and sense of wonder through photography that is both abstract and naturalistic. Jean Gaumy's Giverny is not an atlas of forms, but rather a photographic experiment in documenting nature from different angles. In these otherworldly duotone photographs, Monet's storied garden becomes something out of time in compositions bordering on the pictorial in their documenting of microscopic details.
Jean Gaumy: A certain nature: After Giverny
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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he experienced in his family's garden while young, he has sought to re-create that childhood curiosity and sense of wonder through photography that is both abstract and naturalistic. Jean Gaumy's Giverny is not an atlas of forms, but rather a photographic experiment in documenting nature from different angles. In these otherworldly duotone photographs, Monet's storied garden becomes something out of time in compositions bordering on the pictorial in their documenting of microscopic details.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Photography monographs
Photography monographs
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books
books
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$78.00
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a(...)
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a(...)
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Michael Kenna: Silver haikus. Asia photographed.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks.
Michael Kenna: Silver haikus. Asia photographed.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of(...)
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of(...)
Title:
Joel Meyerowitz: A sense of wonder. Photographs 1962-2022
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of 9/11; his sociological research which helped redefine the concept of street photography; and his conceptually provocative images reflecting American individualism during the Vietnam War. Meyerowitz's photography favors precise humanistic insight. With his calm and methodical reading of our reality, he reminds us of how photography can be a tool for reflection on the experiences of both the individual and society—a way of appreciating the present in all its aspects.
Joel Meyerowitz: A sense of wonder. Photographs 1962-2022
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of 9/11; his sociological research which helped redefine the concept of street photography; and his conceptually provocative images reflecting American individualism during the Vietnam War. Meyerowitz's photography favors precise humanistic insight. With his calm and methodical reading of our reality, he reminds us of how photography can be a tool for reflection on the experiences of both the individual and society—a way of appreciating the present in all its aspects.
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books
books
Publication:
September 2025
September 2025
Subject:
Photography monographs
Photography monographs
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books
books
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$69.95
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first(...)
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first(...)
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Paul Virilio: Bunker archeology
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as “harbingers of a new architecture”, which he sought to capture in the term “cryptic architecture”. The first exhibition of Virilio’s ''Bunker Archeology'' was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, ''Bunker Archeology'' is still full of connections to the present.
Paul Virilio: Bunker archeology
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The reputation as an auteur that Paul Virilio (1932–2018) enjoys today derives from the work he did for his ''Bunker Archeology''. When, in the second half of the 1950s, he began photographing abandoned Second World War bunkers along France’s Atlantic coast, he was working with glass as an artistic medium. In 1966, he presented his photographs to the public for the first time in the magazine architecture principe, which he co-edited. At the time, he was particularly interested in the architectural aspects of these wartime installations. He saw the bunkers as “harbingers of a new architecture”, which he sought to capture in the term “cryptic architecture”. The first exhibition of Virilio’s ''Bunker Archeology'' was staged at the Centre Pompidou in 1975, while the museum was still in the process of being established. His seminal book was published in conjunction with this. It laid out all the motifs of his philosophical thinking: military space and communications warfare, camouflage and acceleration, a scrupulous reading of the present coupled with a desire for philosophical speculation. Although it is almost fifty years since the work was first published, ''Bunker Archeology'' is still full of connections to the present.
Form:
books
books
Publication:
November 2025
November 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Fred Herzog: A color legacy
Fred Herzog: A color legacy
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the(...)
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the(...)
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Fred Herzog: A color legacy
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the city. He also traveled to the US, Barbados, Curaçao, Guatemala and Mexico, his Leica always in hand. In an era dominated by black-and-white photography, Herzog's use of color was groundbreaking. His bestseller Modern Color remains celebrated worldwide. Now, newly released photographs from his archive, managed by Equinox Gallery, continue his legacy, offering fresh insight into his unique perspective. These images not only preserve Herzog's vision but also reaffirm his place as a pioneer of modern color photography.
Fred Herzog: A color legacy
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the city. He also traveled to the US, Barbados, Curaçao, Guatemala and Mexico, his Leica always in hand. In an era dominated by black-and-white photography, Herzog's use of color was groundbreaking. His bestseller Modern Color remains celebrated worldwide. Now, newly released photographs from his archive, managed by Equinox Gallery, continue his legacy, offering fresh insight into his unique perspective. These images not only preserve Herzog's vision but also reaffirm his place as a pioneer of modern color photography.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Stephen Shore: Early works
Stephen Shore: Early works
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular(...)
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular(...)
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Stephen Shore: Early works
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular attention with which he approached his surroundings. It offers a unique record of the vibrant energy of New York in the early 1960s, and reveals the themes that provided a constant source of interest for the young photographer.
Stephen Shore: Early works
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular attention with which he approached his surroundings. It offers a unique record of the vibrant energy of New York in the early 1960s, and reveals the themes that provided a constant source of interest for the young photographer.
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books
books
Publication:
December 2025
December 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$80.00
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
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David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$90.00
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Summary:
In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire,(...)
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In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire,(...)
Title:
Mark Ruwedel: The western edge. Los Angeles: Landscapes of Four Ecologies 2
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In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire, and the spiralling climate conditions that most recently have seen these areas devastated by fires. Charting a hundred-mile route from Point Mugu, north of Malibu, down to the Bolsa Chica Wetlands of Orange County, Ruwedel studies a range of intricately textured landscapes, woven with the traces of decades of human intervention and the countervailing forces of nature and time. His large-format black-and-white photography recalls iconic photographer-cartographers of the nineteenth century while calling into question the taxonomic certainty and implicit politics of their surveying projects.
Mark Ruwedel: The western edge. Los Angeles: Landscapes of Four Ecologies 2
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In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire, and the spiralling climate conditions that most recently have seen these areas devastated by fires. Charting a hundred-mile route from Point Mugu, north of Malibu, down to the Bolsa Chica Wetlands of Orange County, Ruwedel studies a range of intricately textured landscapes, woven with the traces of decades of human intervention and the countervailing forces of nature and time. His large-format black-and-white photography recalls iconic photographer-cartographers of the nineteenth century while calling into question the taxonomic certainty and implicit politics of their surveying projects.
Form:
books
books
Publication:
October 2025
October 2025
Subject:
Photography monographs
Photography monographs
