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Pendant dix-huit mois, Françoise Evenou s’est plongée au cœur du bois de Boulogne, à la rencontre de femmes trans qui se prostituent pour survivre. Intriguée par ces femmes, parées comme des reines de beauté, trônant à l’avant de leurs camionnettes ou debout sur les trottoirs, Françoise Evenou a décidé de les rencontrer. Venant d’Amérique du Sud, elles ont tout quitté(...)
Françoise Evenou : Les reines du bois
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Pendant dix-huit mois, Françoise Evenou s’est plongée au cœur du bois de Boulogne, à la rencontre de femmes trans qui se prostituent pour survivre. Intriguée par ces femmes, parées comme des reines de beauté, trônant à l’avant de leurs camionnettes ou debout sur les trottoirs, Françoise Evenou a décidé de les rencontrer. Venant d’Amérique du Sud, elles ont tout quitté pour une vie meilleure, pour vivre librement au pays des Droits de l’Homme. Pourtant, cinq, dix, vingt ans plus tard, on les retrouve dans leur Nouveau Monde… le bois de Boulogne. Plus de trente de ces femmes ont accepté de prendre la parole et de se laisser photographier. Ignorées, insultées, méprisées, souvent agressées, elles ont trouvé la force de se dévoiler, de dire enfin au monde leur vérité et de témoigner de leur dignité.
Photography monographs
Le soleil même la nuit
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« Le Soleil même la nuit » explore la nature et les formes de la parentalité empêchée, à travers les témoignages de vingt-six parents, de différents milieux socioculturels, ayant perdu le contact avec leurs enfants depuis des mois voire des années. Le photographe Marco Barbon met en scène le lien parental qui subsiste par-delà l'absence de l'enfant. Des textes intimes(...)
Le soleil même la nuit
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« Le Soleil même la nuit » explore la nature et les formes de la parentalité empêchée, à travers les témoignages de vingt-six parents, de différents milieux socioculturels, ayant perdu le contact avec leurs enfants depuis des mois voire des années. Le photographe Marco Barbon met en scène le lien parental qui subsiste par-delà l'absence de l'enfant. Des textes intimes écrits par ces mères et ces pères dialoguent avec les images photographiques, qui dévoilent avec pudeur cet espace émotionnel où le vide pointe et où la tendresse passée est la plus précieuse des archives. Ce livre ne se limite pas à documenter la souffrance endurée par les parents ; il met également en lumière l'amour inconditionnel qu'ils portent à leurs enfants. L'amour parental est là malgré tout et il ne peut pas être effacé, tel un soleil qui éclaire de toute sa chaleur même la nuit la plus noire.
Photography monographs
Droit de regards
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Fin du siècle dernier. Dans des décors princiers, dont les ruines sont devenues des théâtres fragiles, des femmes s’aiment, se poursuivent et se perdent. Dans les parcs, au bout des couloirs et sous les lustres fanés, des scènes troublantes s’entrecroisent. Autant d’énigmes que chaque regard – le vôtre – peut résoudre – ou pas. « Droit de regards » a été publié pour la(...)
Droit de regards
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Fin du siècle dernier. Dans des décors princiers, dont les ruines sont devenues des théâtres fragiles, des femmes s’aiment, se poursuivent et se perdent. Dans les parcs, au bout des couloirs et sous les lustres fanés, des scènes troublantes s’entrecroisent. Autant d’énigmes que chaque regard – le vôtre – peut résoudre – ou pas. « Droit de regards » a été publié pour la première fois en 1985, aux Éditions de Minuit. Le roman-photo est suivi d’une lecture de Jacques Derrida, qui en prolonge les multiples ramifications.
Photography monographs
Daido Moriyama : Quartet
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"Daido Moriyama: Quartet" is a vital anthology of the four seminal photobooks that form the foundation of Moriyama’s career as a photographer: "Japan: A Photo Theater," "A Hunter, Farewell Photography," and "Light and Shadow." Spanning the fifteen years during which he honed his techniques and unveiled his distinctive vision, these photobooks were originally released as(...)
Daido Moriyama : Quartet
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"Daido Moriyama: Quartet" is a vital anthology of the four seminal photobooks that form the foundation of Moriyama’s career as a photographer: "Japan: A Photo Theater," "A Hunter, Farewell Photography," and "Light and Shadow." Spanning the fifteen years during which he honed his techniques and unveiled his distinctive vision, these photobooks were originally released as limited editions in Japan and represent some of the most daring ventures in photographic publishing history. Edited by Mark Holborn, this compilation includes excerpts from Moriyama’s diaries, journals, and memoranda, offering intimate glimpses into the core of his creative process. Presented in a slipcase, this volume is essential for all Moriyama fans and anyone passionate about photography and visual culture.
Photography monographs
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This catalog traces German photographer Wolfgang Tillmans' unique 2025 project at the Centre Pompidou, for which he was given a generous carte blanche. The result occupied the entire second floor of the Public Information Library, where Tillmans' experimental installation transformed the space, establishing a dialogue with the former library and questioning it both as(...)
Wolfgang Tillmans: Nothing could have prepared us – Everything could have prepared us
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This catalog traces German photographer Wolfgang Tillmans' unique 2025 project at the Centre Pompidou, for which he was given a generous carte blanche. The result occupied the entire second floor of the Public Information Library, where Tillmans' experimental installation transformed the space, establishing a dialogue with the former library and questioning it both as architecture and as a locus for the transmission of knowledge. The work explores over 35 years of artistic practice through various photographic genres and constitutes another very personal representation of his universe, whose order and logic are activated in response to the library space. With 600 images, an index of the works alternates with numerous installation shots that show how the artist made this space his own, while a varied selection of essays by a younger generation of authors sheds new light on the various aspects of Tillmans' work.
Photography monographs
Analogous Jerusalem
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Jerusalem is not merely a city; it is an idea. For millennia, it has drawn visitors of all faiths and social classes, each seeking to engage with its sanctity. This enduring allure has sparked repeated cycles of violent struggle for control, often prompting the symbolic relocation of Jerusalem to places far beyond its physical borders. Analogous Jerusalem is the result of(...)
Analogous Jerusalem
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Jerusalem is not merely a city; it is an idea. For millennia, it has drawn visitors of all faiths and social classes, each seeking to engage with its sanctity. This enduring allure has sparked repeated cycles of violent struggle for control, often prompting the symbolic relocation of Jerusalem to places far beyond its physical borders. Analogous Jerusalem is the result of a five-year photographic journey exploring these 'analogous' shrines across diverse landscapes. It traces a continuous topography of pilgrimage, where the sacred and the profane intersect in unexpected ways. A three-part essay accompanies the images, examining the transposition of Jerusalem’s holy sites to Europe, the virtual pilgrimage rituals practised by medieval nuns, and the history of photographic journeys. Together, the photographs and texts form a travelogue through places that may, paradoxically, feel more 'real' than Jerusalem itself.
Photography monographs
Eddy van Wessel: Ukraine
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In UKRAINE, photojournalist Eddy van Wessel documents a raw account of three years of war in Ukraine through (analogue) photography and firsthand testimonies. With decades of experience covering conflict zones, he focuses on what war means for those living through it – the soldiers on the front lines, civilians sheltering in devastated towns and cities, and those forced(...)
Eddy van Wessel: Ukraine
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In UKRAINE, photojournalist Eddy van Wessel documents a raw account of three years of war in Ukraine through (analogue) photography and firsthand testimonies. With decades of experience covering conflict zones, he focuses on what war means for those living through it – the soldiers on the front lines, civilians sheltering in devastated towns and cities, and those forced to flee. His images capture the visible destruction and the psychological and emotional toll of prolonged violence, making this book a visual and narrative testimony with a complex and layered depiction that is reflecting on the human cost of the largest war in Europe since World War II. It explores displacement, survival, and the boundaries of humanity in times of crisis. Where does humanity end and inhumanity begin? How do individuals maintain dignity and resilience under constant threat? What does survival look like when basic needs – and life itself – are no longer guaranteed?
Photography monographs
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A cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a(...)
Takashi Homma: This is not my cat
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A cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the cat's fellow inhabitant in the apartment—a man, who also happens to be the internationally renowned photographer Takashi Homma—creeps into the frame. A knee, a foot, a shock of blonde hair, half of a face. There are artefacts of his life and practice too. Framed photographic prints draped in bubblewrap lean against a wall; a tangle of musical effects pedals make for colourful constellation against the cool blue of the carpet.
Photography monographs
Zurumbatico
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle(...)
Photography monographs
January 2026
Zurumbatico
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle traduction de Cent ans de solitude. L'écriture photographique de Luis Cobelo répond à l'écriture de Gabriel García Márquez dont ce roman est le plus représentatif du réalisme magique. Les 3 auteur.es nous offrent une compréhension complète et profonde de la Colombie mais plus généralement de l'Amérique latine en nous éloignant des stéréotypes
Photography monographs
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban(...)
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artist’s archive. Taken together, these pictures demonstrate Matta-Clark’s obsession with the gra?ti that had exploded across the city’s walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards.
Photography monographs