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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers,(...)
Paul Strand: the garden at Orgeval
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After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes The Garden at Orgeval offers a close, exacting study of nature’s forms and patterns: tiny button-shaped flowers, cascading winter branches and snarls of twigs. While these photographs exhibit the same directness and precise vision that is so quintessentially Strand, they also reflect his increasing preoccupation with mortality and the fragility of existence.
Photography monographs
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing(...)
Lee Friedlander: Mannequin
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Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows and reflections that conjure marketplace notions of sex, fashion and consumerism, while recalling Atget’s surreal photographs of Parisian windows made 100 years earlier. Thoroughly straightforward, their unsettling and radical new compositions suggest photographs that have been torn up and pasted back together again in near-random ways.
Photography monographs
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt(...)
Photography monographs
September 2012
Keld Helmer-Petersen: 122 Colour Photographs
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Keld Helmer-Petersen's 122 Colour Photographs published in Copenhagen in 1948 prefigured the work of William Eggleston and Stephen Shore by two decades with the aim to make pictures that would only work in colour, and not in black and white. By concentrating on the mundane and the everyday 122 Colour Photographs deserves credit as a remarkably early and successful attempt to put colour photography on the map. Books on Books #14 presents Helmer-Petersen's masterwork along with an essay by the Danish art critic and historian Mette Sandbye called Colour Cool.
Photography monographs
Nobuyoshi Araki: shokuji
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had(...)
Nobuyoshi Araki: shokuji
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Nobuyoshi Araki's Shokuji (The Banquet) is a tribute to his late wife Yoko through a 'photo-diary' of the food they shared together in the last months of her life. Resembling brightly coloured commercial food pictures made with a ring flash and a macro lens, and contrasted with bleak black-and-white images he photographed at home after doctors told Araki that his wife had only a month left to live, Books on Books #15 presents Araki's deeply personal diary of loss in its entirety along with an essay by Ivan Vartanian.
Photography monographs
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In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and(...)
Uta Barth: To draw with light
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In 2011, "Blind Spot" magazine launched Blind Spot Series, publishing small-format, limited-run artist's books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles-based Uta Barth's stunning "To Draw with Light," featuring 46 color photographs from the acclaimed ." . . and to draw a bright white line with light" and "Compositions of Light on White" series (recently exhibited at the Art Institute of Chicago, 1301PE in Los Angeles and Tanya Bonakdar Gallery in New York) alongside new works created specifically for the book.
Photography monographs
Josef Sudek : labyrinths
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
Josef Sudek : labyrinths
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This new Josef Sudek monograph collects a series of photographs made within the confines of the Czech photographer's workspace. Gathered here in all their surreal beauty, the Labyrinths series depicts multilayered assemblages of objects in endlessly permutated combinations.
Photography monographs
Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal(...)
Vera Lutter
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In 1991, German-born photographer Vera Lutter (born 1960) moved to New York. Inspired by the city’s architecture and night-time luminescence, Lutter took the extraordinary step of transforming her apartment into a pinhole camera, and, in a process that could last weeks or even months, exposed images directly onto wall-size sheets of photographic paper. Intent upon minimal interference with this process, Lutter refrained from duplicating the images, and used the negative as the final work. New York has remained the recurrent subject of Lutter’s (literally) unique photographs, but over the past two decades, she has applied the process to other locations and styles of architecture around the world, documenting shipyards, airports and abandoned factories. This volume offers the first thorough overview of Lutter’s architectural photography, representing her full range of motifs and subjects in superb duotone. Also included is an account of her first film and sound installation.
Photography monographs
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Photography monographs
Bertrabd Fleuret: the cliffs
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
Bertrabd Fleuret: the cliffs
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
Photography monographs
Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous(...)
Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous light that is unique to the Pacific Northwest. Skogen features forty-six previously unpublished images. Also included are an introduction by the artist and a poem by Denise Levertov.
Photography monographs