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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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books
books
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January 2026
January 2026
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Photography monographs
Photography monographs
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books
books
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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Grenville Horner — Cafes & Snack Bars South West London 1975–1976
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
Grenville Horner — Cafes & Snack Bars South West London 1975–1976
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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books
books
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January 2026
January 2026
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Photography monographs
Photography monographs
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books
books
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
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Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
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books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$24.00
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to(...)
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to(...)
Title:
Peter Benson — Teesside 1968–1999 series. 2 Books.
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to become parts of what is now Teesside.
Peter Benson — Teesside 1968–1999 series. 2 Books.
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$24.00
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Summary:
These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to become parts of what is now Teesside.
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books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$34.00
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the(...)
$34.00
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the(...)
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Camilo José Vergara — New York 1970s series. 3 Books
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the highs and lows of urban life, showing us not just the struggles, but also the creativity and determination of the people who called New York home.
Camilo José Vergara — New York 1970s series. 3 Books
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the highs and lows of urban life, showing us not just the struggles, but also the creativity and determination of the people who called New York home.
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books
books
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January 2026
January 2026
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Photography monographs
Photography monographs
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books
books
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$60.00
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
$60.00
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Summary:
"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
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Carly Steinbrunn: A matter of chance
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
Carly Steinbrunn: A matter of chance
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$60.00
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
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books
books
Publication:
October 2025
October 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
S'enforester
S'enforester
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes,(...)
$95.95
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes,(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 2026
January 2026
Title:
S'enforester
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$95.95
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes, chaque massif forestier exploité. Sans ce mythe, nous ne pouvons pas être à la hauteur des questions politiques que la forêt exige de nous : comment accompagner la forêt qui nous entoure, comment en vivre, comment la défendre ? Voici donc l’invitation de ce livre : opérer un détour par le pouvoir mythologique de la dernière forêt primaire d’Europe, relique du passé, pour revenir armé vers la question du futur de nos forêts en Europe, et en France en particulier. C’est un exercice de mythologie réelle à portée politique pour demain.
S'enforester
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$95.95
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes, chaque massif forestier exploité. Sans ce mythe, nous ne pouvons pas être à la hauteur des questions politiques que la forêt exige de nous : comment accompagner la forêt qui nous entoure, comment en vivre, comment la défendre ? Voici donc l’invitation de ce livre : opérer un détour par le pouvoir mythologique de la dernière forêt primaire d’Europe, relique du passé, pour revenir armé vers la question du futur de nos forêts en Europe, et en France en particulier. C’est un exercice de mythologie réelle à portée politique pour demain.
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books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Paul Elter: Silver tongued
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental(...)
$130.00
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Summary:
"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental(...)
Title:
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental conditions of the day. Portraits reveal themselves slowly. "What I found compelling was that during sittings these people, whom we had never met before, would open up in a very personal and revealing way, because time essentially had slowed down. Space and safety were created by the nature of the process itself, with both photographer and sitter suspended in a distinct moment." – Paul Elter
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental conditions of the day. Portraits reveal themselves slowly. "What I found compelling was that during sittings these people, whom we had never met before, would open up in a very personal and revealing way, because time essentially had slowed down. Space and safety were created by the nature of the process itself, with both photographer and sitter suspended in a distinct moment." – Paul Elter
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books
books
Publication:
November 2025
November 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Lake Verea: Modern Barragan
Lake Verea: Modern Barragan
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$95.00
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In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The(...)
$95.00
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Summary:
In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 2026
January 2026
Title:
Lake Verea: Modern Barragan
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$95.00
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Summary:
In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The artists sat in his chairs, opened his closets, listened in silence and kissed in the house's enchanted garden. Modern Barragán compiles the fruits of their reverent labor. The photographs capture the house across a myriad of atmospheric conditions—in daylight, under the light of the full moon, by streetlight and against stormy skies. Flash photography lends the house a spectral quality; rubbed with aluminum sheets, the walls reveal their hidden textures, evoking the hidden memories contained within the home.
Lake Verea: Modern Barragan
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Price:
$95.00
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Summary:
In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The artists sat in his chairs, opened his closets, listened in silence and kissed in the house's enchanted garden. Modern Barragán compiles the fruits of their reverent labor. The photographs capture the house across a myriad of atmospheric conditions—in daylight, under the light of the full moon, by streetlight and against stormy skies. Flash photography lends the house a spectral quality; rubbed with aluminum sheets, the walls reveal their hidden textures, evoking the hidden memories contained within the home.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$69.95
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Summary:
The original impetus behind this project was the desire to document the extraordinary richness, variety, and quality of Havana’s Art Deco’ architecture. Looking back at these photographs, photographer Duccio Malagamba is still glad he made the decision to undertake that adventure, despite the fact that the result of that effort, due to a series of circumstances, lay(...)
$69.95
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Summary:
The original impetus behind this project was the desire to document the extraordinary richness, variety, and quality of Havana’s Art Deco’ architecture. Looking back at these photographs, photographer Duccio Malagamba is still glad he made the decision to undertake that adventure, despite the fact that the result of that effort, due to a series of circumstances, lay(...)
Title:
Duccio Malagamba: Habana Deco
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$69.95
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The original impetus behind this project was the desire to document the extraordinary richness, variety, and quality of Havana’s Art Deco’ architecture. Looking back at these photographs, photographer Duccio Malagamba is still glad he made the decision to undertake that adventure, despite the fact that the result of that effort, due to a series of circumstances, lay dormant for decades in a drawer in his studio. There is no doubt that, the documentary value of the photographs remains intact—or perhaps increased, since it is possible that over these 30 years some of the works portrayed have succumbed to successive cyclones and lack of maintenance. The valuable aesthetic and compositional charge of the images does not seem to have been compromised by the passage of time. Today, however, alongside with the worn beauty of the buildings portrayed, what captures the viewer is the life that has been encapsulated in these photographs. A life frozen in most cases accidentally.
Duccio Malagamba: Habana Deco
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$69.95
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Summary:
The original impetus behind this project was the desire to document the extraordinary richness, variety, and quality of Havana’s Art Deco’ architecture. Looking back at these photographs, photographer Duccio Malagamba is still glad he made the decision to undertake that adventure, despite the fact that the result of that effort, due to a series of circumstances, lay dormant for decades in a drawer in his studio. There is no doubt that, the documentary value of the photographs remains intact—or perhaps increased, since it is possible that over these 30 years some of the works portrayed have succumbed to successive cyclones and lack of maintenance. The valuable aesthetic and compositional charge of the images does not seem to have been compromised by the passage of time. Today, however, alongside with the worn beauty of the buildings portrayed, what captures the viewer is the life that has been encapsulated in these photographs. A life frozen in most cases accidentally.
Form:
books
books
Publication:
April 2026
April 2026
Subject:
Photography monographs
Photography monographs
