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Title:
Zurumbatico
Zurumbatico
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle(...)
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle(...)
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Photography monographs
Photography monographs
Publication:
January 2026
January 2026
Title:
Zurumbatico
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle traduction de Cent ans de solitude. L'écriture photographique de Luis Cobelo répond à l'écriture de Gabriel García Márquez dont ce roman est le plus représentatif du réalisme magique. Les 3 auteur.es nous offrent une compréhension complète et profonde de la Colombie mais plus généralement de l'Amérique latine en nous éloignant des stéréotypes
Zurumbatico
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Une lecture à trois voix du roman phare de la littérature sud-américaine Cent ans de solitude du prix Nobel de littérature Gabriel García Márquez. La mise en résonance du travail photographique de Luis Cobelo « Zurumbático » et des textes de Julie Amiot-Guillouet et Camille Lecuyer - spécialistes de l'Amérique latine - nous propose une lecture multiple, une nouvelle traduction de Cent ans de solitude. L'écriture photographique de Luis Cobelo répond à l'écriture de Gabriel García Márquez dont ce roman est le plus représentatif du réalisme magique. Les 3 auteur.es nous offrent une compréhension complète et profonde de la Colombie mais plus généralement de l'Amérique latine en nous éloignant des stéréotypes
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books
books
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January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$13.50
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
John Heseltine — New York 1967–1977
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"As a young man I arrived in New York from England at the end of 1967 and was amazed at what I found. After staying for a number of years I moved back to Europe but kept returning to the USA armed with plenty of Kodachrome and Tri-X to record a country that never ceased to excite and amaze me." - John Heseltine
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books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$13.50
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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Grenville Horner — Cafes & Snack Bars South West London 1975–1976
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
Grenville Horner — Cafes & Snack Bars South West London 1975–1976
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A collection of photographs by photographer Grenville Horner capturing cafes & snack bars in South West London in the mid 70s.
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books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$13.50
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
Title:
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Daniel Meadows & Martin Parr — June Street, Salford 1973
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Summary:
One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
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books
books
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$24.00
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to(...)
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to(...)
Title:
Peter Benson — Teesside 1968–1999 series. 2 Books.
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These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to become parts of what is now Teesside.
Peter Benson — Teesside 1968–1999 series. 2 Books.
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$24.00
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Summary:
These black and white images were taken between 1968 and 1999, initially as a result of my interest in the demolition and clearance of the built environment between the Newport Bridge and the Transporter Bridge in Middlesbrough. From here, this body of work expanded to include Port Clarence, High Clarence, Haverton Hill, Seaton Carew and Hartlepool, all of which were to become parts of what is now Teesside.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$34.00
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Summary:
New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the(...)
$34.00
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Summary:
New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the(...)
Title:
Camilo José Vergara — New York 1970s series. 3 Books
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$34.00
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the highs and lows of urban life, showing us not just the struggles, but also the creativity and determination of the people who called New York home.
Camilo José Vergara — New York 1970s series. 3 Books
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New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the highs and lows of urban life, showing us not just the struggles, but also the creativity and determination of the people who called New York home.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$60.00
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Summary:
"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
$60.00
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Summary:
"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it,(...)
Title:
Carly Steinbrunn: A matter of chance
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"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
Carly Steinbrunn: A matter of chance
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$60.00
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Summary:
"A matter of chance" explores the contemporary use of the photographic medium as a recording tool in support of scientific knowledge. In the age of screen culture, the volume investigates photography’s dual nature as both evidence and construction, examining the relationship between humans and their environment; their desire to control, measure and catalogue it, ultimately transforming it into a marketable product. The book is modelled according to the logic of an atlas and combines different photographic registers, including views of buildings in Silicon Valley’s technology hubs and data centres, images of scientific experiments taken in laboratories or studios, alongside a body of scientific archival materials sourced online from governmental institutions, research agencies and educational establishments.
Form:
books
books
Publication:
October 2025
October 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
S'enforester
S'enforester
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes,(...)
$95.95
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes,(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 2026
January 2026
Title:
S'enforester
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$95.95
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes, chaque massif forestier exploité. Sans ce mythe, nous ne pouvons pas être à la hauteur des questions politiques que la forêt exige de nous : comment accompagner la forêt qui nous entoure, comment en vivre, comment la défendre ? Voici donc l’invitation de ce livre : opérer un détour par le pouvoir mythologique de la dernière forêt primaire d’Europe, relique du passé, pour revenir armé vers la question du futur de nos forêts en Europe, et en France en particulier. C’est un exercice de mythologie réelle à portée politique pour demain.
S'enforester
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« S’enforester » est né de la rencontre d’une photographe, d’un philosophe et d’une forêt. Nourris par la forêt de Bialowieza, Andrea Olga Mantovani et Baptiste Morizot ont uni leurs regards pour tisser le mythe de la forêt des origines. « S’enforester » nous dévoile le lien caché de cette forêt avec chaque arbre de nos squares, chaque chêne sur le bord de nos routes, chaque massif forestier exploité. Sans ce mythe, nous ne pouvons pas être à la hauteur des questions politiques que la forêt exige de nous : comment accompagner la forêt qui nous entoure, comment en vivre, comment la défendre ? Voici donc l’invitation de ce livre : opérer un détour par le pouvoir mythologique de la dernière forêt primaire d’Europe, relique du passé, pour revenir armé vers la question du futur de nos forêts en Europe, et en France en particulier. C’est un exercice de mythologie réelle à portée politique pour demain.
Form:
books
books
Publication:
January 2026
January 2026
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Paul Elter: Silver tongued
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental(...)
$130.00
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Summary:
"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental(...)
Title:
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental conditions of the day. Portraits reveal themselves slowly. "What I found compelling was that during sittings these people, whom we had never met before, would open up in a very personal and revealing way, because time essentially had slowed down. Space and safety were created by the nature of the process itself, with both photographer and sitter suspended in a distinct moment." – Paul Elter
Paul Elter: Silver tongued
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$130.00
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"Silver tongued" is rooted in the absorbing process of creating wetplate portraits. The medium requires intricate setups, long exposures, and delicate chemistry. Shaped with only available outdoor light, using vintage 8x10” view camera, these images are individually poured and sensitized on the spot—therefore, greatly influenced by fluctuations in the environmental conditions of the day. Portraits reveal themselves slowly. "What I found compelling was that during sittings these people, whom we had never met before, would open up in a very personal and revealing way, because time essentially had slowed down. Space and safety were created by the nature of the process itself, with both photographer and sitter suspended in a distinct moment." – Paul Elter
Form:
books
books
Publication:
November 2025
November 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Mosca 1962
Mosca 1962
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city,(...)
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Summary:
In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city,(...)
Title:
Mosca 1962
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$36.95
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In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city, exploring it from top to bottom. With a curiosity for everything, he was struck by the immense size of the capital, by its new neighbourhoods, by the signs of communism and its history, by the omnipresence of the military, but also by the relaxed outlook of the youth, the department stores, the Russians' carefree relationship with nature, the innocence of the children and the widespread love of chess.
Mosca 1962
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$36.95
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Summary:
In the summer of 1962, while still a university student of architecture, Andrea Branzi went to visit his brother Piergiorgio in Moscow, where he was working as a Rai correspondent. This was the world of the Cold War, but the "thaw" heralded by Nikita Khrushchev had somewhat loosened the grip of the Soviet regime. The young Branzi took the chance to wander around the city, exploring it from top to bottom. With a curiosity for everything, he was struck by the immense size of the capital, by its new neighbourhoods, by the signs of communism and its history, by the omnipresence of the military, but also by the relaxed outlook of the youth, the department stores, the Russians' carefree relationship with nature, the innocence of the children and the widespread love of chess.
Form:
books
books
Publication:
October 2025
October 2025
Subject:
Photography monographs
Photography monographs
