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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his(...)
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his(...)
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Robert Rauschenberg: Photographs 1949-1962
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.
Robert Rauschenberg: Photographs 1949-1962
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.
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books
books
Publication:
March 2011
March 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Laszlo Moholy-Nagy: 60 fotos
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
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Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Alexey Brodovitch: Ballet
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on(...)
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2011
February 2011
Title:
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about the artist.
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about the artist.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
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books
books
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$44.00
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original(...)
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Summary:
First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2011
February 2011
Title:
Zdenek Tmej: The alphabets of spiritual emptiness
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original texts by Alexandra Urbanova, translated for the first time into English, and a contemporary essay by Czech photo historian Vladimir Birgus.
Zdenek Tmej: The alphabets of spiritual emptiness
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original texts by Alexandra Urbanova, translated for the first time into English, and a contemporary essay by Czech photo historian Vladimir Birgus.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Paul Graham: Beyond caring
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and(...)
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and(...)
Title:
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and controversial book is augmented with contemporary essays by writer and curator David Chandler and Errata Creative Director Jeffrey Ladd.
Paul Graham: Beyond caring
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Published in 1986, Beyond Caring is now regarded as one of the key works from Britain's wave of "New Colour" photography. Photographing surreptitiously, his camera is both witness and protagonist within a bureaucratic system that speaks to the humiliation and indignity aimed towards the most vulnerable in society. Errata's complete reproduction of this now rare and controversial book is augmented with contemporary essays by writer and curator David Chandler and Errata Creative Director Jeffrey Ladd.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$61.00
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home.(...)
Title:
Hans Eijkelboom: Good intentions and modern housing
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Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Hans Eijkelboom: Good intentions and modern housing
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Summary:
Dutch photographer Hans Eijkelboom is fascinated by the clash between the idealistic constructions and aspirations of modernism and the harsh fact of his own living environment. In 2008 the Art Foundation of Amsterdam's Academic Medical Center commissioned the artist to document the Bijlmer, a district in southeast Amsterdam, which both he and the AMC call home. Eijkelboom took 12 photos every month over a period of one and a half years and displayed the steadily expanding series on a temporary wall at the AMC hospital. His photos capture the diversity of the area, telling the story of the place and the varied people who live there. This special album of photographs from the series is accompanied by an essay by art critic Hans den Hartog Jager. The publication also includes a textual collage by the photographer himself, which traces the turbulent genesis and development of the Bijlmer since the 1970s.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$72.00
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to(...)
$72.00
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to(...)
Title:
Penelope Umbrico: Photographs
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Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico's first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works and other material serving as resources for engaging further with the work and issues involved.
Penelope Umbrico: Photographs
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$72.00
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Summary:
Penelope Umbrico: Photographs offers a radical reinterpretation of everyday consumer and vernacular images. She works within the virtual world of consumer marketing and social media, traveling through the relentless flow of seductive images, objects and information that surrounds us, searching for decisive moments. presents a unique and challenging approach to quintessential issues of representation in contemporary culture, including how images are used to construct and communicate consumer desire, and whether or not the growing volume of images we view online fosters a critical visual literacy. This volume, Umbrico's first monograph, is accompanied by a series of essays, appendices of source material, excerpts from theoretical works and other material serving as resources for engaging further with the work and issues involved.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Rinko Kawauchi
Rinko Kawauchi
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$66.00
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Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
$66.00
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Summary:
Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
Title:
Rinko Kawauchi
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$66.00
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Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
Rinko Kawauchi
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$66.00
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Illuminance is the latest volume of Kawauchi's work and the first to be published outside of Japan.
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books
books
Publication:
May 2011
May 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$44.00
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Summary:
British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and(...)
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Summary:
British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and(...)
Title:
Jem Southam: Rockfalls and ponds
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British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and attempts at landscaping. At other times, the transformations seem less steered by humankind, but still suggest a delicate balance between nature and man, decay and renewal. Southam uses a large-format camera, which produces 8 x 10 inch negatives, in order to attain an extreme degree of detail. While the enlarged prints reveal a captivating wealth of information, smaller "contact prints"—made by placing the negative directly onto the photographic paper—achieve a contrasting intimacy; both affirm Southam's acute sensitivity to place, superbly represented by this handsomely bound monograph.
Jem Southam: Rockfalls and ponds
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Summary:
British photographer Jem Southam (born 1950) is not short on tenacity; he patiently observes the topographical changes at a single location, revisiting a site over months or even years. Sometimes the recorded modifications are driven by man, as seen in his The Pond at Upton Pyne series, which charts a village pond as it is transformed by successive periods of neglect and attempts at landscaping. At other times, the transformations seem less steered by humankind, but still suggest a delicate balance between nature and man, decay and renewal. Southam uses a large-format camera, which produces 8 x 10 inch negatives, in order to attain an extreme degree of detail. While the enlarged prints reveal a captivating wealth of information, smaller "contact prints"—made by placing the negative directly onto the photographic paper—achieve a contrasting intimacy; both affirm Southam's acute sensitivity to place, superbly represented by this handsomely bound monograph.
Form:
books
books
Publication:
April 2011
April 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Thomas Demand : executive
Thomas Demand : executive
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$29.95
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Summary:
This volume records two recent Demand projects: Embassy (2007) and Presidency (2008). For both series, Demand used images of an embassy interior and the Oval Office at the White House, and laboriously reconstructed the rooms as life-size models. After Demand photographed them, the rooms were destroyed, but this volume examines the entire process, from photograph to(...)
$29.95
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Summary:
This volume records two recent Demand projects: Embassy (2007) and Presidency (2008). For both series, Demand used images of an embassy interior and the Oval Office at the White House, and laboriously reconstructed the rooms as life-size models. After Demand photographed them, the rooms were destroyed, but this volume examines the entire process, from photograph to(...)
Title:
Thomas Demand : executive
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$29.95
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This volume records two recent Demand projects: Embassy (2007) and Presidency (2008). For both series, Demand used images of an embassy interior and the Oval Office at the White House, and laboriously reconstructed the rooms as life-size models. After Demand photographed them, the rooms were destroyed, but this volume examines the entire process, from photograph to sculpture to photograph.
Thomas Demand : executive
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$29.95
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Summary:
This volume records two recent Demand projects: Embassy (2007) and Presidency (2008). For both series, Demand used images of an embassy interior and the Oval Office at the White House, and laboriously reconstructed the rooms as life-size models. After Demand photographed them, the rooms were destroyed, but this volume examines the entire process, from photograph to sculpture to photograph.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
