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Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture(...)
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Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture(...)
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Naoya Hatakeyama : Kesengawa, towards the Kesen river
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Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture philosophique sur la mémoire survivante.
Naoya Hatakeyama : Kesengawa, towards the Kesen river
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Naoya Hatakeyama écrit son journal de bord, en route vers le Nord du Japon, vers sa ville natale, après l’annonce du tsunami qui a submergé la côte le 11 Mars 2011. Il se souvient des moments paisibles, avant de découvrir l’étendue du désastre. Kesengawa', construit sur les images avant et après la catastrophe, est à la fois un documentaire intime et une ouverture philosophique sur la mémoire survivante.
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books
books
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November 2013
November 2013
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Photography monographs
Photography monographs
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books
books
Title:
Naoya Hatakeyama : Terrils
Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le(...)
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le(...)
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Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le terril, souvent ignoré ou contourné, reprend la place centrale dans les paysages transmis par Naoya Hatakeyama. Dressé sur le plat pays, il agit comme un appel, un sursaut imaginaire.
Naoya Hatakeyama : Terrils
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L’origine du mot 'Terril' est assez mystérieuse et divise les historiens.Sa force sonore figure bien la terre extraite, élevée. Comme des blocs de mémoire, leurs silhouettes scandent le paysage du bassin minier Nord-Pas-de-Calais.Artiste sensible aux transformations géographiques et industrielles, Naoya Hatakeyama a sillonné en 2009 ces grands espaces à fleur de ciel. Le terril, souvent ignoré ou contourné, reprend la place centrale dans les paysages transmis par Naoya Hatakeyama. Dressé sur le plat pays, il agit comme un appel, un sursaut imaginaire.
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books
books
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November 2011
November 2011
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Photography monographs
Photography monographs
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books
books
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En 1978, Thierry Girard aborde les territoires du Nord et du Pas-de-Calais comme un artiste-arpenteur au hasard de ses rencontres et de ses intuitions. Il poursuivra cette aventure plusieurs années de suite, aimanté par ce qu’il découvre et transmet de la vie quotidienne et du monde ouvrier. En 2017 et 2018, Thierry Girard décide de revenir sur ses traces dans le bassin(...)
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En 1978, Thierry Girard aborde les territoires du Nord et du Pas-de-Calais comme un artiste-arpenteur au hasard de ses rencontres et de ses intuitions. Il poursuivra cette aventure plusieurs années de suite, aimanté par ce qu’il découvre et transmet de la vie quotidienne et du monde ouvrier. En 2017 et 2018, Thierry Girard décide de revenir sur ses traces dans le bassin(...)
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Thierry Girard : Le monde d'après
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En 1978, Thierry Girard aborde les territoires du Nord et du Pas-de-Calais comme un artiste-arpenteur au hasard de ses rencontres et de ses intuitions. Il poursuivra cette aventure plusieurs années de suite, aimanté par ce qu’il découvre et transmet de la vie quotidienne et du monde ouvrier. En 2017 et 2018, Thierry Girard décide de revenir sur ses traces dans le bassin minier du Nord et du Pas-de-Calais, comme un retour à l’origine de son travail photographique.
Thierry Girard : Le monde d'après
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En 1978, Thierry Girard aborde les territoires du Nord et du Pas-de-Calais comme un artiste-arpenteur au hasard de ses rencontres et de ses intuitions. Il poursuivra cette aventure plusieurs années de suite, aimanté par ce qu’il découvre et transmet de la vie quotidienne et du monde ouvrier. En 2017 et 2018, Thierry Girard décide de revenir sur ses traces dans le bassin minier du Nord et du Pas-de-Calais, comme un retour à l’origine de son travail photographique.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Photography monographs
Photography monographs
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books
books
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$108.00
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Summary:
This volume documents 12 paper works made from the earliest expired photographic papers in the collection of New York–based artist Alison Rossiter (born 1953), created in honor of Anna Atkins, the first person to illustrate a book with photographs. The exact expiration dates of these papers pinpoint their location on a timeline and coexist with events in world(...)
$108.00
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This volume documents 12 paper works made from the earliest expired photographic papers in the collection of New York–based artist Alison Rossiter (born 1953), created in honor of Anna Atkins, the first person to illustrate a book with photographs. The exact expiration dates of these papers pinpoint their location on a timeline and coexist with events in world(...)
Title:
Alison Rossiter: Compendium 1898-1919
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This volume documents 12 paper works made from the earliest expired photographic papers in the collection of New York–based artist Alison Rossiter (born 1953), created in honor of Anna Atkins, the first person to illustrate a book with photographs. The exact expiration dates of these papers pinpoint their location on a timeline and coexist with events in world history. No matter what the light-sensitive materials have endured through dormant years, they still respond to chemical development, and the resulting photographic tones are evidence of experience. Physical damage, moisture and mold produce tonal changes when developed. This book, a copublication with the New York Public Library and Yossi Milo, includes all 12 works from the series at actual scale, along with close-up details. The reference dates, which cover world events such as World War II, and art historical references such as Picasso’s Blue Period, are included at the back.
Alison Rossiter: Compendium 1898-1919
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This volume documents 12 paper works made from the earliest expired photographic papers in the collection of New York–based artist Alison Rossiter (born 1953), created in honor of Anna Atkins, the first person to illustrate a book with photographs. The exact expiration dates of these papers pinpoint their location on a timeline and coexist with events in world history. No matter what the light-sensitive materials have endured through dormant years, they still respond to chemical development, and the resulting photographic tones are evidence of experience. Physical damage, moisture and mold produce tonal changes when developed. This book, a copublication with the New York Public Library and Yossi Milo, includes all 12 works from the series at actual scale, along with close-up details. The reference dates, which cover world events such as World War II, and art historical references such as Picasso’s Blue Period, are included at the back.
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books
books
Publication:
June 2020
June 2020
Subject:
Photography monographs
Photography monographs
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books
books
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$63.00
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Italian photographer Luigi Ghirri (1943–92) made ''Cardboard landscapes'' (''Paesaggi di cartone'') during his travels around Europe, coining the term 'sentimental geography' to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic colour prints pasted onto the pages of a blank(...)
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Italian photographer Luigi Ghirri (1943–92) made ''Cardboard landscapes'' (''Paesaggi di cartone'') during his travels around Europe, coining the term 'sentimental geography' to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic colour prints pasted onto the pages of a blank(...)
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Luigi Ghirri: Cardboard landscapes
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Italian photographer Luigi Ghirri (1943–92) made ''Cardboard landscapes'' (''Paesaggi di cartone'') during his travels around Europe, coining the term 'sentimental geography' to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic colour prints pasted onto the pages of a blank book, and was gifted by Ghirri to John Szarkowski, then the Director of the Department of Photography at the Museum of Modern Art, in the 1970s. A singular work of art, ''Cardboard landscapes'' is now being published for the first time. The collection is an anomaly within Ghirri’s overall oeuvre, as it prioritizes complex composition rather than the sweeping tableaux for which he is best known. In this series of works, he regards the printed image as the subject, framing a kaleidoscope of photographs and advertisements to tell a poetic visual narrative that reflects at once regional, personal and popular culture, revealing a fascinating impulse to investigate his role within his own medium.
Luigi Ghirri: Cardboard landscapes
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Italian photographer Luigi Ghirri (1943–92) made ''Cardboard landscapes'' (''Paesaggi di cartone'') during his travels around Europe, coining the term 'sentimental geography' to describe his unique artistic approach of examining the ordinary to prove it remarkable. The original handmade album features over 100 chromogenic colour prints pasted onto the pages of a blank book, and was gifted by Ghirri to John Szarkowski, then the Director of the Department of Photography at the Museum of Modern Art, in the 1970s. A singular work of art, ''Cardboard landscapes'' is now being published for the first time. The collection is an anomaly within Ghirri’s overall oeuvre, as it prioritizes complex composition rather than the sweeping tableaux for which he is best known. In this series of works, he regards the printed image as the subject, framing a kaleidoscope of photographs and advertisements to tell a poetic visual narrative that reflects at once regional, personal and popular culture, revealing a fascinating impulse to investigate his role within his own medium.
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books
books
Publication:
September 2020
September 2020
Subject:
Photography monographs
Photography monographs
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books
books
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$60.00
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form(...)
Title:
Guido Guidi: Lunario 1968-1999
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
Guido Guidi: Lunario 1968-1999
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A project composed across several decades, Guido Guidi's Lunario takes the name of a traditional farmer’s almanac to bring together several strands of work all relating to the moon. Distortion, experimentation and illusion inform Guidi’s earlier work of the late 1960s and early 1970s, further developed by the introduction of a fish-eye lens. The moon’s physical form echoes throughout the works: in a woman’s face, or a child’s playing ball caught between light and shadow. Guidi’s barren, lunar landscapes give way in the 1980s to colour photographs, all of which culminate in the dramatic partial solar-eclipse of August 11, 1999. Throughout Lunario, Guido Guidi comes back to the moon as a source of stylistic and thematic inspiration: a symbol of melancholy and madness, changeability and a constant reminder of the transience of everyday life.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$42.95
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la(...)
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la(...)
Title:
Lynne Cohen : double aveugle, 1970-2012
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la société nord-américaine.
Lynne Cohen : double aveugle, 1970-2012
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L'exposition présente une centaine d'oeuvres couvrant l'intégralité de la carrière de la photographe canadienne, depuis ses premières expérimentations en noir et blanc et en petits formats jusqu'aux commandes monumentales en couleurs des années 2000. Son travail révèle les stratégies de surveillance et de manipulation des comportements individuels et collectifs dans la société nord-américaine.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Dorothea Lange: Day sleeper
Dorothea Lange: Day sleeper
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to(...)
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to(...)
Title:
Dorothea Lange: Day sleeper
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange’s ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. 'Day Sleeper' will be featured alongside other works of Contis’ in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February–May 2020.
Dorothea Lange: Day sleeper
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In this book Sam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. The book shows us one artist through the eyes of another, with Contis responding to resonances between her and Lange’s ways of seeing. It reveals a largely unknown side of Lange, and includes previously unseen photographs of her family, portraiture from her studio, and pictures made in the streets of San Francisco and the East Bay. 'Day Sleeper' will be featured alongside other works of Contis’ in the exhibition Dorothea Lange: Words & Pictures at the Museum of Modern Art, February–May 2020.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Teju Cole: Fernweh
Teju Cole: Fernweh
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$62.00
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The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s(...)
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The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s(...)
Title:
Teju Cole: Fernweh
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The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubu¨nden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing.
Teju Cole: Fernweh
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The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubu¨nden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing.
Form:
books
books
Publication:
February 2020
February 2020
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$55.00
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Summary:
In this publication, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic(...)
$55.00
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Summary:
In this publication, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic(...)
Title:
Aikaterini Gegisian: Handbook of the spontaneous other
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In this publication, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic spreads — in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies. Divided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a ‘spontaneous other’; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation
Aikaterini Gegisian: Handbook of the spontaneous other
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$55.00
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Summary:
In this publication, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic spreads — in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies. Divided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a ‘spontaneous other’; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Photography monographs
Photography monographs
