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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
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Photography monographs
Photography monographs
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February 2010
February 2010
Title:
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
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books
books
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February 2010
February 2010
Subject:
Photography monographs
Photography monographs
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books
books
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$67.99
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
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Framing the West: the survey of Timothy H. O'Sullivan
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
Framing the West: the survey of Timothy H. O'Sullivan
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
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books
books
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March 2010
March 2010
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books
books
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
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Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
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books
books
Publication:
April 2010
April 2010
Subject:
Photography monographs
Photography monographs
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books
books
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$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Subject:
Photography monographs
Photography monographs
Publication:
May 2010
May 2010
Title:
Helios: Eadweard Muybridge in a time of change
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Helios: Eadweard Muybridge in a time of change
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$96.00
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Summary:
Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Photography monographs
Photography monographs
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books
books
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Title:
Walker Evans: decade by decade
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Walker Evans: decade by decade
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
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books
books
Publication:
April 2010
April 2010
Subject:
Photography monographs
Photography monographs
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books
books
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$60.00
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
Title:
Lee Friedlander: America by car
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
Lee Friedlander: America by car
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Robert Adams: Gone?
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Title:
Robert Adams: Gone?
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Robert Adams: Gone?
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$84.00
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Summary:
Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Form:
books
books
Publication:
April 2010, London
April 2010, London
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$48.00
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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs(...)
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Summary:
Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs(...)
Title:
Santiago Torralba: Geometrías
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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs of order from these chaotic landscapes.
Santiago Torralba: Geometrías
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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs of order from these chaotic landscapes.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$42.00
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Hamburg-based photographer and artist Alexander Rischer uses traditional black-and-white photography to study historical buildings and architectural details, often deliberately disorienting his subjects into unrecognizability. The photos in this new monograph are drawn from the past ten years of his work.
$42.00
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Hamburg-based photographer and artist Alexander Rischer uses traditional black-and-white photography to study historical buildings and architectural details, often deliberately disorienting his subjects into unrecognizability. The photos in this new monograph are drawn from the past ten years of his work.
Title:
Alexander Rischer: Caput Corvi
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$42.00
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Hamburg-based photographer and artist Alexander Rischer uses traditional black-and-white photography to study historical buildings and architectural details, often deliberately disorienting his subjects into unrecognizability. The photos in this new monograph are drawn from the past ten years of his work.
Alexander Rischer: Caput Corvi
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$42.00
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Hamburg-based photographer and artist Alexander Rischer uses traditional black-and-white photography to study historical buildings and architectural details, often deliberately disorienting his subjects into unrecognizability. The photos in this new monograph are drawn from the past ten years of his work.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Giuseppe Ripa: Moondance
Giuseppe Ripa: Moondance
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Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
$66.00
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Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Title:
Giuseppe Ripa: Moondance
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$66.00
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Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Giuseppe Ripa: Moondance
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$66.00
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Summary:
Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
