C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and(...)
C Mag 158 : Almanac
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In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.
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Pour que tu m’aimes encore, assume l’amour, l’espoir et la perte. C’est l’air des premiers râteaux, des premières ruptures et je considère que cette chanson est un chef-d’œuvre. Elle lance un cri pour ramener l’être aimé. Cette chanson révèle une pensée obsessionnelle, presque Faustienne, Orphéienne. Elle amorce aussi une réflexion plus vaste sur l’attachement, le(...)
JTM #01: Pour que tu m'aimes encore
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Pour que tu m’aimes encore, assume l’amour, l’espoir et la perte. C’est l’air des premiers râteaux, des premières ruptures et je considère que cette chanson est un chef-d’œuvre. Elle lance un cri pour ramener l’être aimé. Cette chanson révèle une pensée obsessionnelle, presque Faustienne, Orphéienne. Elle amorce aussi une réflexion plus vaste sur l’attachement, le pouvoir, la durabilité, le regard des autres. Elle questionne notre capacité à exposer notre vulnérabilité, à s’accrocher à de nouvelles croyances, à voyager dans nos souvenirs. Ce premier numéro réunira des créateu·rices ancré·es dans leur ressenti et leurs émotions. Ce regard plus appliqué et subjectif permet d’accéder à une lucidité inattendue sur nos questionnements contemporains. La création par l’émotionnel dessine l’environnement dans lequel nous vivons, les objets que nous portons et exposons, les espaces dans lesquels nous grandissons et les outils avec lesquels nous bâtissons. En étant intellectuellement ouvert et sensible, il est possible de transformer durablement notre rapport au monde et à ce que nous produisons. Il est urgent de réfléchir autrement, moins égoïstement.
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Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.
Archivio n.10: The design issue
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Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.
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« Magma » s'associe au Centre Pompidou pour faire renaître les enquêtes surréalistes dans une édition spéciale de la revue (au format journal grand format) qui célèbre les cent ans du mouvement et l'exposition rétrospective organisée par le Musée National d'Art Moderne.
Magma : Nouvelles enquêtes surréalistes
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« Magma » s'associe au Centre Pompidou pour faire renaître les enquêtes surréalistes dans une édition spéciale de la revue (au format journal grand format) qui célèbre les cent ans du mouvement et l'exposition rétrospective organisée par le Musée National d'Art Moderne.
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This issue identifies the critical role played by public bodies in carving out public space and celebrates new public spaces around the world shortlisted in the second edition of the AR Public awards. Five public spaces are revisited in the issue, to ask how their original designers envisaged their use and how their role in public life has changed with time and shifting(...)
The Architectural Review 1513, jul/aug 2024
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This issue identifies the critical role played by public bodies in carving out public space and celebrates new public spaces around the world shortlisted in the second edition of the AR Public awards. Five public spaces are revisited in the issue, to ask how their original designers envisaged their use and how their role in public life has changed with time and shifting incentives. Some are success stories: Copacabana beach in Rio de Janeiro ‘attracts the richest and the poorest‘, while in Paris’s Le Cent Quatre, artists rehearse in a convivial, open atmosphere. In New York, the High Line’s ‘successes and shortcomings are as much a product of the neoliberal economy as of its designers’, while entrance to Meskel Square in Addis Ababa has become subject to an entrance fee.
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Pleasant Place 6: Topiary
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Topiary is the practice of trimming and pruning trees and shrubs into clearly defined and fanciful shapes. As an art form, it is a type of living sculpture, and its practice in Europe dates from Roman times. Featured in this issue are a history of topiary and the changing views of nature by botanical philosopher Norbert Peeters; a conversation with Chris Crowder, head(...)
Pleasant Place 6: Topiary
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Topiary is the practice of trimming and pruning trees and shrubs into clearly defined and fanciful shapes. As an art form, it is a type of living sculpture, and its practice in Europe dates from Roman times. Featured in this issue are a history of topiary and the changing views of nature by botanical philosopher Norbert Peeters; a conversation with Chris Crowder, head gardener of the celebrated topiary gardens at Levens Hall; the ancient Japanese tradition of "niwaki," or sculpting trees; a glimpse of topiary’s future by artist Rustan Söderling; centrefold miniatures by Andrei Pacea, and more. "Pleasant Place" is a growing collection of publications about the art of gardening.
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MacGuffin 14: The wall
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From the Apartheid wall in Palestine to the digital paywall, from memorial murals in Jamaica to the increasingly tall glass facades of modern office blocks, walls testify to the tumult of history and humanity’s ceaseless urge to communicate and to sow division. They force us to reflect on the paradoxes of openness and isolation, of enclosure and exclusion. In a world(...)
MacGuffin 14: The wall
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From the Apartheid wall in Palestine to the digital paywall, from memorial murals in Jamaica to the increasingly tall glass facades of modern office blocks, walls testify to the tumult of history and humanity’s ceaseless urge to communicate and to sow division. They force us to reflect on the paradoxes of openness and isolation, of enclosure and exclusion. In a world drowning in borders, barriers and barbed-wire fences, this issue of MacGuffin pauses for thought and asks: What exactly do we want to express or protect? And why?
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Playground Issue 2
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The second 112-page issue of Playground delves into childhood, memories, and nostalgia, exploring how they shape our thoughts and creations. It’s a beloved topic that many writers, illustrators, and interviewees have opened up about, sharing their musings and recollections. At its core, this issue is also about people finding their playgrounds and elements of play –(...)
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August 2024
Playground Issue 2
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The second 112-page issue of Playground delves into childhood, memories, and nostalgia, exploring how they shape our thoughts and creations. It’s a beloved topic that many writers, illustrators, and interviewees have opened up about, sharing their musings and recollections. At its core, this issue is also about people finding their playgrounds and elements of play – sometimes needing to slow down, sometimes needing to play more, or to play by different rules.
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Volume 65: Living together
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''Volume 65: Living Together'' explores ways in which we cohabitate, capturing a wide array of modes and models of living across the globe and presenting a mosaic of stories, addressing both the ongoing crises while also offering new perspectives, cases and creative engagements with housing. In-depth stories report on the scandalous ripple effect of the Syrian civil war,(...)
Volume 65: Living together
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''Volume 65: Living Together'' explores ways in which we cohabitate, capturing a wide array of modes and models of living across the globe and presenting a mosaic of stories, addressing both the ongoing crises while also offering new perspectives, cases and creative engagements with housing. In-depth stories report on the scandalous ripple effect of the Syrian civil war, the transitory routes used by migrants in the Balkans, compound life in Afghanistan, and the precarious position of mental health infrastructure in China. More hopeful stories look at new building in Abidjan, cooperative practices from Zimbabwe, to Switzerland, and careful house construction in the Colombian hinterland.
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