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For four decades, Azure has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
Azure 311
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For four decades, Azure has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
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À travers l'articulation de textes critiques et d'un essai visuel, ce numéro de la revue « Faire » s'intéresse à la 3D, aussi appelée synthèse d'images tridimensionnelles. // Through a combination of critical texts and a visual essay, this issue of "Faire" explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.
Faire – Regarder le graphisme n° 52 : Un mode de représentation : la 3D / A Mode of representation: 3D
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À travers l'articulation de textes critiques et d'un essai visuel, ce numéro de la revue « Faire » s'intéresse à la 3D, aussi appelée synthèse d'images tridimensionnelles. // Through a combination of critical texts and a visual essay, this issue of "Faire" explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.
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Desired Landscapes 8
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We walk in cities with no postcards, only to collect postcards from home. We close our eyes to move our bodies through dense tourism and rising floods. We drive through the past, holding on to occult rituals to stay rooted. We taste the city on the go, misled by its disguised façades and concealed staircases. We bring home wild plants, only to forget them, and choose to(...)
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July 2025
Desired Landscapes 8
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We walk in cities with no postcards, only to collect postcards from home. We close our eyes to move our bodies through dense tourism and rising floods. We drive through the past, holding on to occult rituals to stay rooted. We taste the city on the go, misled by its disguised façades and concealed staircases. We bring home wild plants, only to forget them, and choose to live beside volcanoes despite the risk. We switch off the lights to walk under the stars, and to hear the echoes of suppressed rivers. In this issue, we sense all kinds of flows. Issue 08 will take you to TIRANA – ATHENS – MUSCAT – LISBON – BENIDORM – MADRID – NEW YORK CITY – NAPLES – ISTANBUL – VALLETTA – PARIS – OAXACA – YEREVAN, with a city guide on VENICE.
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Under the title ‘Community Care’, AV Proyectos 128 features six works that cater to specific needs through an attentive and sensitive architecture that prioritizes a collective approach, as show the centers designed by Mae Architects, Vivas Arquitectos, or Dorte Mandrup. Paz Martín, architect and expert in the field, introduces the dossier with an essay that analyzes how(...)
AV Proyectos 128: Community care
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Under the title ‘Community Care’, AV Proyectos 128 features six works that cater to specific needs through an attentive and sensitive architecture that prioritizes a collective approach, as show the centers designed by Mae Architects, Vivas Arquitectos, or Dorte Mandrup. Paz Martín, architect and expert in the field, introduces the dossier with an essay that analyzes how assistance can shape the project strategy. Along the same lines, in an interview with the magazine the architect and professor Izaskun Chinchilla talks about the city of care and how the buildings that compose it are not just hospitals and clinics. In the process section, the complex by Herzog & de Meuron in North Zealand is an example of how to depart from traditional hospital building typologies. The issue also analyzes the high-rise construction boom in Albania, with proposals by MVRDV, Valerio Olgiati, and Bofill Taller de Arquitectura, among other firms.
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The Mexicans Colectivo C733 have found in the ideas of Eladio Dieste a constant source of inspiration: in their a rational approach to the use of materials, their respect for human effort, and their way of understading the project as a perfectly orchestrated symphony. This philosophy has enabled them to build more than fifty projects across Mexico in just five years, in(...)
AV Monographs 274: Colectivo C733
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The Mexicans Colectivo C733 have found in the ideas of Eladio Dieste a constant source of inspiration: in their a rational approach to the use of materials, their respect for human effort, and their way of understading the project as a perfectly orchestrated symphony. This philosophy has enabled them to build more than fifty projects across Mexico in just five years, in the context of an ambitious government strategy to improve infrastructures and public spaces in vulnerable contexts. Thanks to a millimetric coordinatoin and a shared view of social innovation and sustainability, C733 has managed to turn each intervention into an example of architecture committed to the environment and the community. This issue features a selection of fifteen projects that reflect the diversity, scale, and impact of their work.
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E-flux index #6
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben(...)
E-flux index #6
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The sixth issue of e-flux Index features contributions from: Katherine C.M. Adams, Mal Ahern, Jamie Allen, Mónica Amor, Stephanie Bailey, Oliver Basciano, Sarah Bell, Lucy Benjamin, Franco "Bifo" Berardi, Pietro Bianchi, Ewa Borysiewicz, Molly Crabapple, Jhordan Channer, Adeline Chia, After Comfort Collective, Guy Debord, Brian Dillon, Cathryn Drake, Marguerite Duras, Ben Eastham, Caroline Elbaor, Jean Epstein, Irmgard Emmelhainz, Almudena Escobar López, Chris Fite-Wassilak, Andrea Fraser, Yervant Gianikian and Angela Ricci Lucchi, Alan Gilbert, David Gissen, Anna Gorskaya, Rob Goyanes, Simon Hajdini, Jörg Heiser, Yuk Hui, Dylan Huw, Nadia Huggins, Isabel Jacobs, Jason Fitzroy Jeffers, Jennifer Johung, George Kafka, Michael Kurtz, Enzo Lara-Hamilton, Alex Taek-Gwang Lee, Jen Liu, Sven Lütticken, Mae-ling Lokko, Natasha Marie Llorens, Elsa Mäki, Ives Maes, Babette Mangolte, Michael Marder, Jeremy Millar, John Douglas Millar, Luise Mörke, Serubiri Moses, Novuyo Moyo, Chris Murtha, Minh Nguyen, Marakianí Olivieri, Trevor Paglen, Andreas Petrossiants, Armina Pilav, André Pitol, Valery Podoroga Post-Novis, Océane Ragoucy, Rachel Rakes, Oleksiy Radynski, Shellyne Rodriguez, Luis Othoniel Rosa, Sophie Rose, Kristin Ross, Roque Raquel Salas Rivera, Frans Saraste, Aaron Schuster, Marina Vishmidt, Lua Vollaard, Jason Waite, Zofia Trafas White, Toby Üpson, Slavoj Žižek, and Amy Zhang.
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Detail 5 2025 : Facades
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The facade is a building’s most outward-facing element. The interplay of materials, textures, colours, and transparent or opaque surfaces defines not only its external character but also its contribution to the urban fabric. While facades in past centuries evolved from traditional construction methods and locally sourced materials, today’s design possibilities are far(...)
Detail 5 2025 : Facades
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The facade is a building’s most outward-facing element. The interplay of materials, textures, colours, and transparent or opaque surfaces defines not only its external character but also its contribution to the urban fabric. While facades in past centuries evolved from traditional construction methods and locally sourced materials, today’s design possibilities are far more varied. Technical advances have extended the range of materials we can use and combine across various construction systems. Windows can be any size – from fully enclosed to fully transparent, virtually anything is possible. However, stricter regulations on thermal insulation and airtightness have introduced new constraints. Single-skin facade systems are now the exception; in most cases, a double- skin wall structure with a protective outer layer – the cladding – has become the standard. The projects featured in this issue reveal the diverse ways architecture firms approach the art of cladding – from used roadside safety barriers repurposed for a Swiss maintenance depot to a rich mix of textures shaping an art complex in New York.
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As the first independent environments children encounter beyond the home, nurseries, daycare centres, and kindergartens should not appear merely as colourful fantasy worlds. Well-conceived early-learning centres and schools create a microcosm modelled on everyday life – child-friendly yes, but by no means childish. Such places offer security while inviting discovery,(...)
Detail 9 2025: building for children
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As the first independent environments children encounter beyond the home, nurseries, daycare centres, and kindergartens should not appear merely as colourful fantasy worlds. Well-conceived early-learning centres and schools create a microcosm modelled on everyday life – child-friendly yes, but by no means childish. Such places offer security while inviting discovery, appropriation, and adaptation. In this issue we profile child-focused environments realised both as new builds and through adaptive reuse. A kindergarten on a disused industrial site near Copenhagen follows circular construction principles, using mostly materials salvaged from the dilapidated primary school that once stood there. Newly built daycare centres in the German state of Hessen and in Slovenia draw on local building traditions and the surrounding natural landscape. Meanwhile, a former East German telephone exchange was transformed into a playscape that anchors a childcare facility on a university campus in Merseburg.
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Digital Frontier 004
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You can’t escape history – and why would you want to? Issue 004 of Digital Frontier is built around echoes through time, the moments from the past still infiltrating the present, from cyberfeminist interpretations of ancient power dynamics to the cycle of tech criticism seen by every generation (fyi: it’s time to break it).
Digital Frontier 004
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You can’t escape history – and why would you want to? Issue 004 of Digital Frontier is built around echoes through time, the moments from the past still infiltrating the present, from cyberfeminist interpretations of ancient power dynamics to the cycle of tech criticism seen by every generation (fyi: it’s time to break it).
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Fanny Howe on the Art of Poetry: "If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down."; Marie NDiaye on the Art of Fiction: "Oh, no! Reading beautiful books can’t be traumatizing. Seeing awful things can be—but reading? I don’t believe in that at all."; Prose by Anuk Arudpragasam, Tom(...)
The Paris review n.252, summer 2025
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Fanny Howe on the Art of Poetry: "If I could say I was assigned something at birth, it would be to keep the soul fresh and clean, and to not let anything bring it down."; Marie NDiaye on the Art of Fiction: "Oh, no! Reading beautiful books can’t be traumatizing. Seeing awful things can be—but reading? I don’t believe in that at all."; Prose by Anuk Arudpragasam, Tom Crewe, GauZ’, Zans Brady Krohn, and Joy Williams; Poetry by Will Alexander, John Berryman, Yongyu Chen, Eugene Ostashevsky, Ricardo Reis, and Nell Wright; Art by Anne Collier, Celia Paul, and Alessandro Teoldi; cover by Tyler Mitchell.
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