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Pour ce 63e numéro de The Funambulist, nous nous sommes associé·es à Myriam Amri, anthropologue et artiste tunisienne avec qui nous « Suivons l’Argent ». Nous nous immérgeons dans les méandres du système capitaliste et remontons à ses nœuds centraux : la propriété, la terre, le capital et la classe. Nous analysons comment l’argent est au cœur des projets coloniaux et(...)
The Funambulist n.63 : Suivons l'argent
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Pour ce 63e numéro de The Funambulist, nous nous sommes associé·es à Myriam Amri, anthropologue et artiste tunisienne avec qui nous « Suivons l’Argent ». Nous nous immérgeons dans les méandres du système capitaliste et remontons à ses nœuds centraux : la propriété, la terre, le capital et la classe. Nous analysons comment l’argent est au cœur des projets coloniaux et impériaux, mais aussi comment la souveraineté et la libération de notre imaginaire monétaire peuvent être des outils d’émancipation.
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Le dossier de ce numéro rassemble les portfolios de Christos Dikeakos, Michel Campeau et Sara Knelman, autour de la thématique Collectionner. Une même passion pour l’image parcourt les séries présentées dans ce numéro, rassemblées par des artistes et une écrivaine qui sont à la fois un peu collectionneurs, archivistes et documentaristes.// The feature section of this(...)
CV Ciel variable 131 : Collectionner / Collecting
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Le dossier de ce numéro rassemble les portfolios de Christos Dikeakos, Michel Campeau et Sara Knelman, autour de la thématique Collectionner. Une même passion pour l’image parcourt les séries présentées dans ce numéro, rassemblées par des artistes et une écrivaine qui sont à la fois un peu collectionneurs, archivistes et documentaristes.// The feature section of this issue brings together portfolios by Christos Dikeakos, Michel Campeau, and Sara Knelman around the theme of Collecting. A shared passion for the image runs through the series presented in this issue, brought together by artists and a writer who are, each in their own way, collectors, archivists, and documentarians.
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Azure 314 : Houses
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What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
Azure 314 : Houses
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What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place(...)
Border Crossings 169 : Now, and then
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place then. This is the way in which our topic for the current issue came to mind. It might also serve as an anchor in our rudderless time, to be consistently nautical, in that we can be engaged in the unavoidable present but we can also be assured that there is a history behind us — both bolstering, and dreadful, some of it we can draw and build on and much for which we ask to be forgiven.
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C magazine 162 : Tidal
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean(...)
C magazine 162 : Tidal
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean archipelago, Palestine, Central America, and Bidong Island in Malaysia, artists wade through interconnected and overlapping struggles across multiple shores, times, and material inheritances.
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In issue 005 of Digital Frontier, meet the Outlier people, projects and ideas reimaging what our future will look like. The founders of New Computer are attempting to code a computerised soul; Kenyan builders leapfrog ahead using DIYed infrastructure; and multi-hyphenate creatives Danielle Baskin and Damjanski are turning random thoughts into engaging experiences. We also(...)
Digital Frontier 005 : Our future decoded
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In issue 005 of Digital Frontier, meet the Outlier people, projects and ideas reimaging what our future will look like. The founders of New Computer are attempting to code a computerised soul; Kenyan builders leapfrog ahead using DIYed infrastructure; and multi-hyphenate creatives Danielle Baskin and Damjanski are turning random thoughts into engaging experiences. We also explore a DeepMind researcher’s suggestion that AI needs a body to attain superintelligence and dive into the weird world of virtual fantasy via Berlin’s Cybrothel. We hope the youthful optimism of everyone featured is contagious.
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How can architecture deliver on its promises when budgets are tight, tasks are pressing, and resources are limited? A new generation is rethinking the act of building: pragmatic, yet far from simplistic. By concentrating on what truly matters, they achieve unexpectedly inventive outcomes even under austere conditions. Standards, regulations, and established norms can(...)
Detail 1/2 2026 : Simply well built
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How can architecture deliver on its promises when budgets are tight, tasks are pressing, and resources are limited? A new generation is rethinking the act of building: pragmatic, yet far from simplistic. By concentrating on what truly matters, they achieve unexpectedly inventive outcomes even under austere conditions. Standards, regulations, and established norms can sometimes stand in the way of intelligent ideas – but they can also set them in motion. Building simply remains a complex field. In this issue, we hear from architects who have embraced the discipline of doing more with less.
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Log 65: fall 2025
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Considering the many questions of how we live today, Log 65: House and Home asks: Where are we at home? What makes a house a home? Does the process of building ever cease, or does it become the activity of dwelling? The issue features ten novel residential projects – both proposed and built – in full color, with accompanying texts by Daisy Ames, Peder Anker and Mitchell(...)
Log 65: fall 2025
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Considering the many questions of how we live today, Log 65: House and Home asks: Where are we at home? What makes a house a home? Does the process of building ever cease, or does it become the activity of dwelling? The issue features ten novel residential projects – both proposed and built – in full color, with accompanying texts by Daisy Ames, Peder Anker and Mitchell Joachim, Preston Scott Cohen, Thomas Daniell, Joe Day, Jon Lott, Mónica Ponce de León, Maria Alessandra Segantini, Kazuyo Sejima, and Bryan Young and Noah Marciniak.
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Les prophéties artistiques ouvrent des perspectives inédites et des brèches dans le temps pour faire tomber les évidences et interroger l’ordre des choses. Les artistes ont ainsi troqué les grandes utopies pour des visions fragmentaires, situées et sensibles. La conscience d’un futur qui se devine et se façonne dans le présent se révèle dans leur regard inquisiteur et(...)
Espace 142 : prophéties/ prophecies
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Les prophéties artistiques ouvrent des perspectives inédites et des brèches dans le temps pour faire tomber les évidences et interroger l’ordre des choses. Les artistes ont ainsi troqué les grandes utopies pour des visions fragmentaires, situées et sensibles. La conscience d’un futur qui se devine et se façonne dans le présent se révèle dans leur regard inquisiteur et dans les formes expressives de leurs pratiques plastiques et médiatiques. Ils et elles prennent ainsi le relais des oracles, des sibylles, des prophètes ou des chamans, à la fois en phase avec le réel et légèrement décalé·e·s, dans un positionnement qui confère à leurs relectures du monde une acuité particulière. Le dossier Prophéties réfléchit aux langages de l’art pour imaginer et pressentir l’avenir, aux rituels déployés pour réécrire l’histoire et à la notion même de croyance.
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
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